You might have noticed I sometimes get stuck for ideas for a blog post. When that happens, I usually sneakily use an old one and hope you won’t notice, or I put in an interview, or a short piece about my books etc.
BUT… (and you’ll be proud of me for this) I actually decided to research ‘what to write about on your blog’ and hey presto: Write about ‘If I could spend a month writing anywhere in the world, where would it be?’
I love to write in cafes. But with lockdown the way it is, I’ve become a stranger to that. And I do have an office where I do most of my writing (picture the smallest bedroom in the house, no longer needed after the children grow up) and I sometimes write at the dining room table, or in the sitting room, snug on the sofa complete with snoring cat.
Many years ago, we lived in Australia, in Brisbane. It’s hot and sticky there, but I enjoyed it. And our first house there was an absolute hovel (sorry Aussies, but it was, honest), but when the kids had gone to school, I used to sit on the front steps with my morning coffee, a few dozen tiny lizards around half the size of a pencil, a couple of plants in pots, and my notebook and pen.
These little guys just need the water from your flower pots!
I could sit there for around two hours until the sun was so hot, I had to go inside. I used to water the plants in the pots, and the lizards would come and drink the water that ran out of the bottom of the pots onto the wooden steps. The lizards were so shy, I had to keep really still so they thought I was a tree or something. Occasionally a kookaburra would sit on the fence and stare at me, but usually it was just a pigeon or a magpie. I’ve searched my photos but can’t find the one I can picture in my mind that shows the steps and the plant pots. You’ll just have to conjure up your own image of front-step perfection, and write there.
Whereas these guys want to lie on your compost heap in the sun and stuff themselves with leftover fruit and veg
The road was called Farm Street, but I’m guessing that was to commemorate where the farm used to be before it was bulldozed to make way for the street. Neighbours would go by and wave or stop to chat. Gradually they got to know the new Brits at number 12. One guy was very sweet and kind when we were afraid to go past something that looked like quite a large snake in the storm drain by the pavement, but the neighbour explained it was a blue-tongued skink, and nothing to be afraid of. We were still pretty nervous to begin with, I can tell you.
Anyway, so I had two hours of writing most weekdays, sitting on the front steps. I can picture myself there, writing three novels in the time we were in that house, only one of which has been published (Easy Living) and the other two are very much still in the ‘I don’t know what to do’ stage of development. One was called Baby Girl and is about a well-known actress whose adoptive mother passes away and so the actress embarks on a search for her birth mother and finds a killer instead. The other one, referencing the new millennium we were about to go into (so a while ago now) was about a pensioner who goes on the run to avoid being legally euthanised because of the growth of population. Both these books were set in Australia and contain long, slightly wistful passages about my favourite cafes – Jimmy’s Uptown, Jimmy’s Downtown, and Jimmy’s On The Mall, all on the same long street in the city centre.
Life changes, and we weren’t really happy with where we were living, and we moved away. But the times of sitting on the steps and writing were as close to perfect as we could get. It was ‘very heaven’.
Jimmy’s On The Mall: It’s a lot more glamorous now than it was when we were in Brisbane over 20 years ago, they’ve added a whole top floor! If we go back, this is the first place I’ll want to go.
I’ve always loved the glamour of Golden Age mysteries, and so I wanted to try my hand at something like that. But I wanted to have a young protagonist as most of the books I’d read had older, spinster ladies as detectives. But I didn’t want to write anything too sweet, or too separate from the real world. So in my books, yes, there is glamour and romance, and the bad guy or gal always gets caught (though sometimes not immediately) but there is also heartbreak and the harsh reality of life not being easy, especially as my chosen era of the 1930s is so close to the war.
What is the hardest part of your writing career?
I suppose it’s juggling all the different aspects of being a writer in today’s world – the social media, obviously, I know everyone says they struggle with that, but also all the technical things – covers and document formatting, creating promotional materials, then remembering to share them, setting up a blog and remembering to create something new most weeks. And then remembering to do actual writing too, and stick to my deadlines. So much to do!
Would you ever use a pseudonym?
I always use a pseudonym. In fact have have several, but the only one that I’m using at the moment is Caron Allan. I wanted to use a pen name because to begin with, it gave me the space and privacy to completely mess up without feeling ‘exposed’. And also, I felt my real name was dreary and unromantic!
When writing a series how do you determine where a book should end and it’s sequel should start?
It’s not always easy, and I’m not very good at it, but fortunately because I write mysteries, that kind of gives a natural end, when the perpetrator of whatever dastardly deed is unmasked and taken away in handcuffs, or however they exit the story, it seems right to just have a short wrap-up and end the book. Though I do have ongoing story-lines – mainly the romantic side of things – that continue through the books and aren’t resolved immediately. In book 1 Dottie, my protagonist, is only 19. I think 19 in the 1930s was a lot younger than 19 today in many ways, and so we see her growing and maturing through the books, coming to understand the world, and relationships, but she is very idealistic and so she can be led by her emotions, and is sometimes bruised by life. She’s not perfect, she’s on a journey, and I like that about her. I don’t want to read about or write about a heroine who doesn’t change, and especially one who doesn’t have depth and dimensions to her character.
