Criss Cross: Friendship Can Be Murder: book1

My cozy mysteries set in the 1930s, along my two books from the 1960s mystery series, tend to outsell my original series, the Friendship Can Be Murder series to a considerable degree, and so I often go months without mentioning or even really thinking about my first few books.

They aren’t ‘literary’ – none of my books are. And as they are written in the form of diary entries, in the first person, I realise that they are not a popular choice point-of-view-wise.

But nevertheless, I have a great affection for them. I mean, often I look at these books, and think, ‘What was I thinking, I must have been mad!’ and other times, I’m just really grateful that I took the plunge and published them, and I learned so much that was invaluable when I came to publish my later books.

Book 1 – Criss Cross – was published in February 2013 – eons ago! And so I thought I would share a snippet from that book. It might pique your interest, or it might not, but I’m just showing it some love for the first time in a long while.

To set the stage, Cressida, a very wealthy lady who is married to Thomas, has been pondering the practicalities of killing her mother-in-law. Needless to say, they don’t get on, and Cressida has decided the world would be a much nicer place without her mother-in-law in it. So she’s mulling this over in her diary.

I mean, the vast majority of normal people, people like you and I, we just instinctively know the correct way to behave. We apologise when someone else bumps into us, we begin every complaint with ‘terribly sorry to be a nuisance, but…’ We’re nice. Pleasant. We have a kind of in-built mechanism, straight as a line in damp sand, an invisible barrier which prevents us stepping beyond the realm of reasonable and acceptable behaviour.

Some people do not.

Some people never read the signs, they ignore all warnings and plough doggedly on, intent only on saying what they want to say and doing what they want to do. They don’t care about your feelings. They turn up unannounced and uninvited, they change your plans without considering your wishes. They don’t notice the look on your face, the halting of your phrase, they are oblivious to the cooling of the atmosphere around them. They never notice that infinitesimal pause before you continue to hand around the petit-fours, a fixed smile plastered on your face, inane pleasantries tripping off your tongue. Some people remain completely and utterly ignorant of all the signs.

Everyone else, metaphorically speaking, has grabbed their handbags and jackets, collected their madeleine-tins from your kitchen, tossed the keys to the Range Rover to their husbands, dashed out of the door leaving kisses still hanging in the air, and are already on the slip road to the motorway whilst That Person is still looking vaguely around as a few motes of dust drift gently down to the Axminster. They are wearing that idiotic expression that says, ‘Who? Me? What could I have possibly said?’ or even worse, ‘Well I only said what everyone else was thinking’.

And they are always, always, always completely unaware when they have outstayed their welcome.

There’s only one way to deal with people like that.

One way and only one way.

You have to kill them.

They never take the hint, you see. They fail to detect the slight frost in your demeanour as they witter on, insulting your loved ones, criticising your friends, your home, your life. Such people cannot be taught, changed or reasoned with. In the end, it’s just easier for all concerned if you get rid of them before they truly become a Nuisance and make everyone with whom they come into contact completely and utterly miserable.

And if that seems a little harsh, just think for a moment about what these people do to your self-esteem, to your inner calm, to your peace of mind. When the phone rings, these are the people whose voice one dreads to hear. One begins to dread all family occasions and holidays because of That Person. Frankly, it’s just not worth the emotional and psychological trauma of putting up with them. Life is quite challenging enough. And that is the stage I’ve now reached with Clarice.

So.

That said, it’s one thing to say to oneself, Monday, water plants, collect dry-cleaning, go to library, bake fairy cakes for the One-to-One day-centre fundraiser, and quite another thing to just sort of slip onto the bottom of your to-do list, ‘Oh and kill mother-in-law and get everything tidied up because dinner will be on the table at seven o’clock sharp due to drinks at eight-thirty at the Pearson-Jones’.

Things—unfortunately—just aren’t quite that simple.

The Grandes Dames of the murder mystery genre, practising their art in the early and middle parts of the twentieth century—what one might term the ‘Golden Age’ of detective fiction—espoused the pleasures of poisoning. Fly-papers were meticulously soaked to extract their lethal properties, berries and toadstools were carefully gathered and sliced and diced and surreptitiously introduced into steaming casseroles and tempting omelettes. On every domestic shelf such things as sleeping draughts and rat poison and eye drops sat unnoticed and unremarked, and a home was not a home without at least a few jars of cyanide or arsenic sulking forgotten in garden sheds and garages.

But, sadly, these items are notoriously tricky to come by nowadays in our ‘Nanny state’.

