Dottie Manderson mysteries

Sneak peek from Midnight, the Stars, and You: Dottie Manderson mysteries book 8

/ Caron Allan / 1 Comment

Book 8 of the Dottie Manderson mysteries: hitting virtual shelves near you in December 2023

This week, I thought I’d share another sneaky scene from the new Dottie book that I am currently working on. I’ve already posted one scene on here a couple of months back, and so to prove that I am actually working, I thought I’d share another. ;D

So here it is…

Sir Nigel always ensured that Lady Matilda Cosgrove – one of his oldest and dearest friends – had the Ormulu Room whenever she came to stay. In fact, he rather counted on it, because otherwise he’d have to invite fewer guests or get them to share their rooms. Very few of the other guests would feel comfortable surrounded by so much ornate, gilded wood coupled with a rather dark marble. Lady Matilda liked the room. As far as Sir Nigel could tell, she was the only person in existence who did like the room.

It was a quarter to seven on a Saturday evening in June when Lady Matilda sat at the vast gold and dark brown dressing-table and allowed her maid to dress her hair in what they both deemed to be the most becoming fashion for a lady in her late sixties. They were deep in conversation about which gown Lady Matilda had worn to a certain affair in the Spring of 1881, when there came a tap on the door.

Salt, Lady Matilda’s maid, set down her comb and perfume bottle and turned to the door to state, ‘Come,’ with as much dignity as her ladyship herself.

The door opened. A timid little red-headed maid stood on the threshold looking extremely nervous.

‘Well?’ demanded Salt. She was a fierce protector of her ladyship’s privacy.

‘Begging your pardon, my lady,’ the young woman began, ‘but Sir Nigel’s compliments and would it suit your ladyship to place your jewellery into Sir Nigel’s safe for the evening? There’s been two break-ins on this square in the last week, and Sir Nigel doesn’t want to run any risks with your ladyship’s valuables. In fact, I’m to go to all the ladies – and the gentlemen – and take their valuables down to his lordship’s safe.’

She accompanied this information with a kind of bobbing curtsey, all the while nervously wringing her hands. Lady Matilda thought she was rather a sweet little thing.

‘And what is your name, my dear?’ demanded her ladyship.

‘Eliza, ma’am. Eliza Smallwood. I’m new in this establishment.’

‘Well, Eliza Smallwood, I should be most obliged if you would take my jewellery case to Sir Nigel at once and thank him for his good sense and kind thoughts. Salt, give the child the case. But make sure ot keep out what I need for this evening, obviously, won’t you.’

‘Yes, my lady.’

Salt extracted several glittering items of great value. Once Lady Matilda had nodded her approval, the case was locked up again, the tiny black key slipped into Salt’s pocket, and the case was handed to the young maid.

She gave another little bob and clutching the jewellery case to her as if her life depended on keeping it safe, she said, ‘Thank you, your ladyship. I’ll take these to Sir Nigel directly. Good evening.’

The door closed behind her, and Salt and Lady Matilda resumed their discussion relating to the precise colour and fabric of the gown worn on the evening of the Royal Gala over forty years earlier.

It was not long before the bell rang for dinner, and Lady Matilda descended the grand staircase to meet the other guests for a pre-dinner aperitif.

Sir Nigel greeted her with a beaming smile, taking both her hands in his and kissing first her left cheek then her right in his usual warm manner that Lady Matilda found delightfully Continental.

She lost no time in thanking him again for his invitation to stay for the weekend whilst George was overseas on his usual ambassadorial duties. As always, she offered her compliments on the charming Ormulu Bedroom, which had, she said, a rich glamour that one didn’t see everywhere. She asked after his health, heard with patience of his sciatica and stiff knees – she was herself a martyr to her knees, and promised to let him have Salt’s remedy for the relief of the discomfort – then she remarked,

‘It was so thoughtful of you to send up that sweet little girl to fetch my jewellery. I shall feel so much happier knowing my grandmother’s diamonds are safely locked away. These robberies are such a worry.’

He stared at her for a second or two too long, and she immediately divined that something was amiss. But before she could quiz him about it, the door was flung open and Salt ran in, tears streaming down her face, causing everyone to turn and stare, drinks halted halfway to their mouths.

She wailed, ‘Oh my dear lady, I’ve just found out. There isn’t any such maid as that Eliza girl in the house. And she’s gone off with all your valuables!’

And indeed she had. She had practically run down the back stairs with the jewellery case in her arms, knowing she had only a minute or two to make her escape. The side door was still ajar, and unseen by anyone, she slipped outside, pulling off her cap and apron and throwing them onto the grass, then she hopped into the waiting car at the end of the drive.

It sped off before anyone in the house had even realised there had been a robbery.

***

Reflecting on my protagonists

/ Caron Allan / 1 Comment

My characters mean so much to me, they definitely feel real…

Very often in a cosy mystery, you meet a large collection of characters (and FYI it’s a nightmare and a half trying to think of names for them all, I have a spreadsheet and everything…) so there’s not always space in the story to give everyone their own life without totally confusing the reader. I always seem to have a ton of characters, and I tried putting in a character list at the start, I thought it would be helpful but I got complaints about that. So in the end it was just easier to leave it out. Sorry about that. Maybe you could create your own spreadsheet?

In my Dottie Manderson mysteries, I have two detectives who are the ‘main’ protagonists, Dottie herself of course, and Inspector William Hardy, with a supporting cast of around a dozen other ‘regulars’. Then each story has its own characters on top of that. My protagonists are not isolated individuals brooding alone with their ghosts or their issues. No, mine both have families who pop in and out, often the source of useful information or connections, or they can act as a sounding board for ideas and theories, or just provide encouragement in low moments.