Who were your biggest critics and cheerleaders in writing this series?
My family are a huge support, my daughter especially is a massive practical help as well as my cheerleader, as writer herself she knows where I’m coming from. I have a couple of very special friends who are also writers and who are so helpful and encouraging.
If you could go back in time which historical figure would you like to meet?
Oh dear, that’s quite hard. I know we’re always supposed to say Marie Curie or someone incredible like that, but maybe just meet my great great grandmother? How did she cope in the late nineteenth and early twentieth century with all the domestic responsibilities and none of the labour-saving devices we have today? Plus she had six kids, and i only had two, so I am in awe of the women of that era. I’d like to meet Agatha Christie, and Patricia Wentworth when they were in their story-writing heyday, and get as many tips as I could, and also express my admiration for their work.
What should we expect from your upcoming series?
Well I will continue my Dottie Manderson mysteries: Book 7, Rose Petals and White Lace will be out around November 2021. In this book, we will see Dottie trying to find out who wants to get a local tea-shop closed down, and why. It’ll be a gentler mystery for Dottie after the previous couple, but nevertheless there will be at least one fatality, and if you’re not a fan of creepy-crawlies, this might not be for you! I also will be launching a new series, set in the 1960s this time, and featuring the daughter of Dottie’s sister as the detective-protagonist – these will be the Miss Gascoigne mysteries, and begins with A Meeting With Murder. Diana Gascoigne has been ill and goes to the coast for some good sea air to recover, but obviously there are dire doings afoot and she will want to find out who killed an elderly disabled woman. the Diana books will be a little different to the Dottie books, as we know, the 60s were a time of growing freedoms especially for women, and Diana is not an ingenue like Dottie, but a little older, a little wiser and more aware of the difficulties that a woman can face, and she wants independence and more autonomy in her life. But she has the same determination to seek justice and truth.
Would you ever consider writing a biography of your life?
LOL, that would be so boring! I’m not adventurous or glamorous and I’ve done very little with my life other than sit with cats reading or writing. I really don’t think it would sell!
Do you ever experience writer’s block? Sometimes. I don’t agree that it’s not a real thing. I usually find it stems from discouragement, fear or being overtired. I tend to push myself, and I’m always thinking of plots and story ideas, so I get quite mentally tired, and don’t always remember it’s okay to just do nothing and relax. Maybe I need to watch my cats even more than I do! I find rest, music and mundane chores help.
How can your fans reach you and connect with you?
I can be found on twitter: @caron_allan or instagram: @caronsbooks or through my blog, caronallanfiction.com and I’m also on Facebook, but I have to confess I don’t go on there very much, I’m more of a Twitter person.
I’d like to thank Judith Cranswick, murder mystery author, for sharing her writing world with us. Hi Judith, thank you so much for coming along and allowing yourself to be tortured in this way! I understand you’ve got some great news to share with mystery book lovers?
Yes Caron that’s right. I’ve got a new book coming out TODAY! Blood Follows Jane Austenis a Fiona Mason Mystery. This time Fiona stays in England and takes her party on a tour of sites associated with Jane and her novels. Fiona’s problems include an antagonistic guest lecturer, a difficult passenger intent on upsetting all and sundry plus the usual dead body. Fiona’s relationship with MI6 chief, Peter Montgomery-Jones has once again become strained. He is busy dealing with the repercussions following the assassination of a central African leader, but she needs his help to prevent the wrong person from being arrested. Although it is the 7th in the series, it can be read as a standalone.
Q1. In case anyone hasn’t figured this out by now, tell us what kind of books you write, Judith?
The quick answer is the kind I like reading. I love whodunits in the Agatha Christie style, lots of hidden clues, red herrings and a relatively small number of suspects.
I tend to call my two series travel mysteries, and they probably come under the cozy umbrella because you won’t find any excessive violence, bad language or sex in them. A touch of romance for Fiona but that’s it.
Having said that, my first published books were standalone psychological suspense novels. I enjoy writing them (I have a couple of ideas I’d love to tackle if only I had the time), but my readers are always telling me they can’t wait for the next Fiona or Harry and Aunt Jessica story.
Q2. What first drew you to writing mysteries rather than, for example, romance or fantasy/sci-fi?
The first novel I wrote was an historical novel, ‘The Tribune’ about a 4th century Romano-British soldier inspired by a trip to Chedworth Roman Villa. The second book was ‘Magic for a Magician’. I entered a fantasy short story competition, fell in love with my 7’2” magician and the story became chapter one. I couldn’t get a publisher interested in either of them.
In the early 2000s, I was reading a great many psychological suspense novels – writers like Nikki French, Barbara Vine, Minette Walters and Val McDermid. I loved the edginess of their novels. That gave rise to my ‘All in the Mind’ and ‘Watcher in the Shadows’ both of which won awards.
My then agent, suggested I try writing books with a series character which led to the first Fiona Mystery – ‘Blood on the Bulb Fields.’
Q3. What comes first for you, plot or characters?
