The Top 20 – or what I could fit into a shoulderbag, if I had to.

I’m unashamedly cheating this week–in two ways, as this should have been posted three or four days ago, so it’s really last week’s, and I’m also recycling material… Quite a lot of my friends on Facebook are doing the Book Cover challenge, where you post a picture of the cover of a favourite book, every day for seven days. I rose to the challenge because I love to bang on about the books I love, and I am often stuck for something to say to connect with my loved ones. So I quickly selected my top seven.

But.

That left soooooo many books neglected on my shelves. And if the house was on fire, and computer, family and cats were safe (not in that order, obviously), surely I would have time to save more than seven??? After chatting with a few mad book lovers like myself, we decided to create our top twenty books, as seven just doesn’t seem enough.

And so I decided I would share these with you, the world. It’s just a list of the twenty books I would buy first if the worst happened and I had to replace my library, or the twenty books I would shove into a sizeable shoulder bag if things got serious.

But in no particular order….because you can’t choose between your babies, right?

  1. Danger Point by Patricia Wentworth. Why? a) I love old-school murder mysteries especially romantic ones such as Wentworth used to write. b) This one cost me a fair bit as it’s quite old and gorgeous now, and I love it. c) Unusually, it’s about a heroine in an unhappy marriage. (Spoiler – soz!)
  2. Shades of Grey by Jasper Fforde. Nothing to do with sexy goings-on and shenanigans, it’s a clever and hilarious novel about a society that is halting the relentless progress of technology, and has a new take on social divisions. My particular favourite moment is where some of the characters help out at an accident in the street, then give each other feedback on their performance.
  3. Foucault’s Pendulum by Umberto Eco. I really like Umberto Eco’s works, and have quite a few of his books, but this is the one I come back to again and again, even more so than The Name of The Rose. With more historical facts and conspiracies than all of Dan Brown\’s books put together, this is the book for challenging your brain.
  4. Death Comes As The End by Agatha Christie. Again, as a mystery aficionado, it’s no surprise that I would include a book by Agatha Christie, but this one is a mystery with a difference. I was a teenager when I first read this, and there is a little mild romance as well as the mystery in this, but the shining star of this book has to be the historical period. It was the first time I realised that people from ancient history were real people like us, with goals, ambitions, loves and hates. This books made me want to study history.
  5. The Flanders Panel by Arturo Perez-Reverte. This was the first book I read by this author and it remains my favourite. If you enjoy an intellectual challenge, or if you just like mysteries,this is a great read.
  6. If On A Winter’s Night A Traveller by Italo Calvino. I love books that are a bit quirky and unusual, and this one is certainly that. I really enjoyed the premise about a reader whose new book turned out to have the wrong book inside, but also the actual story is a strange, pleasurable little secret just waiting to be discovered. I’ll say no more about that. Just buy it and see.
  7. Red Bones by Ann Cleeves. Ann Cleeves is a great crime writer with an incredible eye for a setting, and a creator of a wide range of characters. This is another story where the events of the past reach forward to wreak havoc in the present. And boy, does this woman put her characters through some stuff.
  8. Pride and Prejudice by Jane Austen. A perennial evergreen. For those who dismiss it as early chick-lit, think again. It is subtle, witty and intelligent, and takes the closest look you will ever find at family life. Yes, true it is well-to-do family life. And any woman who could support herself with her writing gets my admiration. This is my favourite book of all time.
  9. One Corpse Too Many by Ellis Peters. Another historical whodunit, beautifully crafted, intelligent, elegant, and entertaining. I love the very human characters in these books, and although this is the second of the series, I always think of it as the first establishing novel.