About to press ‘upload’ on The Spy Within a couple of years ago

But making characters really stand out can be a challenge. There are reasons for this. Obviously the first reason is me. I have only a limited experience of life, and limited skill as a writer.

I think that’s the same for most of us. We always bring our own life experiences, attitudes, beliefs, our flaws and strengths with us when we create anything. It’s been said that authors put something of themselves into what they create. How can they not? So I try to compensate for this by doing research, and by trying to create people who are not much like me. I’m not sure how well I succeed with that. However, I’m not young, I’m not elegant or fashion-conscious and so I like to think Dottie is not too much like me. Though I am incredibly nosy.

I don’t like to read books where the detective is perfect. I’m sure I’m not alone in saying I’m bored by protagonists who are perfect, who always behave the right way, say the right thing, do the right thing, who think clearly at all times and never make mistakes or get confused, puzzled or just plain upset. My characters are all too flawed, and as readers will know, they sometimes make disastrous decisions. And, like us, then have to live with the consequences.

I’d like to think they grow. I sometimes stop reading a series if I feel the protagonist continually makes the same mistakes, or acts in an implausible or unprofessional manner despite twenty years as a police inspector etc. Because in real life we do learn, most of the time, don’t we? Or we try to. And if we don’t, sooner or later we get called into the office and the boss tells us we are going to be unemployed.

The gorgeous Gary Cooper – in my head this is a bit what William looks like.

Does William grow? I think he grows a little. He becomes more accepting of himself and his situation as a working copper, and doesn’t spend too much time agonising over the past. He makes some stupid mistakes, but Dottie does too, so we have to forgive him, don’t we?

Does Dottie grow? I think she does. When we meet her in book 1, Night and Day, she is very young (19) and is mainly interested in having fun and dancing with attractive young men. After two years of stumbling over corpses, she has become more confident, more caring towards others, she is more mature, and is growing a career and trying to understand the world around her, losing her childish idealisation of people. But I like to think she stays true to herself: she passionately believes in working hard, doing the right thing, and in trying to help people. She is terminally nosy and always wants to understand what’s going on in people’s lives. And of course, to help if she can. But she still loves to dance. (With a certain someone…)

Which of course will bring her into conflict with people who manipulate and hurt others, people who do terrible things and try to get away with it, and in the course of her ‘helping’ she will definitely get in the way of a certain police officer trying to solve a case.

A Meeting with Murder: Miss Gascoigne mysteries book 1 of my spin-off series set in the 1960s came out last October.

As the relationship between herself and William progresses, (spoiler alert) I’m not sure quite how Dottie will manage to solve murders and juggle her commitments. Will we see her pushing a perambulator with a couple of kids along to interview suspects? I just don’t know. Maybe I will leave her to raise her family and we can come back to Dottie in the 1950s when she is a mature woman with more or less independent children? Who knows. Maybe she will be a kind of Miss Marple detective as she gets older. I didn’t want her to be one of those detectives who remains the same age throughout all the books. Yet as I immerse myself in this pretend world I have created for Dottie, as time passes I am all too aware of the even greater threat looming on her horizon: World War II. How can I leave out something so important and far-reaching in its consequences and still keep this series ‘cosy’? I’m not sure I can.

American actress Loretta Young – my inspiration for Dottie.

This could well be one of the reasons why about four years ago I began to think about a new series with a new character. So I came up with Diana ‘Dee’ Gascoigne, adopted daughter of Dottie’s sister Flora and her husband George, confidently stepping out into the 1960s, wearing high heels and a brightly-coloured mini-dress, long hair back-combed and flicking up at the ends, ready to take on the modern world. The detective is the son (spoiler again!) of Dottie and William, known as Bill. (I’ve given away quite a bit now…) He has followed his father into the police. Having seen at close quarters his mother ‘meddling’ in police affairs, he tries to warn Dee off, but of course, she doesn’t listen. As he says, ‘She comes from a long line of nosy women.’

Keeping it in the family: this has led me to think about the successive generations. Will there be a Dottie-spin-off set in the 1990s? The 2020s? They seem so real to me, I find it hard to believe that they won’t go on and on, one generation giving way to the next, just as we do in the real world. Maybe there will be a Dottie and a William in the 22nd century, nailing criminals with technology we can only dream of. I hope so.

***

(and sorry for the really long post this week…)

Me at work on another draft of book 8…

Reading a mystery

/ Caron Allan / 4 Comments

As you know, I mainly write cozy mysteries, some set in the 1930s or 1960s, some in the ‘now’, and one even set in both the present and the past. Cozy mysteries or cozy crime is the genre where I feel most at home, and those are the kind of books I love to read. I have been reading this genre since I was about 9 or 10 years old, when I began first with the Famous Five, then the Secret Seven, then on to Patricia Wentworth and Agatha Christie. I have always loved the idea of detecting along with the ‘official’ sleuth, trying to get to the clues and figure out ‘whodunit’ before the book’s detective.

If you ever get stuck for books to read, maybe cast your eye over this list and see if there are any names that are new to you. These are the mystery authors whose books I enjoy the most, some are old and some are modern. When you find an author you really like, do you read their books over and over again, or do you remember the too well to do that?

I love to revisit old favourites, but I have a pretty good memory for characters and plots, so I often remember a book too well to enjoy it unless a lot of years have gone by. There are some books where I just reread the beginning – I love a good beginning that sets up the story perfectly and for the reader, there is that delicious sense of anticipation. But I do reread books that I know really well, sometimes I enjoy watching something unfold on the page even though I know exactly what to expect and when.

So then, my favourite mystery authors, here we go, and in no particular order:

Agatha Christie: obvs you’ve all read her books! But have you tried Death Comes As The End – set in ancient Egypt, it’s an interesting variation on the classic murder mystery genre. My personal favourites are Evil Under the Sun, Death Comes As the End, and Death on The Nile.