Neither. I start with a scene such as a woman being mugged in an underpass (as in ‘All in the Mind’). How the main character reacts to the situation influences what happens next. I’m not a plotter and for me the fun of writing is discovering how the story line and the characters develop on the journey. Rather like Minette Walters, I never decide on my murderer until the final few chapters. I may have a vague idea who it will be midway through the book but then often change it right at the end.
Obviously, with my series books I do have my small core of main characters (who I hope continue to grow with each book) plus the country where the tour will take place, but from then on it’s just start writing. By halfway, I probably have some idea of where I want to end up, but it’s all very fluid.
Q4. Do you buy books as gifts at Christmas? Can you tell us about any surprises in the Christmas stockings this year? (we promise not to blab)
Choosing books for other people is difficult. I did when family members were small but then changed to book tokens. Only my son has a long wish list of books on Amazon and most of those are reference books.
Q5. What do you do when you’re not writing or reading?
I teach yoga and tai chi and in a usual year I would probably be doing several cruises as a guest lecturer. I began running writing workshops on board ship, then went to giving talks on writing, became a port lecturer and in recent years I’ve been asked to give history lectures. Ancient history is another of my passions.
My husband and I also take several holidays each year, mostly as research for my novels of course. (Well that’s my excuse.)
I spend my mornings either at the gym teaching or doing Pilates or Zumba, and two mornings line-dancing.
Q6. What’s next for your writing?
My next project is another Harry and Aunt Jessica novel set in Persia. Our last holiday, back in November 2019,was to Iran. It’s an amazing country, full of breath-taking architecture, Persian palaces and sumptuous mosques, and a fascinating history. Accompanying our trip was the same history lecturer who came on our Morocco holiday which is what gave me the idea for my first Aunt Jessica Mystery.
Q7. If you couldn’t be a writer, what would you do?
I became a published writer when I retired. I taught geography and eventually became a headteacher.
Q8. What’s the biggest challenge for you as a writer? What can be a struggle at times?
Even though I’m retired, finding time to actually write can be difficult. I don’t write quickly and on average it takes me a whole year to produce a book. Starting a book is never a problem but I’m not a plotter and I do tend to languish in the middle before I get to the final rush at the end. This last year, by far my biggest problem has been research. Long before I even work out the story line, I visit the area as a passenger on an organised tour, which forms the basic framework on which to develop the plot. This year, that just wasn’t possible.
Q9. Do you have a set routine when you’re writing? Do you set yourself a daily word count to achieve?
My best writing time is probably early in the day but, in normal times, I’m out every weekday and life does tend to take over. I may need to stop everything to research and prepare PowerPoint presentations for a lecture cruise. I spend on average six weeks at sea, but preparing the lectures takes at least as long. My overall plan is to write a book a year. The actual writing – first draft – stage takes five to eight months, then comes four major rewrites, then to my editor, major rewrite, beta readers, more rewrites then proof-reader. During the intensive writing stage, I probably have a daily word count of around 500 to 800, but nothing is set in stone.
Judith, it’s been so lovely to catch up with you and good luck with the new book.
Readers who want to know more about Judith and her books can follow this link to Judith’s blogwhere she posts a lot of insights into her books and especially, the journeys that inspire her highly popular books.
This week I’m cheating! In fact I’m not just cheating, I’m showing off, too, as last week I was honoured to be interviewed by Paula Readman in her Clubhouse. You can find Paula’s blog here, and learn more about Paula’s own books, The Funeral Birds, Days Pass Like A Shadow, and Stone Angels, as well as reading all the great conversations that take place with writers who are mysteriously smuggled into the Clubhouse. Here’s how it went:
Welcome to Clubhouse Chat page. Those of you who are not aware the location of the Clubhouse is shrouded in mystery. The only way to visit it is via membership or an invite to the tearoom. Every few days, I’ll be sharing a conversation with all sort of writers and authors at different levels of their writing careers. Over tea and cakes, or maybe a glass of something stronger, I shall be chatting with my guest about their work in progress, or latest book release.
Today I’m welcoming Caron to the clubhouse tearoom. Welcome.
Thank you for the invite, Paula. Gosh, the clubhouse and tearoom is amazing and so many familiar faces too. Though getting here is very peculiar. I’m sorry about all the cloak and dagger stuff, but keep the location secret allow our members complete privacy. Also we have some noisy parties too. 😂 To start with let’s order our drinks and then we can start. My first question is When you first begun your writing journey what drew you to your chosen genre?
I’ve tried writing all sorts of stories of the years, romance, family saga, and so on, but there is always a point when I think, ‘The only way out of this is to kill someone.’ Or else I get so fed up with someone I devise a grisly death for them. I’m not a very nice person!
Also, which I probably should have led with, mystery and crime are my favourites books to read, which was due to my mother’s taste in books. I started reading her Agatha Christies and Patricia Wentworths around the age of 11 or 12, after growing up on Famous Five and Secret Seven books. Mum used to screen them to ensure there wasn’t anything ‘unsuitable’ in terms of sex and bad language. I wasn’t allowed to read her more ‘hard-boiled’ detective books.
What writing elements do you think is your strongest points, and what would you like to do better?
