The film of the book…

Here’s a reimagined post from three years ago, slightly updated for you. I still need your help with this big problem!

Writers are at heart, fantasists, and for many of us, there is no more entertaining fantasy than to ask yourself who would play your main characters if some movie mogul had the urge to transform your book or series into a blockbuster movie or a Netflix/Acorn TV/Prime/Paramount/You-get-the-idea weekend TV binge.

I think we all know that there can be a massive difference between how each of us pictures our paperback ‘hero’, and how that is translated to the big screen. For fans, and no doubt, writers, this can lead to a terrible sense of disappointment.

Movies/TV Series from books that I loved:

Inspector Gamache from Louise Penny’s fab Canadian-based crime series, now known as Three Pines on TV streaming services. Alfred Molina has brought the most wonderful gravitas, compassion and depth to the role. You’ll need a tissue or two for this series, though.

The Harry Potter series: I felt they nailed all the characters perfectly – Yay!

Dial M For Murder or the remake The Perfect Murder both sensationally wonderful adaptations of Frederic Knott’s stage play Dial M For Murder: a collage for voices. (It helped that the sexy Viggo Mortensen was in The Perfect Murder.)

Murder on the Orient Express now obviously there have been several versions of this, and I’ve loved them all, although for me, Peter Ustinov was always a little better at portraying Poirot at his most mournful and ridiculous, and also managed the quality of moral indignation much better than others, although David Suchet was truly excellent in the TV series. I remember when the first episode aired, I held my breath as it began, waiting to see how this ‘new’ chap would manage the character, would it be everything I hoped for? It was, and more!

Sorry but I am not at all a fan of Kenneth Branagh in this role. At all. He’d have made a great Hastings. Ish.  I mean, Hugh Fraser really nailed that part and made it his own. For me the new movies are all panorama and no substance. I hate them.

Dalgliesh: There has been a new outing for this with Bertie Carvell (Jonathan Strange and Mr Norell, remember? Also lots of other stuff including Midsomer Murders…) and in the title role of Inspector Dalgliesh, created by P D James.  Bertie gives us a beautifully nuanced role, and the opening credits are sooooo beautiful to look at, I could have them on my wall and gaze at them all day long. Feels slightly out of its era, with a sense of being in the 60s rather than the 70s, but that’s easily overlooked as you get stuck into each story.

Whitstable Pearl: Kerry Godliman, whose stand-up comedy I absolutely love, plays the title character, a private detective with a restaurant in this series based on Julie Wassmer’s fabulous series. I love this show!!! It helps that it’s set in Whitstable on the North Kent coast in the UK, which is very close to where many of my ancestors come from. If you haven’t read it or watched it, there’s no excuse, stop reading this and do it now.

Anyway, this is the game I’ve been playing at home. ‘Someone Wants To Turn My Book Into A Film’.

I’m talking now about my 1930s Dottie Manderson cosy mystery series.

My main characters are:

Dottie Manderson, aged 19 at the start of book 1 which is Night and Day. She is 5’ 7, has dark wavy hair, hazel eyes, lovely skin and a gorgeous, slender figure. She comes from a wealthy background, and lives in London with her parents. She is a wee bit shy, loves her family, loves dancing, and works as a mannequin for Mrs Carmichael. She’s idealistic and a little naïve. In the books, we see her maturing as she learns about the world, and about relationships between men and women. She is nosy and gets into murder-related situations. She is compassionate and detests bigotry and moral ideas that put appearance before compassion and respect.

The original image I used for the covers for the Dottie Manderson series. Apart from the blue eyes, she was the perfect match for Loretta Young. Image by Artsy Bee from Pixabay.

William Hardy is the detective she frequently ‘runs up against’. (Yes that is a double-entendre, if not a triple…) He is a little older at 28. He is a policeman working his way up the ranks after his father died and left the family penniless. They had to leave their privileged lifestyle and he had to leave his law studies to earn a living. He is (of course) six feet tall, if not a bit more, and well-built. He is fair-haired, and blue-eyed. He quickly develops a penchant for a certain dark-haired young lady which makes him awkward and embarrassed at times. He has a slightly different attitude to women than the majority of men of his era in that he is respectful and does not think of women as inferior or as domestic drudges or as potential conquests. He is determined to improve his family’s fortunes by sheer hard work and devotion to his work.