Patricia Wentworth: if you like ‘em traditional with plenty of romance, these are for you! Often overlooked these days though her books have been enjoying a new lease of life through reprinting. My favourites are: The Girl In The Cellar, The Listening Eye and The Chinese Shawl.

Mary Stewart: not a cozy as such, her books fall into the category of romantic suspense along with authors like Phyllis Whitney. Of Mary’s books, I really enjoy: The Gabriel Hounds, Madam, Will You Talk? and Nine Coaches Waiting. She does that thing where she uses a quote from scripture or Shakespeare as a chapter subtitle. I love that!

Phyllis Whitney: this lady wrote zillions of books before she passed away just a few years ago. My favourites are The Red Carnelian, Columbella and The Turquoise Mask.

Another romantic suspense author is M M Kaye. Look for her ‘Death in…’ short series of 6 books. For me, the best ones are Death in Zanzibar, Death in the Andamans, and Death in Berlin. Try them and let me know if you have a different favourite!

Coming back to modern cozies, how about trying Helena Dixon? I am a big fan of her Miss Underhay series, which like my own books, are set in Britain in the 1930s. Book 1 is called Murder at The Dolphin Hotel, and although you can read them in any order, reading from the beginning will enhance your pleasure as there are continuing storylines that carry on from one book to the next.

Don’t forget to give Sara Rosett a go – she has a couple of series of mysteries, and of course you mustn’t forget Frances Brody, Vaseem Khan and Julia Chapman. Or Julie Wassmer’s Whitstable Pearl series, now wonderfully adapted for TV and starring Kerry Godliman as Pearl.

Or you might try something a little less cozy – perhaps try Ann Cleeves, Abir Mukherjee, Robert Galbraith or Val McDermid to name some of my personal favourite authors.

Let me know how you get on! Who are your favourite mystery authors? Happy reading!

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eReaders – this is what I use mine for…

/ Caron Allan / 8 Comments

I got my first eReader around 12 years ago. It only lasted a couple of years and then needed replacing. But the one I have now, I’ve had since then, almost ten years. The poor thing should be in a retirement home for bewildered gadgets by now.

What do I use it for?

I play games: An eReader is great for playing games on but still looking busy. You’re playing truant really but everyone leaves you alone in case you’re doing something important. What games do I play? Nothing modern – no ‘call of’ anything or ‘squid’ something… I keep it simple.

Woodblock game – it’s similar to Tetris. The thing I really like is being able to change the background, so I can have a wintery scene with snowflakes coming gently down, or a very therapeutic green leafy scene with raindrops trickling down my screen. Love it! Great for hypnotizing me into another world where sudden ideas come out of the blue.

Spider solitaire – I think my win rate is something like 6% – I mean I’m absolutely terrible at it. But it’s great for killing time waiting for something or someone.

all these books on one eReader? Yes – but for me it’s not the same reading experience

I don’t stream anything, I don’t listen to podcasts or even music on my eReader, don’t even have social media or my emails on there. But I could…

My favourite thing about my eReader is Evernote. It’s a note-making app. I very, very rarely go out and about without at least one notebook with me. Though that is a good way to acquire new notebooks – I’m out in the big wide world (at least twice a year, just to keep my hand in) and realise I ‘need’ to buy one because I haven’t brought one with me. It’s not an option or an extravagance…honest! I sometimes need to make a note of something that has either just caught my attention or something I’ve just thought of – so on it goes to Evernote, which syncs with my computer once I return to base. Here is an eclectic array of notes I have on Evernote:

  • Rose Petals and White Lace (next Dottie book) – William gets demoted and chastised for his ‘mishandling’ of the Parfitt case which resulted in Gervase Parfitt ***************** (spoiler alert! Sorry, you’re not allowed to read that in case you haven’t read the others!)
  • Story Idea – A woman who works in a big house as a companion or governess, comes out of an upstairs room at night and bumps into a man in a mask and a cape. He smiles and bows and puts a finger to his lips, saying, ‘Shh! I’m a secret agent on a mission!’ She laughs, assumes he is a guest at the party downstairs that evening. She says something like, ‘Why sir, your secret is safe with me, I shall never betray you.’ He could then laugh and present her with a rose, ‘A token of my deep appreciation,’ or maybe (even better!) he could say ‘perhaps this rose will buy your silence.’ Anyway, he compliments her eyes or something. And after these sexy pleasantries are over, he goes back downstairs and she returns to her room. And in the morning discovers there has been a jewel robbery!!!! Or a murder????
  • Haiku – from Feb 2019 (as I said, I’ve had my eReader almost ten years btw, some of these notes go back a long way) February’s here/Green shoots promise the/end of winter’s icy hold
  • My daughter, talking in her sleep when we were on holiday, ‘That comment sounds pretty cool!’ I thought it was an odd thing to say. I asked her about it in the morning, she had no idea what it related to.
  • Exclamations of the 1930s (gleaned from Agatha Christie and Patricia Wentworth’s books of that era): ‘Oh my hat!’ ‘What the devil…?’ ‘So-and-so can go hang as far as I’m concerned’, ‘Oh my word!’ ‘That’s frightful!’ ‘Blast it!’ etc. I try to use one or two of these from time to time – they are so ‘of their era’ that I think they lend a bit of local colour.
  • Philamot: According to my Patricia Wentworth book, The Rolling Stone, a fashionable colour either late 1800s or early 1900s was Philamot (lovely word) from the French feuille morte meaning dead leaves. (a kind of beigey fawn)
  • Minette Walters’ The Ice House: I noted, “watching this again after many years, I’m struck by the similarity between the ice house in this and the Neolithic tombs of Skara Brae and other Orkney sites. What if a landed family discover their ice house is not as usual 300 or 400 years old, but three or four thousand years old…?”
  • Fab quote from TV series Endeavour: ‘Don’t let him worry you, ‘cos his sort’s nowt a pound and sh*t’s tuppence, as my old gran used to say. Northerner.’ (that was Fred Thursday talking to Morse… Love that quote, it made me spit my coffee all over myself.)
  • Standard issue firearm for British army for both world wars was the Webley mark IV revolver, taking a .38 calibre bullet. It remained in service until 1963.
  • And this one from 2014: if a person is standing when they are shot dead from the front, they always fall and land with one leg crossed over the other at the ankle – this is known as ‘dead man’s fall’. (I think I used this in Scotch Mist…)