That’s a hard one. It’s quite difficult to step back and analyse your work impartially. But I think I’m quite good with the crime scene stuff. Or at least I try to be accurate. I don’t write a lot of descriptive scenes, these are the bits I find boring in other books and always skip. I want to allow the reader to imagine the scene, the characters, so I keep description to a minimum. I like to think I write good characters, though readers don’t always like what I put them through or make them do. I try to keep things believable and logical to a certain extent.
But I would like to cut the waffle a bit. My dialogue can be woolly if I’m not careful, with a lot of umms and ahhs. I’m also terrible at writing sex scenes (I always laugh inappropriately) but fortunately most of my books don’t require sex scenes, as they are ‘cozy/cosy’, and also (more or less) ‘clean’.
And I’m terrible for getting side-tracked then not wanting to cut out the side-track.
Tell us a little about latest writing project. Is it a new idea, or one you have been mulling over for some time?
I’ve got a few projects on the go at the moment. I’m about to start a bit of light outline-type planning for book 7 of my 1930s mystery series, Dottie Manderson mysteries. Book 6 (The Spy Within) came out last week, so I’m still in recovery! But I already have an outline for book 7, which will be called Rose Petals and White Lace. I’m also in the latter stages of writing a new series, The Miss Gascoigne mysteries, and I’m keeping everything crossed that book 1 will come out sometime next year. That is called A Meeting With Murder.
How many unfinished projects do you have on your computer?
Once I actually begin writing, I don’t usually leave a project unfinished. Although I have drawerfuls of books from my early years of writing that aren’t finished, I used to often abandon a story at around the 35,000-45,000 words mark, but it took me many years to learn how to push through the tough stages of a book, and also, how to fix problems such as not knowing where the story was going or how to rekindle the love for an idea. Someday I’d love to dig them out, dust them off and get them finished, but I just never seem to have the time. Life is so hectic, isn’t it, and there are so many new ideas to try.
Do you write a synopsis first or write the first chapter, or let the characters lead you?
I mainly write long fiction. I have written quite a few short stories, but they’re not my main ‘thing’, and my poetry is awful. Apart haikus, I love a good haiku! I mull an idea over for a while, and maybe make a few notes, as I’m prone to forgetting things! I keep doc files of my ideas, things that randomly occur to me that I think could be a good plot point or an entire plot for a story in the future. Then I usually try to find a way to bring ideas together to create a plan. I am stimulated by images and music, so when I really want to nail an idea, I start with creating a cover for my book, and the title, which helps the plot to settle in my mind. I don’t write detailed or elaborate plot outlines, I keep them in my head. There is a danger that I’ll forget something, of course, but if I write down too much, I lose interest and feel like the story is now finished.
Choosing only five of your favourite authors. Can you list them in order 1 begin the top of your list and say how have they influenced your writing?
Agatha Christie – it’s hard to know who should come first, Agatha or Patricia. First of all I admire anyone who can make themselves sit down and write every day in a professional, diligent manner, and do it come rain or shine. Because it’s quite a hard thing to do. Secondly, I learned so much from how they did it. I analyse their books and make notes. I find it so interesting to read about the nuts and bolts of creating a mystery novel. They both brought together groups of people to be anything from killer to victim, to red herring, to information gatherer and detective. I also love the social commentary.
Patricia Wentworth – As well as the above, I like the romantic elements of Wentworth’s books, and the moralistic tone. I think you get a great sense of characters from her books. And also style of the era too.
Dorothea Brande – I read this author’s most famous book Becoming A Writer when on a visit to my mum, it was the one that answered the questions I had as a young writer and made me see how to grow and develop my skills. First published in the 1930s, I think it’s the most influential book on the topic of ‘how to be a writer’ I’ve ever come across. Her book was the one that convinced me I could actually do this, I could write books and publish them.
Mary Stewart – I love her romantic suspense books, and so many of her chapters start with a literary quote that is relevant to the story, sometimes hilariously so. There is (usually) a strong element of romance in her mysteries too, and that is what I’ve always loved and to try to bring into my writing. Also, the exotic locations – I’m not widely travelled and so envy the heroines who dash off to all these wonderful places.
It’s very hard to confine myself to just five main authors. I’ve got hundreds and hundreds of books, and they are a bit like a family to me. (though I have a real, wonderful and very tolerant family) But if you held a gun to my head and told me I could only pick one more author, I’d probably go with M C Beaton, simply because she is very prolific, has a range of different series, and her books always seem fresh, funny and very human. And quirky. And she creates the most ingenious and cunning characters. I have never been drawn to the aloof characters such as Sherlock Holmes, though I’ve read most of Conan Doyle’s works. I like things cosy, and very female-centric as that is my life experience, and my happy place. But I read loads of authors, modern, and older, mystery and romance and fantasy, and non-fiction, I love social history and art/cultural history. I also love to play around with learning languages, but I get them all muddled.
When reading your work through do you ever find that your daily mood swings are reflected in your writing?
Not really. If I’m very ill, or very depressed, I can’t write fiction, though I do keep a journal for therapy. I had cancer a few years ago, that was a difficult time and as I adjusted to the news, I found I could write my thoughts and feelings into my journal, which was cathartic, but it took me a while to get back to my fiction and WIP writing.