  10. Lone Pine Five by Malcolm Saville.  This is a children’s detective series written in the middle part of the twentieth century. It was the natural successor to the less absorbing (for me anyway) and less intelligent Famous Five series, and featured a variety of children and young people who were friends, relatives and who stumbled into mysteries and solved them without too much help or intervention from adults. I wrote to Malcolm Saville when I was about 10 or 11 to tell him how much I enjoyed his books, and he kindly wrote back to me. An integral part of my childhood.
  11. Madam Will You Talk by Mary Stewart. Now mainly remembered for her Arthurian series, Mary Stewart wrote a number of ‘romantic suspense’, mysteries with a strong romantic flavour, and this is my favourite of those. Oh for the days when we could all get away with chapter titles that were taken from quotations from literature! I usually just all mine, ‘chapter one’, ‘chapter two’, etc.
  12. Death In Kashmir by M M Kaye. I do so wish M M had written more than six romantic suspense novels before going on to write what I consider to be ‘literary’ fiction. I don’t much like anything too literary, but as you’ve probably guessed, I LOVE romantic suspense!!! (It’s coming back into vogue, you know.) (At least, it had better be.) I love the settings of Stewart’s books, though sadly often portrayed only through the eyes of the colonial population.
  13. A Double Sorrow by Lavinia Greenlaw. I don’t read a massive amount of poetry, I can’t concentrate long enough for that, but I adored this book which I read in two sittings, each time from cover to cover. The language is beautiful and finally I read the story of Troilus and Cressida!!!
  14. The Lewis Man by Peter May. Superlative novel, I loved this. A story with it feet rooted firmly in the past: history and crime, two of my favourite combinations.
  15. Free To Trade by Michael Ridpath. This book was so, so new and sophisticated when it first came out, and seriously took the publishing world by storm, not least because of the massive advance paid to Ridpath. It was followed by a number of other books set in the financial or business world, and I have really enjoyed them all, but this first one was exceptional.
  16. The Remains of the Day by Kazuo Ishiguro. This is a slow moving, beautiful, wistful monument of a work. It unfolds like a flower, capturing your heart. The movie was great, but the book is better. Exquisite. Tissues required.
  17. The Secret History by Donna Tartt. Another intellectual challenge, but it really doesn’t matter if you’ve forgotten all the ancient Greek you learned at school (!!!), this murder mystery will keep you guessing. After reading it for the first time, I felt that Tartt had created a whole new ballgame for crime writers. A modern classic, and should be required reading for all aspiring authors.
  18. Aunts Aren’t Gentlemen by P G Wodehouse. This book should be available on the NHS. So funny, so clever. I really struggled to choose just one Wodehouse book. If you’ve read any of the Jeeves books (of which this is one) maybe try a Blandings one next? I feel Wodehouse makes the writing of humorous fiction look very very easy, when in fact it is extremely clever. Plus, I loved the title.
  19. The Evil Genius by Wilkie Collins. I only started to read Collins about ten years ago or so, I’m rather ashamed to say, and then only because it was a set text on some course or another. But I quickly came to regard his works as great page-turners, and The Evil Genius is my favourite, with it’s Gothic overtones. Who wouldn’t want to be considered an evil genius???
  20. The Listening Eye by Patricia Wentworth. You didn’t really think I’d only choose one Wentworth book, did you? The title of this one is very clever. Wentworth is really in her prime here with this book, which I first read when in my early teens, or maybe a bit younger. I remember raiding my mother’s books for something to read when I ran out of my usual stuff, and she started me on Patricia Wentworth and then, of course, Agatha Christie, both of which became lifelong favourites both in terms of the individual author, and the genre. 