Oh yes – I also have books on my eReader!  You were probably beginning to wonder. To date I have purchased around 700 eBooks, though my preference is for paperbacks. With eBooks I very often forget I have them on the reader. I only find out when I go to buy them, and Amazon smiles, shakes its head, and says’ You’ve already got that one, you eejit!’

Usually, if an author is new to me, I ‘try’ the eBook as a kind of taster. If I like it I will then – obviously – buy more of their books, but if I really love it, I will swap to paperbacks. I get a lot more out of a paperback, I seem to find it easier to immerse myself in the story whereas reading an eBook can sometimes (for me) feel like it all happens on the surface and I don’t truly ‘lose myself’ in the plot.

What about you? Do you read eBooks? Do you have a dedicated eReader or read books on your phone, tablet or desktop computer? Or are you strictly ‘real’ book all the way? Do please let me know!

I work on several different gadgets, but my own computer in my own office is my favourite!

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From Idea to Publication

/ Caron Allan / 2 Comments

There are a number of components to creating a book, and I’ll admit I hadn’t realised just how much was involved when I set to write my first one. Which has still not been published, by the way, it was truly terrible. You’re welcome.

A writer begins with the germ of an idea, a creative spark, just a little something that falls into the imagination from the ether and says, ‘Hey, you know what would be a good story? This…’ It’s hard to say where inspiration comes from. It’s the first question people always ask me: ‘Where do you get your ideas?’

And it’s almost impossible to answer that, because ideas or inspiration can come from so many, many varied sources, and are often a kind of amalgamation of a number of different threads that come together seemingly from nowhere. I wrote a blog post about this a while ago. If you’d like to read it, you can follow this link:

After the germ or spark, comes the ‘mulling things over’ phase. You begin to add more and more to your idea, like the layers of an onion. You test it to see if your initial thought will work in practice. You begin to think of snatches of dialogue, or scenes or names or any number of little details that add the colour and richness to your bare bones. At this point I usually have to start making notes, a bit worried I’ll forget something – I know what I’m like!

Then comes the beginning of the writing. For me, this usually happens quite quickly – I feel very excited, I write as fast as I can in an actual paper notebook, I’m not one of those people who creates a first draft on a computer or who uses a special app. This is the honeymoon phase that I never want to end. It is joyful and fun.

BUT.

Then comes the dark night of the soul, the ‘I can’t write for toffee’ phase, imposter syndrome raises its ugly head, and I am consumed with doubts about myself, my ability and my work. At this point all I can do is to dig deep and become really stubborn and tell myself I WILL do this. I push on, writing even though I’m pretty much convinced that it’s a waste of time. I didn’t realise until just a few years ago that almost everyone feels like this about their work, whatever it is. It’s taken me many years to realise that persistence is my most valuable tool. Another thing I’ve blogged about before!

Finally my first draft is complete. I let myself and my story rest for a few weeks or several months. I take a break to enjoy doing other things, like cooking or gardening, I read loads, sometimes do a bit of editing or proofreading. I blog, of course, and dip in and out of social media. Or dare I say it – I might go out – (we are able to do that now in the UK, not sure if that will all change again, it still seems a bit naughty to go out of the house for anything other than the bare essentials).

There’s till loads to do on the book. A first draft does not a book make, and I will need to revise, edit, polish, revise, edit and polish several times over before it’s ready to be ‘properly’ edited, have a final proofread, then released on an unsuspecting world. At this stage, I need to let go of my favourites – not necessarily in a ‘kill your darlings’ kind of way, but just letting go of scenes or phrases and being honest with myself if they just don’t work.

Then my technical – or lack of – skills come into play. These were the things that provided the biggest learning curve for me as a new self-published writer some years ago. I didn’t have the money to pay someone to do all this for me, and I wasn’t with a traditional publishing house who do so much for their authors. So I had to learn how to create a reasonable book cover, (Canva, I love you so much), how to format my eBooks and paperback books, and how to make marketing materials. I had to learn what metadata was, and how to use advertising. I had to learn to negotiate the online world to publish and market my books. People were very kind and there are loads of helpful sites and books if you get stuck or don’t know how to do something, but you have to be determined to work your socks off and learn a ton of new skills, even if you are not a techy kind of person.

But finally, the big day dawns and your book – or my book, in this case – is out there is the big wide world. It’s a bit scary, doesn’t seem real, and is hard to believe you actually made it from that first little spark of an idea months or sometimes years earlier. The book writer’s journey has often been compared to pregnancy and the birth of a child. I think that’s a pretty good analogy, especially when it comes to the ‘don’t you ever come near me again’ part of the process, and the shouting, swearing and throwing things. Certainly I’m not raring to get writing another book as soon as the first one has come out. I need my recovery time of a month or two before I’m ready to start all over again.

Aww, doesn’t my new baby look cute?

***

Desert island author

/ Caron Allan / 6 Comments

‘I thought this was voluntary?’