Were any of your characters inspired by real people?
Not directly, or consciously, but there are always little things you notice or absorb unnoticed, and these get put in. As a child I knew lots of older ladies, aunties and ‘courtesy aunties’, and the way they talked and behaved has given me an affection for those kinds of characters in my books.
What did you learn when writing your book? In writing it, how much research did you do?
For my 1930s series, I have researched things such as fashion, social history, manners. I had to learn all about cars and driving in the 1930s. My main character starts off as a mannequin for a fashion house but ends up owning and running the business, so I had to learn a bit about that. I had to learn about policing procedures and advances in detection to present my murders – and the solving of them – in a believable manner. Most recently I had to find out what films were released in the early part of 1935. For an earlier book I had to learn a great deal about medieval embroidery and Opus Anglicanum, and also about the religious intolerance of the 1600s and well, always really). so there is always quite a bit of research to do. The trick is remembering it doesn’t ALL need to go into your book!
Is there anything about you your readers might be surprised to find out?
Erm… Oh dear… That’s hard to say. I’m not a very exciting person! We lived in Australia for five years, due to my husband’s job, returning to Britain in 2002. I’m a cliché really, a cat loving introvert with tons of books. I once had a letter published in Gardeners’ World and got a £5 voucher for it! That’s kind of it.
Did you uncover things about yourself while writing your books, whether that be a long forgotten memory, a positive experience etc.
Not really, although understanding that what I enjoy writing stems by and large from my first 10 or 12 years of life was a bit of a revelation to me that came to me out of the blue more or less a year or two ago. I find it hard to write male characters. When I thought about it, I realised I don’t actually know very many males. Having grown up without a father, then having a step-father I didn’t (for various reasons) feel close to, and as an only child, I didn’t have a close bond with a man or any boys. Even now, my only main male references are my son and my husband (who are lovely!), but that’s an unusually small number of men really, I just hadn’t really been aware of that until recently. I have drawn on anxieties or dreams and memories to develop story ideas for several novels and short stories.
What is your work schedule like when you’re writing?
I thrive on routine, so my schedule tends to be the same, more or less, all the time, weekdays and weekends. Though I do tend to write virtually all time in one form or another. I write mainly in the evening and late at night. I am most definitely not a morning person. During the day hubby and I tend to potter around the house doing chores, or go to a caff for lunch or a coffee (corona-plague-dependent, obvs). I’m lucky that I no longer have to do a day job as such. When I was working full time, I used to write on the bus to work or home again, and in my lunch hour, and then grab an hour or two most evenings and some of the weekend.
Do you set yourself a daily word count?
No. I write by scenes. So I try to do one entire scene, or if they’re very short, two or three scenes a day. Sometimes, I just feel full of energy and ideas flowing and I have to write until it’s all there on the page, other days it’s more of a disciplined slog.
How many hours in a day do you write?
Two or three. Maybe more in terms of planning, mulling, researching, pondering and faffing about. Most of my writing is done by staring out of the window and thinking ‘what if…?’ And I have post-its everywhere.
Did you ever consider writing under a pseudonym?
I only write under a pseudonym. My real first name is dowdy and my husband’s surname is ridiculous, so I didn’t want to use those, and I couldn’t write under my maiden name as that is already the name of an author (with the same first name). Also, as a new writer when I started out, I needed to be free to write whatever I wanted and find my voice without anyone knowing it was me.
How do you select the names of your characters? Do you know everything about them before you start writing their story?
I know a few things – the vital stuff, how tall, how old, eye colour, hair colour. I learn the rest as I go along, with the reader. I have had a few problems with names. To begin with, in my first drafts, male characters were always called John. It’s a name I like, plain, down-to-earth, reliable. But it can be quite hard to find a name that ’fits’ sometimes, and I am terrible for forgetting what I’ve called previous characters, and often in the early stages find I’ve got two people with the same name. I once came up with the perfect name for a character: Ben Sherman. My daughter laughed and told me that was the name of a designer, so I had to bin that idea. But at least it made me realise why those names seemed to work so well together!
What was your hardest scene to write?
I struggle with the emotional scenes where my main characters lose someone or something important to them. But I am able to sit in the privacy of my office sobbing into a notebook or onto the screen, so that’s helpful. I always empathise, so I feel the pain they feel, and I want to show my characters as they go through hard times like we all do.
In terms of technically difficult, as I said before, I’m rubbish at sex scenes. There’s always ‘his hand was here, and his hand was there, then his other hand was…’ and I think, how many hands has this guy got? Or the euphemisms people use, that always makes me laugh. So I tend to leave my couples at the full-on snog stage and come back with the lasting longing farewell.
How long on average does it take you to write a book?
It can vary tremendously, and I don’t always get down to it when I should, but usually a full-length novel takes me around eight or nine months to draft, polish, rewrite etc, get edited, proofed, revised and generally ready for publication. Most of them tend to be around 80,000-110,000 words, which is fairly long for a cosy mystery, but as I said, I am something of a waffler. I always write my first draft longhand in notebooks, then transcribe onto the computer for revisions. A first draft will generally take around one to two months, although I have written 120,000 words in 23 days once. Still haven’t revised that one though! I think it’s mostly umms and ahhs.