Of course, one watches these TV programmes that explain all about the forensic process, so that one is pre-armed with useful information. Knives wielded by the left-handed protagonist cut quite differently to those employed by a right-handed person. Equally so the short protagonist and the weak slash feeble protagonist.

In addition the actual wound inflicted by a classic blunt weapon can yield so much information about not just the weapon itself but also the attacker—the approximate height, stance, and even weight and probable gender, for example, and the ferocity of attack is sometimes a gauge as to motive and psychology. Firing a gun leaves residue on one’s clothes, gloves, and skin, and, contrary to popular belief, it can be quite a job laying one’s hands on a firearm.

According to the Daily Tabloid, a gun may readily be obtained at certain pubs in our larger cities for as little as £30, usually from a gentleman going by the name of Baz or Tel, but the problem is, these tend to be the kind of establishments one would hesitate to enter in broad daylight, let alone late in the evening.

Remember, it’s very difficult to get a decent glass of Merlot in this kind of hostelry, and one can’t just go in and hang about without making a purchase of some kind. If you do just go into the bar and stand or sit in a corner, the other patrons are likely to stare and nudge one another. They may even whisper to one another, ‘Wot jer fink er game is then?’ or possibly, ‘Oi Tel, woss up wiv er, she too good fer us or summink?’

This is especially the case when one gentleman approaches and states that he and his friend, Gaz or Stevo or even ‘Arrison would like to buy you a beverage of some description, usually a Mojito or similar, and you are forced to politely but firmly decline. They are apt to be offended.

And if you do order a nice glass of Merlot, there’s always a momentary look of confusion on the face of the Landlord as he tries to recollect whether he has a corkscrew within easy reach, or how long ago he opened the half-empty bottle on the back counter—was it recently enough to avoid the expense of opening a brand new bottle?

Then he’ll ask if you’d like ice and lemon. Might as well add a cherry-on-a-stick and a little umbrella! And there’s no point in trying to charge it to your Diamond Visa or Titanium Amex—they much prefer to deal with cash. It’s altogether a rather unpleasant experience.

In any case, Baz or Tel are always surprisingly suspicious when one asks them if it would be possible to purchase a small Eastern-European revolver, something with a fairly hefty slug but small enough to slip into a small Louis Vuitton clutch-purse, or at a pinch into a Mulberry shoulder bag, or even, and here I may be straying into the realms of fantasy or James Bond (same thing, I suppose), even into the top of one’s stocking.

The gentleman invariably looks a bit puzzled and says something along the lines of, ‘‘ere that sounds a bit dodgy Darlin’. I don’t do nuffin like that.’ Well, of course it’s a bit dodgy, one points out, one is illegally attempting to buy a gun in a corner of the car park of a fleabag pub at eleven o’clock at night, and paying cash into the bargain. How could one possibly see it in any other light than dodgy? It doesn’t matter if you offer them £100, £200 or even £500 at this point, they just walk away shaking their heads and saying, ‘screw that, I don’t wanna get cort up in nuffin dodgy.’

I ask you.

The criminal classes aren’t what they once were. But what other choices does one have?

A pillow over the face in the dead of night is liable to leave a filament of goose-down in the lungs of your chosen recipient. This will immediately be detected by any half-decent forensic examiner and blabbed all over the Car-Crash Telly channel in a late-night special called Toffs Who Kill or something of the kind.

A bit of a bump with the car in a quiet part of town on a wet Wednesday afternoon may lead to eyewitnesses or CCTV footage recording your number plate for posterity. For goodness sake, tiny fragments of paint from the wing of your vehicle may embed themselves in the depths of the wound you inflict, and these same may be delicately reclaimed by a steady-handed science-nerd in a lab coat wielding a pair of sterile tweezers.

Murder is a difficult road to travel. But one must bear in mind the old maxim that nothing worthwhile is ever attained without a struggle. Therefore it is imperative to be utterly committed, to be dedicated in one’s approach, to persevere in the face of adversity and to make copious notes so that one may learn from one’s mistakes. And of course, it goes almost without saying, each stage must be planned in intricate, even tedious, detail.

Today I went to my local stationer’s—It’s so vital, I feel, that one supports local businesses wherever possible—and bought two notebooks, a small index card box, a set of ruled index cards, and a rather nice fountain pen. My husband seems to be under the impression that I require these items to catalogue my shoe collection. Sweet! And not a bad idea… but first things first.