I’m thinking of doing my own mock-up version of Desert Island Discs. For those of you who don’t know, there is a long-running radio show called –you’ve guessed it—Desert Island Discs. Each week a guest selects their favourite music along with a book and a luxury item to take with them to be stranded (I assume deliberately) on a desert island. It’s a fresh (even now after over 3000 episodes) way to interview celebrities of all kinds and find out what makes them tick.

A certain amount of belief needs to be suspended here as we are assuming a minimum level of survival comfort and apparently electricity on this desert island… Try not to worry about the details. (How did the stranded person get there? What if they need medication? A special diet? How long will they be there for? What furniture/food/shelter/clothing do they have? Are they alone? Where is the fresh water supply? What about a loo? Ignore all that.)

Just out of curiosity I Googled the show and it’s been running since 1942!! I was astonished. Hugely famous and influential people have guested on the show, here are just a few names to wow you:

Ivor Novello, Humphrey Lyttelton, Leslie Howard, Arthur Askey (at least twice), Wing Commander Guy Gibson, Claire Luce (who took the original part in Gay Divorce when it was a play, before Ginger Rogers made it her own in the movie, I based my first Dottie book, Night and Day on this version.) Michael Redgrave, Celia Johnson, Deborah Kerr, Stewart Granger, Peter Ustinov, Ian Fleming, Alfred Hitchcock, and so many, many more. The castaways were not just British actors, musicians, Members of Parliament, war heroes and other popular names, but there were many, many others including US stars and notable figures: Tyrone Power, Count Basie, Blanche Thebom, Earl Hines, Paul Robeson, Dave Brubeck, (quite a few musicians, I notice), Paul Gallico, Regina Resnik, Tallulah Bankhead, Louis Armstrong, Andre Previn, and James Stewart.

Me playing the piano in my ballgown as my leggings dry on the sand…

James Stewart chose a piano as his luxury item. Actually most people seemed to choose notebooks and writing implements, or canvases and paints to take as their luxury item. Perhaps there is a sense in all of us that thinks that, given enough time, we’d get through all our routine basic duties or tasks and finally have a moment to do what we really want to do – be creative. Others wanted to take photos of their family, or their favourite tipple: plenty of good quality claret was requested!

Don’t ask me to do without this…

It’s odd, isn’t it, discovering what is most important in our lives? If we know our loved ones—and the cat/goldfish/gerbil are safe, what else is important? If you’re going somewhere with no shops, businesses or commerce, do you need money? Or jewels? Or designer clothing?

Here are my own 8 choices of music. I should just say, I like most kinds of music, but some are dearer to me than others. I cheated by going for albums rather than individual tracks 😊.

  1. Corinne Bailey Ray’s album called ‘Corinne Bailey Ray’.
  2. Riverside’s ‘Out of Myself’.
  3. Nina Simone: ‘Feeling Good: The Very Best of Nina Simone’
  4. Handel: Messiah (this is a big compromise as I like different versions of this by different orchestras/choirs depending on the track…)
  5. Paul Weller’s ‘Modern Classics’.
  6. The Very Best Of Jimmy Somerville, Bronski Beat & The Communards (You can get a lot of extra mileage with ‘best of’ compilations, just a little tip for you, in case you’re ever in this situation.)
  7. Simply Red: ‘Men and Women’.
  8. Can I bring the whole set of ‘The Marriage of Figaro’? I don’t think I can choose just one track… It won’t take up much room, I promise. Oh, and the libretto so I can sing along – there’ll be no one around to scare with my voice.

And for my book—Again, to show just how times have changed, and also, to bend the rules a wee bit, I’ll take my Kindle eReader. Hahahahahaha! (charging point is assumed…)

Which means, my luxury item is going to have to be a bottomless tub of Options white hot chocolate too. Then I’d truly be happy.

Oh wait, I forgot my notebooks and pens. No, it’s okay, my Kindle has got my Evernote note-making app on it. Phew. For a moment I almost got out of the boat and went home again.

And that’s it. I suppose what I wanted to say really was, wow what a huge number of really special people were on Desert Island Discs. It’s no wonder it’s considered an institution. I would love to have spent half an hour talking to so many of those people, sadly no longer with us. If you want to know more, you can take a look on Wikipedia:

https://en.wikipedia.org/wiki/Desert_Island_Discs

Or on the BBC’s page:

https://www.bbc.co.uk/programmes/b006qnmr/episodes/player

Who would you want to interview?

If you were the castaway, what items would you take with you? What music would you choose? It’s a dilemma!

***

Ten (awful) things about me

/ Caron Allan / 4 Comments

Of course, I don’t wear the anorak all the time. It’s for special occasions.

I thought I’d tell you ten things you might not know about me. Why? Well, we’re all besties now, right, so that means I can off-load some of my mess special characteristics and just—you know—really be myself with you.