There are other recurring characters too:

Mr and Mrs Manderson, Dottie’s parents: Her father Herbert is largely to be found behind a newspaper. Her mother Lavinia is brisk and no-nonsense and all about etiquette and social niceties, but as the series develops we see that there is a deep love between these two, and that Mrs Manderson has a marshmallow heart under the stern exterior.

Flora, Dottie’s older sister is married to George, a very wealthy young man. In book 1, Night and Day, they are about to become parents for the first time. They are devoted to one another and to Dottie.

So here’s the big question: Who would play these roles if my books were made into a TV series or a movie? I’ve been thinking about his quite a bit. But I’m somewhat hampered by the fact that I really don’t keep up with who’s who in the acting world, so my ideas are probably really out of touch.

Make sure you tell me who would work better, in your opinion. Obviously I need all the help I can get here!

Dottie: I’ve got a couple of ideas. I originally based Dottie on the 1920s actor Loretta Young, but you know, time doesn’t stand still, does it?

1. Claire Foy

2. Flora Spencer-Longhurst

Though I must admit they are both a bit older than Dottie is in my books. What do you think? Do you know of another actor who might be better?

Gary Cooper…

William: the problem here is that I originally based William on the young Gary Cooper acting in the 1920s and 1930s…  So I’ve got almost no contemporary ideas for William Hardy. Except for Alex Pettyfer.  Or maybe Rick Edwards, who isn’t even an actor… Can you take a look and tell me what you think? I urgently need help here: you never know how soon someone might knock on my door or flood my email with requests , pleas and big fat cheques.

 

As for Flora and Mr and Mrs M, what about these lovely people:

Tuppence Middleton for Flora, she’d be brill…

Herbert Manderson: What about the omni-gorgeous Jason Isaacs? He’s a little older now (sorry Jason, but you know it’s true) and he’s nicely craggy.

Mrs Lavinia Manderson: Well there’s Kristin Scott Thomas, I think she’d work really well in this role: the only problem is, can we afford her?

So, dear readers, please help! We need to get this cast list sorted before MGM or 20th Century Fox or Nertflerx come knocking on my door.

***

It’s here (almost) : Rose Petals and White Lace is out on 9th December 2022

I’m delighted to announce that Rose Petals and White Lace: Dottie Manderson mysteries book 7 is being released on 9th December on Amazon (eBook, paperback and large print paperback), and 11th/12th December on other platforms (regular print paperback only).

Here’s a little bit to tell you about the book:

Dottie Manderson’s relationship with Inspector William Hardy has recently taken on a whole new dimension, and that means getting to know his family. Whilst William is away clearing up the paperwork and red-tape following his recent case against the Assistant Chief Constable of Derbyshire, Dottie attempts to help William’s younger sister and her fiancé put a stop to the malicious occurrences that threaten both their livelihood and their relationship.

Meanwhile, Inspector Hardy has two problems to tackle:

Firstly, the unexpected, rather hostile official enquiry into the recent events in Ripley and, secondly – though from William’s point of view, far more importantly – will he ever find the perfect romantic moment to take the next big step in his love life?

There’s only one way to find out!

 

 

November exits the stage and the end of the year is approaching…

Recently released: A Meeting With Murder: Miss Gascoigne mysteries book 1 and coming soon – 9th December 2022 – Rose Petals and White Lace: Dottie Manderson mysteries book 7

Well, well, well…

Looking back over the year, now that the dust has (almost) settled, I realise it was quite a productive year after all, though sometimes I wondered if I’d achieved anything in 2022.

I am filled with gratitude at the moment. It’s partly displayed as relief at finally finishing another book, one that’s been in the offing for two to three years now (Rose Petals and White Lace) and partly surprise that I’ve finally done it.  So I want to say a big thank you today to some wonderful people. Love you all and thank you so much xxx

Today in the USA it’s Thanksgiving. That’s not something we ‘do’ in the UK, but there’s always a reason to be grateful, isn’t there? Oh yes, we have Harvest Festival in September which is a similar kind of thing, though it’s largely only observed by schoolchildren – a thanks to God for the safe gathering in of the harvest, guaranteeing another year of enough food. I think that’s pretty much the same idea.