Now, I’ve worked out I have approximately six weeks in which to plan and carry out my little project, and still have time for a decent mourning period before we have to be in Scotland for the ‘glorious twelfth’, my Thomas’s cousin Jessica (lovely woman!) always has a house party. Actually this year it’s the ‘glorious thirteenth’ as the twelfth falls on the Sabbath, and one never shoots in Scotland on the Sabbath. Der! Thomas loves his shooting, so although I’m not a lover of messy pastimes, I always like to encourage him to relax and have a bit of fun. Stockbrokers work so hard, don’t they, and such high stress levels, one obviously doesn’t want them to crack up under the pressure!

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Is the 11th too late for goalsetting?

For various reasons I’m a bit late to the What I Will Accomplish This Year 2024 party.

I have goals – quite lofty ones really, but who knows what I will have the time and energy to achieve? But if I decided, you know what, I’ll take a year out, the danger is I won’t achieve anything, and what’s the point of that?

So here we go – this is 2024 as I see it, part of the way through the second week of January. this is what i would want to do, in an ideal world, if the sky was the limit and i didn’t have cancer treatment to deal with.

  1. Finish and publish Dottie Manderson mysteries book 8: Midnight, the Stars And You. This has to be this year’s main priority in terms of writing, because people keep saying things like, you know, when is it out? There’s only so many times you can nod and smile and say, it’s coming, honest. There’s a teaser for it on here somewhere. If you fancy taunting yourself with something that is still four or five months away, here it is. I promise it’ll arrive eventually.
  2. Because I felt pretty down about the whole ‘by the way, you’ve got breast cancer’ thing, apart from working on the 2nd book of the Miss Gascoigne 1960s mystery series (which came out on Dec 8th) I started playing around with a book I wrote over ten years ago, purely for fun, and it’s actually almost ‘there’ – almost ready for publication, and so although it’s not part of any of my three series, I will very likely publish that in February, just for fun. It’ll just be a one-off, stand alone novel like Easy Living. This book is called The Cousins, and again, there’s a teaser and a bit of info here.
  3. Now I know last year, in a fit of optimism I started banging on about a new story in the Friendship Can Be Murder series, which has been out for over ten years and I kind of thought was finished at three books. And I have written quite a lot for that new book, but it’s nowhere near ready, and so, let’s be honest, it’s not likely to make an appearance in 2024, or if it does it’ll sneak out at the very last minute. I tentatively called that book Dirty Work, and I do hope to finish it and publish it over the next year or two, but there’s no date as yet.
  4. And then, my second main priority will be to get to work and finish and publish book 3 of the Miss Gascoigne mysteries. This will be Through Dancing Poppies, and I hope/plan/rashly promise it will be out in November of December of this year. You can bang on my door and demand it if I don’t deliver.
  5. My next German translation of a Dottie book is due out at the end of this month. If you love to read a novel in German, this could be perfekt for you! Keep your eyes peeled for Rosenblüten und weiße Spitze: ein Dottie Manderson Fall: Buch 7. Zitat aus Rosenblüten und weiße Spitze: Ein Dottie Manderson Fall: Buch 7

And by the way, if I seem flippant about the cancer, I’m not. But I am open to talking about it – as they say, fear of the name increases fear of the thing itself, and I refuse to live in fear. I trust the medical team at the hospital where I’m having treatment, in fact they’ve been blooming amazing, and I believe them when they say that ‘eventually’ I will be okay. And so many lovely people are praying for me… And if only we could get proper funding for the NHS I’d be a happy bunny. I believe passionately in a national health service – good health is not something that should be the preserve of the wealthy.

So that’s how my 2024 is looking right now. What are you doing with yours? Got any plans for world domination or maybe a nice holiday?

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Routine – the nemesis of creativity?

I recently read somewhere that routine hinders the creative process. To really be creative, I read, we need to let go of organisation, routine and any kind of rigid preconceptions or framework, and allow ourselves freedom to explore in any direction and form that appeals to us.

I couldn’t disagree more strongly. If you think that routine is a hindrance and obstacle to being truly creative, I’d like to invite you to reconsider.

I suggest that it is routine that brings freedom and that freedom is often to be found within boundaries, not outside of them. Because parameters do one great thing for us, yes, even us creative types. They give us a sense of security. And if you feel secure, you can relax and have the freedom to be creative.