 

What are your favourites?

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Author Interview- welcome back to Jenny S Burke

Jenny S Burke (writing as J S Burke) has very kindly agreed to come back and give us a quick update on how things are going in her writing life.

Hi Jenny! It’s so great to ‘see’ you again, thank you for giving up your time to chat with me again. Last time you were here, you were talking about your first book, The Dragon Dreamer, which is a fantasy/science-based story of an unlikely friendship between a dragon and an octopus, and is aimed at middle school and young adult readers.

Q1. What has kept you busy since we last spoke?

Thank you so much for having me back here! I’ve written stand-alone Book II of the Dragon Dreamer series. As you mentioned, Carrie, like Book I, Dragon Lightning is a young adult science fantasy with dragons, an undersea world, and unexpected friendship. This is layered for readers age 9 to 99, so it’s a good family read.

The Dragon Dreamer and Dragon Lightning are immersive reads; great ‘vacation books’ to dive into. There are more than 100 positive ratings and reviews for them on Goodreads and on Amazon US. I’m also drawing more fantasy snowflakes for my book illustrations and for the colouring book. These mandala flakes are drawn from animals and plants.

Q2. How different is it writing a subsequent book compared to your first?

In some respects this book was easier, because I understand how to write a science fantasy novel. I developed more characters in Dragon Lightning, which was fun. The Dragon Dreamer has two minor characters who became major players in Book II.

Q3. Is there anything you wish you could go back and tell yourself?

Start writing sooner!!!

LOL. Jenny, I can completely understand where you’re coming from with that one, I’d like to go back in time and tell myself that! When I look back and see all the time I wasted agonising over whether or not to just go for it…

Q4. Has anything in your writing style or process changed as you’ve gained experience?

I’m more comfortable writing in my own style, blending science and author experiences with fantasy. Once when I was aboard a research vessel at sea, three waterspouts headed for our boat. This harrowing experience is now in Dragon Lightning and provides a turning point. The characters come alive for me and tell me what they need to do, which is very helpful.

It’s very exciting when characters do that, as a writer you have greater confidence that your characters are fully rounded and not just cardboard cut-outs. And I also understand what you mean about using real life experiences to enrich your writing.

Q5. What can we look forward to in the future from you?

I’m working on a colouring book with the fantasy snowflakes my dragons grow in the winter clouds and writing Book III of the Dragon Dreamer series.

I love the idea of the colouring books – and as a Brit, I really appreciate you taking the time to put in all those extra letter U’s too! 🙂

Q6. Where can readers find you?

Please do visit me at my sites! And thank you Carrie for having me on your blog!

My pleasure, Jenny and may the new book make you proud! It’s worth mentioning by the way that Jenny writes under the name J S Burke. Links below for books and social media!

FACEBOOK: 

TWITTER: 

AMAZON.COM:

AMAZON.CO.UK:

AMAZON.CA:

AMAZON.AU:

WEB LETTER (Blog): 

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Author Interview – Stuart Aken, sci-fi and romance writer extraordinaire!

I am so thrilled to welcome Stuart Aken this week who has very kindly agreed to talk about his highly acclaimed and varied work. I’m going to jump straight in because as you will see, Stuart’s got a lot to tell and I didn’t want to cut any of it!

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Q1. What kind of books do you write?

It’s tempting to answer this facetiously with ‘Great!’ but I’ll be a little more considered.

My dislike of the cubby-holing and restrictions of genre has persuaded me to ignore it as a guide to my writing. My books tell stories first and foremost. I’m interested in the human condition, justice/injustice, the abuse of Big Business, and the environment, but I’m also fascinated by our capacity as a species to produce wonderful objects, design complex and intriguing theories to explain our world, to love, to hate, to kill and to create. So, I write stories that include romance, sometimes with erotic content to emphasise the difference between love and lust. I write stories that project into the future to see where we, the human race, may be in years to come. I write stories to explore ideas and the way myth and legend can become driving forces for people’s beliefs.

Because readers generally like to be given some direction when looking for books, I’ll apply the recognised labels to what I’ve written so far. But none of my books fall entirely within the confines of these pigeonholes we call genres.

Breaking Faith is a love story with dark undertones. Essentially it’s a romance, set in the Area of Outstanding Natural Beauty that is the Yorkshire Dales in England.

The Methuselah Strain is set on Earth some hundreds of years hence and follows the exploits of a woman who’s an IT genius on a search for a man who can help her create a child by natural means in a world of hedonistic leisure.

M.E. and Me is a medical memoir of my ten years with ME/CFS and celebrates my recovery from that condition, whilst giving readers information and guidance on how to cope with it.me-and-me-for-ebook-new

A Seared Sky: Book 1, Joinings; Book 2, Partings; Book 3, Convergence, is an adult epic fantasy trilogy set in an imagined world. It follows the quest of a party of pilgrims led on a dangerous mission by their religious leader. Told through the viewpoints of three separate couples, it interweaves their tales as they travel in the hope of finding justice and freedom. This is largely an adventure story in the fantasy mode, but avoiding the dragons and sword and sorcery routes.

Blood Red Dust: Generation Mars, Book 1 is set on Mars in the year 2074 and follows a group of chosen scientists as they settle on the red planet in an attempt to continue the human race after the Earth has been devastated by climate chaos. They are pursued by a religious extremist group intent on destroying all human life.