Thank you to my dear family. Especially my poor husband who is constantly told, ‘I can’t do XXX, I’ve got writing/editing/rewriting/polishing/editing/rewriting/proofreading to do.’ He thought when he retired we’d have more time to spend together. Sorry, darling. On the other hand, it does mean he has more time to pursue his hobbies!

Thank you to my dear friends, especially Emma Baird, Angy Lloyd, Debaleena Mukherjee for the alternate pat on the back and kick up the bum to keep me moving on.

A huge thank you to Lila Dawes, contemporary romance author, daughter, best bud, and betareader supremo – you’ve been brill, sweetheart. Thank you!

And grateful thanks to two wonderful ladies, it’s been a privilege to work with you both for the last couple of years. Thanks to you, we now have FIVE books out in the German language, with plans for more (spoiler alert!)

So thank you, Stef Mills and Heike Wolf, expert translators, proverb-wranglers, vernacular-interpreters, morale-boosters and editors extraordinaire. It is thanks to you both and all your hard work that I have been able to release Der letzte perfekte Sommer von Richard Dawlish (Dottie Manderson: Buch 4) and coming on 16th December, Der Diebstahl von St Martins (Dottie Manderson Buch 5)

Dates for your diary! #newbooks #cozymysteries

Okay so I know I’ve kept promising and promising, but really soon, I promise, cross my heart and so on, there will be an actual new Dottie book this year and of course, the Miss Gascoigne mysteries new series will also be starting, which is a spin-off from the Dottie Manderson series.

(Sorry if I’m repeating myself, I know you know this stuff really, this is just for the occasional accidental tourist to this site!)

So without further ado here it is:

A Meeting With Murder: Miss Gascoigne mysteries book 1 :

A 1960s-era traditional mystery series set in Britain and featuring Dee Gascoigne, a newly separated woman who has just lost her job and is wondering what to do with her life. Dee has a family who love her, and a rather massive crush on her not-quite cousin, Inspector Bill Hardy, who struggles to keep the women of his family out of police investigations.

The eBook will be out on 7th October 2022, with the paperback and large print paperback coming out probably a day or two earlier.

The eBook will only be available from Amazon. It will also be available through Kindle Unlimited.

The ‘normal’ paperback will be available from most online stores including Barnes and Noble, D2D, Scribd, and many others.

The large print paperback will also only be available from Amazon.

If you’d like to know more about this series, please click this link to go to the Series Page for the Miss Gascoigne mysteries.

And here’s a teeny snippet from the book just to whet your appetite: It’s May 1965, and something bad has happened to Dee’s neighbour…

The stairs were right ahead of her as she entered the house. The interior was dim; only the first three or four stairs were illuminated by light coming in at the open front door. With a pause to allow her eyes to adjust, as well as to try to get her nerves under control, Dee placed her hand on the panelled wood of the enclosed staircase and began to ascend. The steps were steep and shallow, and with no rail on either side, it was a precarious climb in the near darkness. How on earth did Mrs Hunter manage, she wondered. Perhaps the old lady had a bedroom downstairs? At the top, she paused and took a calming breath. She turned to the left and as instructed walked along the gloomy corridor to the end, where a door stood open, spilling a little pool of yellowish light into the hallway.

She felt a deep reluctance to enter the room. Already she knew this was no ordinary moment. There was a musty stale smell, and something else besides. The metallic scent of blood on the air. She was still puzzling over the idea of there being blood as she went into the room. After all, no one had said anything about…

She stopped dead. Staring at the scene, her brain scrambled to make sense of the picture in front of her. A person—Sheila, yet not Sheila anymore—was seated in an armchair beside a small circular table. On the table was a wine bottle and a single glass with a small amount of wine left in it.

Unwillingly, yet knowing it could not be avoided, Dee turned to look at Sheila Fenniston. She had fallen slightly to the side, leaning against the edge of the table, and her head lolled back, her eyes half-open, her gaze fixed upon something Dee couldn’t see. Sheila was wearing a nightdress of a surprisingly demure variety, and all over the front of the white cotton was a dark reddish-brown stain. Sheila held her hands in her lap, and all down the forearms and on the lap of her nightdress was the brown sticky mess of blood. It had run down on either side of her and formed two puddles on the thin aged carpet. And there by her right foot, glistening softly in the half-light was the razor, dirty with blood.