Thank you so much, Caron for joining us today. When you’re ready to leave please let our driver Brutus know and he’ll run your destination.
If you would like to find out more about Caron’s writing and books please click on these links: Her blog Her Author’s Amazon Page Latest book: (The Spy Within: Dottie Manderson mysteries book 6)
If you want to find out more about Clubhouse Member’s Books don’t forget to check out the Clubhouse Bookshops
This week I’m doing something a little bit different. I’ve posted interviews before with authors, mainly Indie authors like myself who have chosen to go it alone and self-publish their books. This week I’m taking part in a mini book blog tour to promote Pamela St Abbs mystery Shifting Sands: Inspector Campbell mysteries book 4.
Firstly, a bit of background:
Pamela St Abbs grew up in Norfolk but has always loved Scotland and has now lived there for over ten years. She loves to write detective fiction with tense, interesting plots.
She also writes Anglo-Norman crime novels under the name of Mary Bale, the first of which is called Threads of Treason and was published by Pen and Sword Books. As Pammy Bale, she writes books for children.
Shifting Sands is the fourth book in the Inspector Campbell series and the wonderful North Norfolk coastline was the background for this tale of duplicity and tenacity.
The pictures on the covers of Pamela’s books are original paintings by Pamela herself.
DC Garden couldn’t get through to Inspector Campbell on the phone. She also tried Sergeants Jenner and Parnold without success. She wasn’t sure if she was wasting time by following up the information about the burnt huts, but she would at least be at the scene of the murder of William Cecil Broadgate if she was at Banksea Beach.
Jess Barratt was bent double cleaning out the Banksea Beach kiosk following the scene of crime officers’ checks. She was wearing a flowered print sundress and a red tabard. Her two-tone hair was scraped back into a tight pony-tail. She turned around on Garden’s cheerful hello. She had a bulldog-about-to-fight expression on her sharp featured face.
‘I know Sergeant Jenner has already spoken to you about what happened here on Friday,’ said Garden in her best friendly voice. ‘Your boss, Sarah Radley told me about the arson attacks on the beach huts here,’ she explained after introducing herself.
‘They’ve already been reported to the police,’ Jess Barratt replied in a harsh tone. ‘I could really do without this,’ she added as she continued to scrub a shelf. Garden noticed her accent was local but mildly so.
‘I wonder if you could confirm when the huts on this beach were burnt?’ asked Garden in a pleasant but firm manner.
‘The fire was last Tuesday,’ Jess Barratt explained softening her tone slightly. ‘It started in the one furthest away. It’s the one on the end. The fire seemed to have spread to the next one.’
‘That would be just three days before the murder,’ observed Garden making a note.
‘Why didn’t it take more of the huts out?’ asked Garden evenly.
‘There’s a gap between them and the next one in. Water runs through there. Surface water runs down from the caravan site; makes a little stream.’
‘Could you show me?’ asked Garden.
‘You can see them for yourself. They’re down to the left. There’s just the two.’
‘Can you think of any reason why they might have been burnt down?’ ‘You’re the police.’
‘Just one other thing. I understand that you know Harriet Epsy?’ ‘Yes, I do. Why do you want to know?’ Garden thought Jess Barratt
sounded defensive. The woman continued, ‘Oh, I suppose you can’t say. I used to work with her at the Gull Inn.’
‘Did she go to Strath-Kind school?’ asked Garden.
‘Yes, but it didn’t do her a lot of good.’
‘What do you mean?’
‘She got a taste for the high life. Her family weren’t that well off.’
Garden noticed her local tendency to say “were” instead of “was”. ‘Why they wasted what little they had on that sort of education I’ll never know,’ continued Jess Barratt. She paused and started rubbing the counter with a cloth. ‘Harriet used to live in the flats behind the Gull Inn. I don’t know if she’s still there.’
Garden jotted that down and asked casually, ‘Do you know Bradley Yorkman?’
‘He hangs round the beach at Daneton Howe. I sometimes help Sarah down there when Kara’s off. Sometimes he comes up here too.’
‘Thank you,’ said Sally Garden folding her notebook ready to put it away.
‘I know where he lives,’ offered Jess Barratt. ‘He’s down at Cricklestaithe. That’s half way between Daneton and Banksea. I don’t know the exact house, but I expect you could find that out.’
‘It would be as easy to get to Banksea as to Daneton from Cricklestaithe if he has a means of transport,’ suggested Garden reopening her notebook.
‘He’s got a trail motorbike he rides round the lanes,’ said Jess Barratt.
‘Thanks.’ Garden stepped away from the kiosk and made a brief note of the information she’d just received.
She walked the way she’d been directed and noticed the scene of crime officers were still at work in William Cecil Broadgate and Georgia Lomond’s rented beach hut. A little further on she found the burnt-out beach huts. She had to speak to someone who could make a decision. She tried Campbell again. This time she got through. Once she explained to him what she’d been told he agreed that the burnt-out huts ought to be brought in to the scene of crime investigations.