  1. I got a 10-yards swimming certificate when I was ten years old. So if I’m ever on board a boat that sinks really, really close to the shore, I’ll be fine.
  2. When I was out for a walk with my family in a park when I was eleven years old, I needed to go to the bathroom, and there were no bathrooms, so I went behind a tree, and a man and his dog came over and asked if I was okay. (I didn’t realise there was a path behind the tree as well as in front of it.) I was too embarrassed to say I was peeing, so I made up a totally unlikely story about losing my pocket money behind the tree and said I was looking for it. Crouched there as I was, I half-heartedly raked through the  leaves by my feet. The only problem was, this kind man decided to help me look for it…. It was about five long minutes before he must have realised what was going on, and with a panicked expression got up, said goodbye, and that he hoped I’d find my ‘pocket money’, then he and his dog ran! Aww. My parents laughed, but I was mortified.
  3. I failed my English Literature ‘O’ level. Though I later went on to complete a Bachelor’s degree in English and History so I certainly showed them!
  4. I also failed my Sociology ‘O’ level. Ironically, it was the only subject I really studied hard for. I must have guessed how bad I was at that subject. To make matters worse, my teacher told my parents I wasn’t going to pass and so they had to pay for me to be allowed to sit the exam. All for nothing. Is it too late for a resit?
  5. I love cats and dogs but I’m allergic to fur and dander.
  6. I love learning new languages, but I am hopeless at it. I always get the different languages muddled in my head, and I may start a sentence in French, but I’ll just as likely end it in Spanish or German…
  7. I once peed myself laughing with my cousin, then had to throw myself in a handy nearby river to disguise my ‘accident’ so as not to get into trouble with the dreaded parents. I was about twelve at the time. I was a horrid child! I also fell into a river on Boxing Day, then sat in a tree in my underwear hoping my clothes would dry in the breeze and went home an hour later frozen half to death in sopping wet clothes. Me and bodies of water do not get on.
  8. My work experience week coincided with my sixteenth birthday, and I was sent to spend a week with the local newspaper. I spent my sixteenth birthday covering court cases as a junior reporter. It was fascinating and I got well and truly bitten by the true crime bug!
  9. I once rode my bike into a fence and smashed it. And I took myself to the front door of the fence owner to confess all. He was so astonished at my honesty that he let me off. (Another pre-teen escapade!)
  10. I got thrown out of our school’s church service for asking too many questions about God. I wasn’t even a disbeliever, I just was asking tricky theological questions, which apparently was not okay. (Still eleven!) Oh well. I also got a prize in school prize giving for Religious Education, so maybe they forgave me after all.

So yeah. That’s me. I can kind of see how I ended up being a writer.

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Coming Summer 2024: Midnight, the Stars, and You: Dottie Manderson mysteries book 8 #newbook #mysteries #HistFic

/ Caron Allan / 2 Comments

I thought I’d already shared this, but I can’t find it anywhere, so here it is, a sneak peek of the opening scene of chapter one, possibly for the second time. (and sorry, too, it’s a bit long…)

Book 8 of the Dottie Manderson mysteries finds Dottie fed up with waiting and all the fuss, and just wanting to get on with being Mrs Detective Inspector William Hardy. She and her mother and her sister all want different things, and Dottie thinks, ‘It’s my wedding, it should be how I want it!’ An unexpected invitation could be just what she needs. How wonderful it will be to get away to a weekend house party and forget all the worries of organising a wedding!

Of course William, like all husbands-to-be everywhere has no interest whatsoever in the problems of the right kind of lace or the perfect place setting. In any case, he’s got a special kind of investigation going on, one that means bringing a good friend to justice, stretching his loyalty to his profession almost to breaking point.

Dottie Manderson was already fed up to the back teeth with parties. Admittedly, she thought, one expected parties in June. And just lately life had been nothing but. Tennis parties, tea parties, afternoon dancing parties, mid-morning tea parties, dinner parties, drinks parties in the evening, it was endless. And now, socialising in London was giving her a sense rather too much like continually stepping over graves—those of dead friends as well as dead relationships. Wherever she went, dragged along by her mother or her sister, or her mother and her sister, to various events in so many houses and gardens, she was continually running into people she either knew, or had heard of through other acquaintances.

This evening was a case in point. They were at the Sir Nigel Barrowby’s lavish Tyne Square townhouse for dinner and dancing. Dottie hid behind the same half-glass of white wine she had been clutching for almost two hours and looked about the room.

Over there by the fireplace, hanging on the arm of a man with a military moustache, was Anabella Penterman nee Wiseman of the New York Wisemans, married to Dottie’s almost-beau Cyril Penterman less than a year and a half ago, and yet now if the gossip columns were correct, the couple were very publicly living separate lives, and divorce seemed to be on the cards. The woman had glanced at Dottie four times now, though only managing a polite smile the first time, every other occurrence accompanied by a bright hard stare. Dottie noted that the woman had lost a lot of weight, and her left hand held no rings.

Then, on the opposite side of the vast drawing-room was the Honourable Peter St Clair St John giggling rather childishly, in Dottie’s opinion, with a couple of really quite young girls.

‘Far too young for him,’ Dottie murmured out loud.

‘Oh definitely, dear,’ replied a woman standing a few feet away. She drew a little closer, saying in a low tone, ‘I don’t know what their parents are thinking, introducing them to that wolf.’

‘Is he a wolf?’ Dottie turned to face her companion, a blonde woman in her early thirties, immaculately turned out. Dottie felt a slight flash of recognition but couldn’t quite reach at the woman’s name. ‘I always found him a bit dull, if I’m honest. And only ever interested in himself.’

Belatedly she wondered again who she was speaking to. It wouldn’t do to say that to a close relation.

‘Well, absolutely. His only interest in his life has always been himself. A thoroughly tiresome younger brother, I don’t mind telling you. But once he gets a girl to himself, he’s all hands, from what I hear.’

Too late Dottie recognised Christiana St John Milner, the widow of the Milner empire since her husband, the Honourable Sebastian Wilcott Milner had passed away under what Dottie had always regarded as odd circumstances during an avalanche when out skiing with friends in the Swiss Alps just–what–surely it was barely six months ago, Dottie thought, yet here was the young widow in a daring dress of figure-hugging gold lame, not a single sign of mourning about her.

Catching Dottie’s glance at her dress, Christiana smiled and held out her hand. ‘I don’t think we’ve ever been formally introduced, though I’ve seen you at a number of events over the last two or three years. Christiana, please.’

Dottie shook her hand. ‘Dottie Manderson. Just Dottie.’