Stuart, I’ve read Blood Red Dust and loved it! Looking forward to the next one and I’m hanging on your WIP progress updates each week on Twitter. But moving on…

Q2. What were your earliest influences? What did you read as a child?

I was brought up in a household without books. My mother and father both read, but they obtained their books from the local library, since they lacked the means to buy them. As a result, I’d read the entire contents of the children’s section by the age of 11. It contained all the children’s English classics as well as some American books for children. I approached the fearsome librarian and asked if I might borrow books from the adult section (available once age 14 was reached). She gave me permission, provided I passed each book in front of her for approval. I’m unsure whether she permitted my first book, All Quiet on the Western Front by Erich Maria Remarque, because she was unaware of its content or because she felt it really was suitable. A book that dealt with the horrors of trench warfare, the expletives of soldiers and their adventures with prostitutes, may not have been the best introduction to adult literature but it educated me in the ways of the world. That we had no TV in the house until I was 14 years old meant I spent a lot of time reading.

As a young adult, I read great quantities of science fiction; Ray Bradbury’s wonderful lyrical style, John Wyndham’s fascinating stories, and the works of Aldiss, Asimov, and so many other great authors. Later, I tackled many of the classics. And I read a lot of contemporary novels: Graham Greene, John Fowles, William Golding and Iris Murdoch were among my early favourites.

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Q3. What are you working on at the moment?

Last year, my publisher launched Blood Red Dust, a science fiction novel set on Mars. At present, I’m interrupting the writing of book 2 in the Generation Mars series to complete this interview. But I’ll be back to the writing tomorrow. The book continues the story of those early pioneers, but is set five hundred years into the future. That, in itself, should say something to you about the nature of the book, I hope. I prefer not to discuss the WIP whilst I’m in the process of creation, so I’m afraid that’s as much as I can tell you at present. Even the title is currently not for public consumption!

Q4. What can we look forward to in the future from you?

Once I’ve completed the book referred to above, I’m keen on writing more short stories, and having a serious attempt at some poetry. Short stories, apart from being a pleasure to write, really concentrate the mind and tighten the storytelling faculties. And poetry is a great way to develop concise style and explore metaphor and simile, as well as being an ideal medium for protest against the ills of the world. A marvellous way to indulge the imagination and widen the creative mind. I’ll continue to write my blog posts. And I’ll begin the research and development of book 3 in the Generation Mars series.

Q5. Who are your favourite authors?

I estimate I’ve read some ten thousand books. That’s a lot of words. A great many authors. Most have contributed something to my writing in one way or another, even if it’s a warning about how not to do it! But I suspect I’ve been influenced most heavily by Ray Bradbury, Iris Murdoch, Stephen King, Dorothea Brande and Graham Greene. I’ve enjoyed Jane Austen, J.R.R. Tolkien, Tom Sharpe, John Le Carré, Richard Adams, Nicci French, D.H. Lawrence and Howard Spring, among many others.

Q6. What do you do when you’re not reading?

If I’m tired, I watch the idiots’ lantern: it relaxes and is undemanding at the end of the day. But I love walking, and my wife Valerie, and I are fortunate enough to live within the boundaries of an area of Gloucestershire called the Forest of Dean. The woods are extensive and we have to walk only a hundred yards from our front door to enter the steep public footpath that leads into the trees that grow either side of the valley in which we live. I was once a professional photographer and I still indulge for my own pleasure. The garden is a work in progress and we love to get out there and try to tame it in the good weather.

Q7. What is your writing process?

Ah. I’m a pantster. That is, I write without plotting. I know many writers find this approach inexplicable and even a little terrifying. But I’ve tried the plotting route: I wrote 78,000 words of a thriller by hand on lined paper in the days before electronic typewriters became easily available (yes, I’m that old!) I wrote that book to a plot. When I went back to start the editing and read what I’d written, I was so dissatisfied by the result that I chucked the whole thing in the bin. That story still lives in my head. Maybe, one day, I’ll revisit it.bf-682x1024

So, writing as a pantster: I develop my cast of characters first. I’m a visual man so I collect pictures from the internet and use these as the physical basis for my characters. I use a table to describe each of them, give them a history, family, background, ambitions, personality traits and any other aspects I feel are needed to get to know them well. At the back of my mind I know what I want to say in the story, and I develop a very lose framework, which I don’t write down. It resides in my head so it can be altered as it develops. But I generally know how the story should end. I set my characters free into the location(s) I’ve chosen or designed and place barriers in the way of their ambitions and then allow them to get on with it. Often, they take unexpected turns and go off in directions I never intended. This means I have to rewrite when I start the first edit. I never read what I’ve written the previous day, but always end a day with a short or an unfinished sentence that acts as a prompt for the next writing session. And I always finish the story before I read any of it back.