Dee put her fingers to Sheila’s neck, knowing it was pointless. The skin was cold. There was no pulse. Dee backed out of the room, groping her way down the stairs. She closed the front door behind her and said, her voice faint, ‘No one can go in. Sheila’s dead. We must get the police immediately.’

*

Meanwhile, back in 1935, Dottie is ready for another outing as Rose Petals and White Lace: Dottie Manderson mysteries book 7 is now available to pre-order prior to release on 9th December 2022.

Once again, the eBook version of Rose Petals and White Lace will be out on 9th December 2022, with the paperback and large print paperback coming out probably a day or two earlier.

The eBook will only be available from Amazon. It will also be available through Kindle Unlimited.

The ‘normal’ paperback will be available from most online stores including Barnes and Noble, D2D, Scribd, and many others.

The large print paperback will also only be available from Amazon.

If you’d like to know more about this series, please click this link to go to the page for the Dottie Manderson mysteries book 1-4, or this link for the Dottie Manderson mysteries books 5 onwards.

Here’s a sneak preview from Rose Petals and White Lace to get you in the mood:

It’s 1935, and Dottie Manderson is helping out Inspector William Hardy’s sister, Ellie, who has a problem in her tearoom:

Lunch was, if anything, busier. Every table was occupied both inside and out, and the spare chairs at Dottie’s table had been borrowed to be set around the other tables where there were more than four people in the party.

Everything was going beautifully when two tables away, suddenly a man exclaimed loudly and in a disgusted tone, ‘Good God! What on earth is this doing here?’

There was no time to see what ‘this’ was, for he immediately dropped it onto the floor and stepped on it. Very rudely, he shouted, ‘Girl!’ to Ellie or Ruth who were already both making their way over. Ellie looked as though she felt ill, whilst Ruth looking angry. Dottie got up for a better look at what was going on, thinking Ellie might need her help.

Looking down at his plate, now the man said, ‘What? I can’t believe it! There’s another one!’ His annoyance rose and he looked about him angrily. ‘Where’s the manager?’

Ellie reached his side, clasping her hands and saying, ‘Excuse me, sir, may I help?’

He rounded on her in his fury, and she took a nervous step back. Red-faced, and with his voice reaching everyone in the building, he shouted, ‘Get the manager, you stupid girl. This is an utter disgrace! In all good faith I came in here with my family and ordered some food, only to find not one but two maggots on my plate!’ He was on his feet, towering over her, and Ellie was patently alarmed. Dottie glanced back towards the bakery counter and noticed that Andrew was ignoring the situation, calming greasing loaf tins, his back to the tearoom. For a brief moment Dottie wondered if he was actually deaf.

‘Darling, I’ve found another one!’ the woman with the angry man declared, leaping to her feet in revulsion and taking two steps back. She had a napkin to her mouth as if for protection, or to prevent herself from being sick. Around the tearoom, there was a deathly hush; everyone had turned to watch and listen.

‘Don’t gawk, you idiot, get me the manager! Now!’ the man yelled in Ellie’s face, a tiny spray of spittle flying from his mouth to her cheek.

Ellie began to stammer an apology, adding, ‘I am the m-manager.’

The man directed a scornful look up and down her frame. ‘I’ve never heard anything so ridiculous in all my life.’

I hope that has got you in the mood. This book will be chock full of creepy-crawlies and bugs of all kinds, so if they make you itchy and uncomfortable, make sure you have some nice soothing tea and biscuits on hand when you start reading. I always do!

***

Interview with a Footballer – a short story

‘That new striker for United is here for the interview,’ came the message. Geena sighed and dragged herself to the reception area. Another inarticulate footballer with a repertoire that entirely consisted of the usual three phrases: ‘The lads done good’, ‘We’re training hard’, and ‘It’s a game of two halves’. It wasn’t exactly the hard-hitting journalism she’d dreamed of as a student.