‘Not Manderson for much longer, I hear,’ Christiana said.

‘No, that’s true. Not for long now. The wedding is in August.’

‘Lovely. And am I right in thinking that he’s not one of our lot?’

Dottie tried not to be offended. She’d heard this a lot in recent weeks, and should really have become used to it. But still, it grated.

‘He works as a police officer, I expect you mean,’ she said, carefully keeping her tone neutral.

Christiana looked mortified. Her hand came out to just touch Dottie’s arm. ‘Oh, I’m so sorry. Please don’t think I meant…’ she sighed. ‘I’m sorry. I didn’t mean it quite the way it may have sounded. Oh this is a terrible start to a friendship. I’m not a snob.’ Looking into her glass, she said softly, ‘Believe me I know all too well how hard it is to find a good man. And when one is lucky enough to find him, one thanks one’s lucky stars and refuses to let go.’

‘I’m sorry too,’ Dottie said. ‘I’m afraid there have been a number of critical comments, and I’m feeling rather on the defensive. William’s family had an estate but unfortunately it was sold a few years ago to cover—er—’

‘Death duties?’ Christiana suggested helpfully.

Dottie gave slight shake of the head and a wry smile. ‘That. And debts.’

‘Ah! Well, there are plenty of those amongst the so-called upper-crust And even the aristocracy, as we both know. I can look around this room and tell you who is solvent and who hasn’t got the proverbial penny to bless himself with. Let’s start with my idiot brother. Broke,’ she smirked at Dottie, ‘Definitely not got a penny to his name. I’m so glad you didn’t fall for him.’ She discreetly pointed out two other men and a woman and said, ‘Broke,’ for each of them.

Dottie was astonished. Christiana was right. These four people were four people who Dottie would have practically gone to her grave believing to be financially stable, solvent. Inadvertently she took a gulp of her horrid wine. She grimaced ad swallowed quickly.

‘But my father is thinking of going into business with Lord Dalbury and his friend Milo Parkes. They’ve been having talks all week at Father’s club.’

Christiana looked concerned. ‘Oh my word, no! Please warn your father to get out whilst he can, they will bleed him dry!’

Dottie nodded. ‘I’ll tell him. Thank you for the tip. It’s astonishing isn’t it. As you say, one takes everyone at face value, and we make assumptions based on what we see.’

‘Which prompts me to ask, Dottie, what do you think of my dress?’

‘Oh it’s lovely!’ Dottie didn’t even have to stop and think about that.

‘It’s actually an old one of my mother’s. Yes, really, it’s more than twenty years old. She had some beautiful gowns and coats and things. Furs. Some of them were terribly expensive, and my brother wants to get rid of them. Sell them. He needs the money.’

Dottie said nothing, wondering—or rather suspecting she might know where this was leading.

‘I’m having a house party next weekend. I know it’s horribly short notice, but I was wondering if you’d do me a huge favour. I was hoping you might know a few people who would be interested in buying Mother’s things. I don’t want them going to just anybody, but if they were people you could recommend, I might not mind too much. I don’t want it to feel like village jumble sale with everyone pawing over my mother’s things. But if I can help Peter, I feel I have to do so, he’s so wretchedly clueless. Could you spare me a weekend to come and visit, and bring your lovely fiancé, of course, and if you could just go through Mother’s things and tell me what might fetch some cash, and who might be interested… there aren’t many ‘names’, Mother went rather her own way in fashion, although there are some Carmichael and Jennings items you might be interested to see. Well, perhaps you’ll think about it and let me know. You can telephone me, I’m on Belgravia 139.’ She grabbed Dottie’s arm and said in an urgent tone, ‘Do say you’ll think about it, please. This means so much to me.’

‘I will,’ Dottie promised, and had only time to repeat these words as the music suddenly began, and a young man came to ask Christiana to dance.

***

Extras… the minor characters every mystery story needs

/ Caron Allan

Extras complaining to the author about not having a name – again.

Last week was all about the main characters – the detective, the villain, the side-kick and of course the victim(s).

This week, I’m interested in thinking about the minor characters – or extras – in my head I see these as a kind of walk-on part, much like those in any TV show or movie. They don’t always have lines. Sometimes they don’t even have names. They might be described as ‘an elderly dog-walker’ or ‘the woman behind the shop counter’. They crop up everywhere the story goes – in shops, houses, on village greens, in museums, and at dinner parties.

But why are they there?

Extras fulfill a number of criteria and needs for the author and the reader.

  • they can deflect attention away from the culprit or villain.
  • they can provide the reader with useful clues or snippets of information.
  • equally, they can provide us with (less useful, sometimes) red herrings and wrong-turns.
  • they enrich the story so it doesn’t consist of just your four main characters, unless that’s the whole point of the story.
  • they can give us a sneak-peek of something that might happen in a later book if this is a series.
  • they act as a kind of commentator or dramatic chorus to comment on the action or criticise or laud the ‘hero’.

But life as an Extra can be tough and is often unpredictable.

Police or other people in authority (completely unaware all too often that they themselves are Extras, can bully them or wrongfully arrest an Extra and accuse them of terrible things they haven’t done.

You need a huge range of skills as you may be called upon to perform almost any task from forensic assistant to chambermaid.

As an Extra, you might be completely overlooked by the reader who doesn’t even notice you, let alone what a magnificent job you do pretending to be an elderly dog-walker when you’re really a young woman in her twenties on her way to college and you don’t even like dogs.

Alice was at the party with two friends. Who were they? No one knows.

And they never remember your name, which is why you have to have a description attached: Miss Jones, the games mistress at school where victim used to teach. You might even find yourself very near the bottom of a long list of characters, a list designed to help readers remember all the people in the book they’ve met but don’t remember.