When I was younger, I could sit down with no idea in my head and write a short story from start to finish in a day. On one occasion I completed a 10,000 word story this way. These days I’m a little more relaxed, but I generally write around 2,000 words a day when I’m in the creating phase. Editing takes a good deal of time, especially if further research is needed. But I enjoy the whole process: there’s something really satisfying about constructing a sentence from exactly the right words, don’t you think?

Let me thank you Caron, for this opportunity to let readers, and other writers, know a little more about me. I’ve enjoyed our chat and it’s a privilege I appreciate. I hope I haven’t been too wordy. Loving the language, I do sometimes tend to overindulge!

Thank you, Stuart, it’s been a fascinating insight! I am also a pantser, and whenever I’ve tried to use a plotting ‘system’, I lose heart very quickly.

Links:

Website on WordPress: http://stuartaken.net/

Tweet with me on Twitter: http://twitter.com/@stuartaken

Like my author page on Facebook: http://www.facebook.com/StuartAken

Read with me on Goodreads:  http://www.goodreads.com/author/show/4234877.Stuart_Aken

Pin with me here: http://pinterest.com/stuartaken/

Professional connections on LinkedIn: http://www.linkedin.com/pub/stuart-aken/22/1b6/aaa

Google Plus: http://gplus.to/StuartAken

Amazon Author page: http://author.to/stuartaken

My ebooks on Smashwords: http://www.smashwords.com/profile/view/stuartaken

Universal Amazon links to books:

Breaking Faith: http://mybook.to/breakingfaith

The Methuselah Strain: http://getBook.at/Methuselah

M.E. and Me: http://myBook.to/MEandme

Joinings: http://mybook.to/joinings

Partings: http://mybook.to/partings

Convergence: http://mybook.to/convergence

Blood Red Dust: http://getBook.at/BloodRed

All my books published by Fantastic Books Publishing: https://www.fantasticbooksstore.com/authors/stuart-aken

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Alliteration and her sisters

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Round the rugged rock the ragged rascal ran. (rock not included)

We all know that one, don’t we. Though I usually get rugged and ragged back to front. I have to remind myself that whilst a rascal can be rugged or ragged, a rock can pretty much only be rugged.

As we learned in junior school, alliteration is putting together words with the same initial letter. In the case of the above phrase, R, the pirate’s favourite letter.

This can be a useful literary device when writing, and like most literary devices, it is used to make the reader feel, view or interpret your writing in a particular way by creating a mood or appearance. But use it sparingly. The problem with any literary device, is that all too easily it can draw attention away from what you’re writing and turn the focus on itself, distracting your reader from you’re story in the same way you can sometimes fail to see the puppet-show because you’re focusing on the strings.

Sibilance is the repeated use of an S sound, or a hissing sound. You put together words with lots of s, sh and soft c sounds: Sid’s silly scented snake slithered smoothly across the shiny façade. Unlike with Alliteration, the repeated sounds don’t have to be confined to the beginning of the word.

Assonance is the repeated use of vowel sounds: cut jug, heed beat,   or the same or similar consonants with different vowels: jiggle juggle, dilly-dally.

Consonance is the repetition of matching consonant sounds: ruthless cutthroats, repeated reports. It can quickly descend into Alliteration if only the initial letter(s) are repeated!

These can all be useful for creating a certain mood, or an attitude, or making the reader see a character or setting in a particular way. It can also imbue your writing with a poetic or lyrical quality. In fact most poetry contains some or more than one of these devices. Think of Wordworth’s I Wandered Lonely As A Cloud, with all the repeated Ls, the Hs, the Ds, the long vowels of wandered, lonely and cloud.

It can also have a unifying effect, making all parts fit together with a repetition of shared letters and sounds. But like all good things, in prose it needs to be used in moderation.

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