She thought she could see something lying among the dust and charcoaled timbers. She went to fetch it but somehow it was no longer there. She would have to leave it and let someone from Scene of Crime know.
Catch up with Pamela St Abbs on these other stops on her book tour:
Hi Emma, it’s great to have this chance to find out a bit more about you. Thanks for allowing yourself to be bullied in this way. Let’s jump straight in to my not very exacting interview! I’ve read most of your books, and love them, I’m not just saying that because we’re pals.
I’d advise readers who love romance to get started NOW on book 1 ofthe Highland Books: Highland Fling, where we meet Gaby and go with her to the perfect setting for romance: a little village in Scotland where she meets a variety of brilliant characters, and of course, the love of her life – her cat! (kidding)
Q1. What kind of books do you write?
Women’s fiction – which is a broad church, thankfully. So, I can write romantic comedies in the main, but also chick lit, young adult and I’m currently trying my hand at urban fantasy stroke paranormal romance.
Women, luckily, are very open-minded about what they read. And they tend to read voraciously. I think that gives writers so much freedom.
Q2. What were your earliest influences? What did you read as a child?
I just read. And read. Enid Blyton, Charles Dickens and a lot of Greek mythology which meant I was useful for crossword clues.
I remember loving Judy Blume. She tapped into the 80s child psyche so well. Are You There God, It’s Me, Margaret and Forever are the two books I remember the most, the latter for obvious reasons… Though I did have to figure out what the British equivalent was for the food mentioned in those books—Graham Crackers for digestives and jelly for jam.
And er… my mum had a copy of a Jackie Collins book, and a friend and I used to sneak into her bedroom and read it. Now, that was educational.
Lol I bet it was. My parents used to go through my books quite carefully to check they were suitable. I’m glad to say a few things slipped through! They didn’t realise I read their books too!
What can we look forward to in the future from you?
Oof. I went through this mad writing phase in the last four years and finished quite a few books. They are not yet fit to be unleashed. Re-writing and revising is the really important bit of the book process. I wish I could find a way to stop procrastinating about it. My way of dealing with rewriting is to start another story instead!
However, I’ve finished the fourth book in my Highland Books series, Highland Chances and hope to have it out by the summer. And I thought I’d fling in a final one, Highland Christmas to finish it all off.
Q4. Who are your favourite authors? What are you reading now?
I re-read my way through Barbara Pym’s books a couple of years ago, and I really enjoyed Penelope Fitzgerald’s The Bookshop. I love their observational skills, and the way they make the ‘ordinary’ so interesting. I’m a big fan of crime (cosy mysteries are such fun!) and big sagas. I’m re-reading James Mitchener’s The Source at the moment.
Special mention too, to Fiona Walker and Marion Keyes (women’s fiction experts extraordinaire). I’ve read all their books – and Marion Keyes is vastly entertaining to follow on Twitter.
Q5. What do you do when you’re not reading?
Cook. I love cooking. I don’t do anything else while doing it, but prep and cook, so it feels mindful. I walk a lot, as it’s easy exercise. Kind of fond of drinking wine too… (interestingly, you can drink and write, but you can’t drink and read!) Also, I’m very much into the 21st Century habit de jour – Netflix binge watching. What the flip did we do before Netflix?!
Q6. What is your writing process?
Boringly prosaic. A word count per day. The day job helps with that too. I get a percentage of my income through copywriting – blogs, website content, product descriptions, e-books, video scripts, etc. The usual deal is you get paid by word count, so that discipline makes writing for yourself a lot easier.
At least you’ve got a process that works for you! Emma, thanks so much for ‘popping along’, and I wish you every success with the Highland Books, and with your future projects.
To find out more about Emma and her work, please follow the links below:
As we continue to rack our brains for something to do at home, this week I thought it would be nice to showcase the work of an Indie author and reshare a short interview from two and a half years ago!
Paul Nelson is the author of the Susquehanna series of books for both young adults and adults. The first book of this series is Burning Bridges Along The Susquehanna, which I highly recommend for a pacy and unusual read. Paul has also written Saving Worms After The Rain, and the Fisher’s AutismTrilogy. Paul is an advocate of autism and his main characters are autistic. It is Paul’s desire to open up the eyes of all of us to what it is to be autistic and to break through the preconceptions about autism and the way autistic people are treated. I can highly recommend these very original books, as they are warm, funny and very human. In addition, I love the period detail and the settings of these books, as they are steeped in local history and folklore.
Now, over to Paul:
Thanks for agreeing to be tortured in this way, Paul, I have a few basic questions for you, if you don’t mind. Hopefully these will help people to see the man behind the books!
Q2. What were your earliest influences? What did you read as a child?
Reading was hard for me as a child. I think I have ADHD. When I got older, I read lots of short stories by Truman Capote in school. I also love John Steinbeck and Anne Rice. I read a lot about spirituality…Richard Rohr and Buddhism.
Q3. What are you working on at the moment? What can we look forward to in the future from you?
Q4. What are your favourite authors? What are you reading now?