No one asks your opinion. ‘Tell us, Poirot,’ they cry, at the end of the book. ‘Who did this dastardly deed? and why?’ I mean, all the Extras probably know this information too, don’t they. But no one ever asks them. They just come in with the tea tray and leave without anyone noticing.

Likewise, no one ever asks an Extra if they’re okay and how they feel about being shut up in a big country house with loads of stairs, and a murderer roaming about bumping people off willy-nilly.

And as if all this is not enough, when the author gets bored, you might even end up as the next victim, just to ‘spice things up a bit’.

How is that fair? It’s not just a policeman’s life that’s terrible hard. Try being an Extra for one book, let alone a whole series. I’m only surprised they don’t have a union.

‘I hate being in crowd scenes,’ said the person in the red outfit. ‘So do I!’ said another person in yellow. ‘It’s so anonymous.’

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The Big Four: the four main characters in a murder mystery

/ Caron Allan

I love murder mysteries. I doubt this comes as any kind of a surprise to most people reading this blog. Characters in a murder mystery fall into one of two categories: they are either part of the Big Four, or they are Extras. This week I want to quickly chat about the Big Four.

Who are the Big Four?

The Big Four are the main characters without whom we would have no murder mystery. They are: The Victim(s), The Villain(s), The Side-kick(s) and The Detective(s).

And yes, they often come as a pair or even more, not just as a lone individual. Detectives, for example, often come as a pair – one an amateur and one a professional. Villains too, can sometimes deliberately confuse the reader by sharing the limelight with another villain, and share the crimes too.

And who doesn’t love a high body-count? Why stop at one Dastardly Deed when you can have two, or three, or…

Let me introduce you…

The Victim(s)

Victims, as avid mystery lovers know, are always bumped off for a reason. And obviously it is The Detective(s)’s(s’)(??) job to discover why and bring the perpetrator to justice.

The richer, the more arrogant, cruel, cold, grasping, greedy and crafty our victim is/was, the better we like it, don’t we? We can then take a vicarious pleasure in their demise as we would never, ever do such a thing ourselves in real life. And the worse they are, the nastier and more creative their all-too-timely death should be. BUT.

They can’t be so bad that we don’t care if their killer evades detection.

In my view, ideally there should be two or three of these demises per mystery because, if I’m honest, I’m always a bit disappointed if there’s ‘only’ one.

The Victim is there for one reason only–to make us, the reader feel clever:  to provide something for The Detective to detect, of course.

The Villain

Whenever I hear the word ‘villain’ I always think of a man in a swirling black cape and top hat, twirling his moustaches menacingly (or smugly, either will do)and saying ‘Mwah haha’.

Sadly, the days of Dick Dastardly have gone, (drat, drat and double drat) and nowadays The Villain can look like anyone:

A little old lady.

A priest.

A stalwart Major-type.

A handsome young man on his honeymoon. (I’m looking at you, Death on the Nile.)

A nurse. (Sad Cypress)

Even a child. (Crooked House)

The Villain is often charming, often invokes our sympathy due to baggage and issues, and can even make us think, ‘Aww well, she/he’s had a tough childhood, maybe we should kindly overlook those four grisly murders and let her/him have a new chance at life.’

We must be on our guard at all times throughout the book until the moment this villain is unmasked.

The Side-kick

The Sidekick has a demanding role. They are there as a kind of placeholder/proxy for the reader.

They must be clingy to the point of irritating, sticking by The Detective’s side when they really should go away and leave him/her alone to think things through. But no, they stick around at all times, asking stupid, inane and tedious questions, so that we don’t have to. We sit at home in our comfiest armchair and loudly exclaim, ‘Rookie mistake, I already knew that…’ but really we’re thinking, ‘Ooh I wasn’t sure, but now that you mention it…’

The side-kick – desperately needed to help us survive the journey

So they are there to help The Detective and the reader to find the evidence and the clues and to arrive at the truth of the mystery.

In fact they don’t create a dialogue, but they are the dialogue – through The Side-kick, the reader can talk to The Detective and The Detective can talk to us.

And finally:

The Detective*

The Detective can be anyone.

Rather like The Villain, The Detective can be a law-and-order professional, or someone from an associated profession (forensics, psychology…), or an amateur with a gift, a nurse, a priest (The Complete Father Brown stories) a stalwart major-type, a nurse, a handsome young man on his honeymoon or even a child (The Sweetness At The Bottom Of The Pie).

The Detective has one job and one job only: to find out whodunit and bring them to justice.

It’s essential that her or his main characteristics include:

Passionate desire for justice, even at risk to self, it goes without saying, I hope.

Incredibly close attention to detail: ‘Sacre bleu, this dust is 3.14159 milimetres in ze thickness, therefore the killer was the maid and the crime was committed on Tuesday afternoon.’* The whole case may depend on just this kind of minuteness.

‘Mesdames et messieurs, allow me to reveal at last, the identity of the criminal’.

Very keen observation skills: ‘Zut alors, the footprints in the mud are of a depth of 3.14159 milimetres, therefore we must find a person of 6 feet 1 inch who weighs 189lbs.’

From the two above attributes, we can also see that they must be good at mathematics too. 

Lastly, the Detective must have a huge ego: We readers love to have all the suspects in a room at the end of the story, and to be taken step by step through the crime to learn the identity of The Villain, and to have the satisfaction of them being led away in handcuffs. Therefore it is essential that our Detective loves to show off just a little and to deliver a lecture on how clever he/she is and how many different things we missed.

So next time you are reading a mystery, keep a handy notebook and pen by your side, so you can check for all these points!

*must supply own white hat

*sorry btw, for me all fictional detectives are Hercule Poirot, even when they’re not

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