All art is created within boundaries. Or a framework of conventions, if you prefer to call it that. Mozart created wonderful music. Yes, undeniably, he was incredibly creative and had a flair for genius. But… Musical composition is, in many ways, one of the most rigidly ‘controlled’ art forms in that very deeply-held conventions dictate the agreed (not necessarily explicitly agreed) common elements that must be adhered to, in order to create any form of music. Sonatas have a specific set of rules, if you like. All sonatas have common elements that make them what they are. Similarly, concertos, arias, opuses and symphonies all have elements which dictate how they are created and underpin the very stylistic identity of a given piece of music.

Now I’m tempted to take a long detour at this point and show that this is exactly the same as the genre conventions in writing, that genres have their own conventions and that you can subvert or uphold these as you desire, but I won’t, as I’ve already waffled quite a bit, and I want to keep this blog-post fairly to-the-point.

Obviously we can all have an off-day. But you know when you are recharging and when you are simply wasting time or letting things slide.

Sometimes, I’ll admit, I do just go with the flow, letting words pour onto the page. There’s nothing actually wrong with that, but it doesn’t make for good reading, it rarely fits neatly into a novel, and I am a novelist, so that is what I need to write. Unfocussed, meandering writing, sometimes called ‘automatic writing’, is great fun, very cathartic and can help you to improve your writing overall. But for everyday ‘work’ writing, you need focus, not indulgence.

Within a framework, we have the freedom to be creative. Routine can be just such a framework. I’m actually not a very organised person with regard to my writing. But I have discovered that an established routine is my friend when it comes to cracking on with my WIP and meeting deadlines.

Why?

If you are organised, you can relax and focus on the job in hand. You make the most of your time, you crack on, (hopefully/usually) and have something concrete to show for it, so productivity is improved and you feel good about what you’ve achieved. Which makes it more likely you’ll do it again tomorrow. In addition, good output leads to increased experience, increased confidence and also positivity, and as many writers know, these are commodities that can be hard to come by.

Planned routine is anticipated, your subconscious inner writer is actually hard at work long before you sit down at your desk. You know what is expected, and what your intentions are. You’re prepared, in the zone. This means you ‘hit the ground running’ and are ready to go immediately with no need for warming up or getting yourself in the mood.

As I’ve said already, routine, planned writing leads to increased output and measurable results. You see the word count piling up and you see that you are moving towards your deadline or goal. This gives you the impetus you need to write through the tough sections of your book, those tricky little scenes and the mid-book blues, even through the ‘I don’t want to do this anymore’ sulks.

For me, one of the main advantages to this type of organised approach to work is that I remain ‘current’ with my WIP. I literally don’t lose the plot. By that I mean I don’t lose track of characters and plot strands and the atmosphere of the book the way I do when I’m here and there and all over the place writing whatever takes my fancy. The resulting draft is more seamless, the scenes transition more smoothly, and small details are less likely to be overlooked. I’m totally immersed in my story.

They say it takes six weeks to develop a new routine: three weeks to break old habits, and another three to establish new ones. Give yourself six weeks, starting today. Who knows, by the time we reach the New Year, you may be firmly in the Routine is my Friend camp.

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Ten (awful) things about me

Of course, I don’t wear the anorak all the time. It’s for special occasions.

I thought I’d tell you ten things you might not know about me. Why? Well, we’re all besties now, right, so that means I can off-load some of my mess special characteristics and just—you know—really be myself with you.