Mark Twain, John Steinbeck, Richard Rohr, Anne Rice. I’m not reading too much right now. I’m trying to spend most of my time writing.
I know what you mean, I don’t read much when I’m writing either, it seems too much of a distraction, and I’m worried about bringing other authors’ voices and styles into my work. Plus I just don’t have the mental energy!
Now on to Q5. What do you do when you’re not reading?
My autistic son needs a lot of my time. I make sure I walk for at least 40 minutes a day. It’s good for the body and the spirit and mind. I do a lot of writing in my head when I walk. I also love movies. I wrote a screenplay of my first book. My son and I go to movies quite a bit. (Caron adds: let’s hope we can all get back to that soon.)
Q6. What is your writing process?
I like to write in my head first. When I sit down to start writing a rough draft, I imagine what I want to write as a movie scene. It’s like storyboarding in my head. After I write all the scenes, I go back and embellish, add descriptive passages and link the scenes together. I’m a very visual person.
That’s an interesting approach – I find it difficult to write until I’ve created a book cover – I need that visual stimulus to bring my story alive in my head, but I don’t do the full on storyboarding. Maybe I should try that.
Thank you so much for sharing your writing process with us. I’m really looking forward to your new book – and all your subsequent books out there in the big wide world.
About the Author:
Paul Nelson is a former music teacher who has written a trilogy of fantasy fiction books inspired by his 19-year-old son Michael, who was born with autism. Michael has a hard time communicating on his own, but Paul knows his son has a story to tell. Paul wants to show the world that people with autism are not ‘badly raised and in need of spanking’ nor are they ‘stupid and lazy’, but are creative, intelligent, compassionate people with something to say and who deserve the same respect everyone else should get. On top of that, his books are a breath of fresh air. The books are available as a set in one volume called FISHER’S AUTISM TRILOGY, or as individual volumes, entitled: Through Fisher’s Eyes, Dark Spectrum and A Problem With The Moon. In addition to this trilogy, there is also a novel for adults, Saving Worms After The Rain, which Paul describes as a mixture of mystery and the history of central Pennsylvania. You can follow Paul on his author page on Amazon.com or on Twitter.
This week I’m cheating yet again, as I’m reblogging a post about me from Christy Oslund’s website https://colliedogpress.wordpress.com
Take a look if you’ve got ten minutes to kill, it’s full of fascinating insights into authors’ lives and work.
And thank you, Christy, for taking the time, and for the great conversations. I appreciate it.
Is it possible to gauge the influence our reading has on us over time? Think back to the first books you read as a child, can you still remember them? Have you read those same books as an adult and still found the same ideas and images grabbing you as they did in those early days? It was my mother who encouraged my love of books, reading, and this led to writing. This is particularly important as my mum died this week, so I’ve been very introspective, thinking gratefully about her life.
I can remember her reading The Wind in the Willows and The House at Pooh Corner to me when I was a very young child. I can remember that sometimes I was bored, sometimes I couldn’t find my way through the complex language to the story inside. But I loved the story-reading process, loved the new ideas and characters, and I always longed for the next chapter, begged her not to stop reading. I can remember thinking, when I’m a grown-up I can read and read and read and no one can tel me to stop and go to sleep. (Didn’t know about Life then!) I can remember reading fairy stories from a huge colourful book to the poor guy who came to mend the boiler, when I was no more than 5 or 6. I suppose I also loved having a captive audience!
I can remember being so inspired by the stories I read that I started writing my own stories – not usually more than a page long to begin with – and not usually very interesting. Even then I had a pen name, and signed my work ‘by Sammy’. That wasn’t even one of my (many) imaginary friends, it was my own creative self.
The books that have shaped my life? I loved Treasure Island, Jane Eyre, the Famous Five, the Lone Pine Five, all the usual books that kids in the 1960s read. The Wind in the Willows taught me that children’s stories don’t have to be facile. Shakespeare’s plays taught me that I have a brain and I’m not afraid to use it. Enid Blyton’s books showed me that being nosy is a sure way to get into trouble and end up tied up in a cellar (but oh the adventure!). Many, many books taught me to believe I could write, Agatha Christie, Ellis Peters, Dorothy L Sayers and Patricia Wentworth taught me what I wanted to write, and that you don’t have to be highbrow or obscure to be a good writer.
I was thrilled to discover there were all kinds of works: poetry, plays, fiction, non-fiction. There were genres. I could read romance, I could read classic, I could read crime. I could read fantasy-crime from Jasper Fforde and Tom Holt. I could read J B PriestleyandJ M Barrie, Arthur Conan Doyle and William Makepeace Thackeray. I could read translated works. There are just sooooo many books, and given time, I could read – if not all – then a pretty good number. Books made me take that leap of faith, experiment, and when things didn’t work out, I had somewhere to go to recover. If all else fails, they make a bloody big pile you can hide behind.
But over all of this, the books themselves, crowding about me like friends, took over my life to the detriment of all else – apart from my family of course 🙂 and I can honestly say that nine times out of ten, I’d sooner spend my money on a book than a bar of chocolate – and those who know me know that is reallysaying something.