  1. I got a 10-yards swimming certificate when I was ten years old. So if I’m ever on board a boat that sinks really, really close to the shore, I’ll be fine.
  2. When I was out for a walk with my family in a park when I was eleven years old, I needed to go to the bathroom, and there were no bathrooms, so I went behind a tree, and a man and his dog came over and asked if I was okay. (I didn’t realise there was a path behind the tree as well as in front of it.) I was too embarrassed to say I was peeing, so I made up a totally unlikely story about losing my pocket money behind the tree and said I was looking for it. Crouched there as I was, I half-heartedly raked through the  leaves by my feet. The only problem was, this kind man decided to help me look for it…. It was about five long minutes before he must have realised what was going on, and with a panicked expression got up, said goodbye, and that he hoped I’d find my ‘pocket money’, then he and his dog ran! Aww. My parents laughed, but I was mortified.
  3. I failed my English Literature ‘O’ level. Though I later went on to complete a Bachelor’s degree in English and History so I certainly showed them!
  4. I also failed my Sociology ‘O’ level. Ironically, it was the only subject I really studied hard for. I must have guessed how bad I was at that subject. To make matters worse, my teacher told my parents I wasn’t going to pass and so they had to pay for me to be allowed to sit the exam. All for nothing. Is it too late for a resit?
  5. I love cats and dogs but I’m allergic to fur and dander.
  6. I love learning new languages, but I am hopeless at it. I always get the different languages muddled in my head, and I may start a sentence in French, but I’ll just as likely end it in Spanish or German…
  7. I once peed myself laughing with my cousin, then had to throw myself in a handy nearby river to disguise my ‘accident’ so as not to get into trouble with the dreaded parents. I was about twelve at the time. I was a horrid child! I also fell into a river on Boxing Day, then sat in a tree in my underwear hoping my clothes would dry in the breeze and went home an hour later frozen half to death in sopping wet clothes. Me and bodies of water do not get on.
  8. My work experience week coincided with my sixteenth birthday, and I was sent to spend a week with the local newspaper. I spent my sixteenth birthday covering court cases as a junior reporter. It was fascinating and I got well and truly bitten by the true crime bug!
  9. I once rode my bike into a fence and smashed it. And I took myself to the front door of the fence owner to confess all. He was so astonished at my honesty that he let me off. (Another pre-teen escapade!)
  10. I got thrown out of our school’s church service for asking too many questions about God. I wasn’t even a disbeliever, I just was asking tricky theological questions, which apparently was not okay. (Still eleven!) Oh well. I also got a prize in school prize giving for Religious Education, so maybe they forgave me after all.

So yeah. That’s me. I can kind of see how I ended up being a writer.

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Thoughts on a blank page

 

The first, new, blank page.

Blank from the French blanc

Meaning white. Also blench/

Blanche meaning to lose

Colour or to grow pale.

But no longer whitely paling

No longer a threatening void

Or waiting gap, a vacuum,

Gulping me down.

Unfillable space.

Look! I’ve written on it.

 

The ‘fear’ of the blank page is a common problem for writers. I guess perhaps less so now we can fill our screens with formatting and editing marks. But still, for some it’s an excruciating obstacle, for others a brief gulp and pause before pushing onward. It’s useful to have a coping mechanism if this is something you can relate to. I write my first draft longhand, and that’s where the blank page seems to become an in surmountable fence between me and my creativity. So I always write my ongoing word count in the margin at the top and bottom of each page, and I write dates, titles, or chapter headings as required at the top of each new page. These small scrawlings help to break up the expanse of white paper and make the page seem already ‘inhabited’, thereby solving my problem. If I’m going through a dry patch, having trouble getting down to writing, I might even make notes in pencil on the ext page for the following days work. So if you sometimes struggle, maybe give these a try and see if they work for you too. Drop me a line if they do!

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Alliteration and her sisters

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Round the rugged rock the ragged rascal ran. (rock not included)

We all know that one, don’t we. Though I usually get rugged and ragged back to front. I have to remind myself that whilst a rascal can be rugged or ragged, a rock can pretty much only be rugged.

As we learned in junior school, alliteration is putting together words with the same initial letter. In the case of the above phrase, R, the pirate’s favourite letter.

This can be a useful literary device when writing, and like most literary devices, it is used to make the reader feel, view or interpret your writing in a particular way by creating a mood or appearance. But use it sparingly. The problem with any literary device, is that all too easily it can draw attention away from what you’re writing and turn the focus on itself, distracting your reader from you’re story in the same way you can sometimes fail to see the puppet-show because you’re focusing on the strings.

Sibilance is the repeated use of an S sound, or a hissing sound. You put together words with lots of s, sh and soft c sounds: Sid’s silly scented snake slithered smoothly across the shiny façade. Unlike with Alliteration, the repeated sounds don’t have to be confined to the beginning of the word.

Assonance is the repeated use of vowel sounds: cut jug, heed beat,   or the same or similar consonants with different vowels: jiggle juggle, dilly-dally.

Consonance is the repetition of matching consonant sounds: ruthless cutthroats, repeated reports. It can quickly descend into Alliteration if only the initial letter(s) are repeated!

These can all be useful for creating a certain mood, or an attitude, or making the reader see a character or setting in a particular way. It can also imbue your writing with a poetic or lyrical quality. In fact most poetry contains some or more than one of these devices. Think of Wordworth’s I Wandered Lonely As A Cloud, with all the repeated Ls, the Hs, the Ds, the long vowels of wandered, lonely and cloud.

It can also have a unifying effect, making all parts fit together with a repetition of shared letters and sounds. But like all good things, in prose it needs to be used in moderation.

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