In reception he looked up from FHM as she approached. He unfolded himself from the seat. He was tall, he was blond, he sported a diamond stud in one ear. He wore an expensive suit as if it were a cardboard box and he was the gift inside. Wow, he’s gorgeous, Geena thought, and she slapped a smile on her face as she stepped forward, her hand outstretched.

‘Hi, Justin, so lovely to meet you, sorry to keep you waiting,’ she said.

Her hand was grasped firmly and released. No sweaty palm, no prolonged contact, he didn’t even stare at her boobs. That was a huge surprise. A good start, she was forced to acknowledge.

‘I’m so grateful to you for sparing me some time today,’ he began in a smooth, public-school voice. ‘I realise you have a somewhat hectic schedule and I was fully prepared to have to wait a few days but as I’m sure you’re aware, the publicity is always very welcome.’

She blinked at him. ‘Oh – er – well, it’s – er…’

He smiled again. Sexily. Gorgeously. White even teeth. Good skin, not as orange as celebs usually were, and he didn’t appear to be hungover. She led him into her office, invited him to sit. And he sat. Not lolling, but actually sitting, ninety per cent upright at least. Amazing.

She positioned her dictating machine and with a smile, indicated they were beginning. ‘Well, Justin, perhaps you can tell me a little more about your move to United.’

He smiled again. It suddenly struck her he was here alone: no entourage, no agent, no coach, no WAG. Just Him. Wow. Again.

‘Well Geena–I hope you don’t mind me calling you Geena? I saw this as an excellent opportunity to further my career by playing for a high profile, high status club, but at the same time I really believe it is good for the club too, because I’m confident I can bring an element to the team’s game which has been a little lacking in the last season or two.’

‘And have you met your new teammates yet?’

‘Yes, we’ve had two practice sessions together, and of course, I’m researching the footage available. I have great faith in my colleagues–they’re all keen and talented athletes, and I feel that this move will be mutually advantageous. I intend to work very hard to justify the manager’s faith in me and the huge transfer fee they have invested.’

She caught a whiff of his designer cologne as he leaned forward to take a sip of his designer water. ‘Tell me about team tactics,’ she suggested.

‘One thing I really believe is that the game can be won or lost in the mind as well as on the pitch. I think it’s a wise man who comes out of the dressing-room after half-time and views the second half as a new game, a fresh opportunity to test himself.’

Quite so, Geena thought. It was two hours before she realised he’d said what they all say: ‘We’re training hard’, ‘It’s a game of two halves’ and ‘The lads done good’. He’d just said it in a posh voice with big words and a nice smile.

*

2012 © Caron Allan

 

More Life Writing: When I Was Four

Of course, I don’t wear the anorak all the time. It’s for special occasions.

My piece a couple of weeks ago about my auntie, Zonya, has inspired me to share more of my life writing. Life writing is a form of non-fiction we often call memoir or diary writing.  I did a module of life writing when I was studying, and although I’m a fiction writer at heart, I do love to reminisce, so here’s another life writing piece. It’s called When I Was Four. (Sorry, it’s a bit long!)

When I Was Four

More than anything, all those years ago, I remember the buttercups. I was—what?—four years old? And standing in the gently sloping field, I remember the delight I felt, the astonishment of being surrounded by all these tall flowers—almost shoulder high, and I looked about me in wonder at the bright golden flower heads, interwoven with ox-eye daisies and other, unknown meadow flowers. All were almost as tall as I was, and I felt I had strayed into a magic kingdom. I’ve been trying to recapture that feeling all my life.

There were bees, and butterflies. I don’t remember much else about that time really, except for two things: the river and the caravan.

All the mothers who worked on the farm brought their kids with them during the holidays. Some of us, the littler ones, were there all the time, too young to go to school. The group of children ranged in age from toddler to pre-teen, or possibly teenage. I remember the big boys seemed very big, but they may have been just 10 or 12. The school-age kids weren’t there all the time, just during the school holidays, and when they weren’t there, life was a bit boring, to be honest.

While our mothers worked in the fields, planting or earthing up or digging up potatoes, or cutting cabbages, or training beans or hops or picking them, or laying straw beneath the strawberry plants or—joyous task!—picking the strawberries, we kids roamed the countryside freely, day in, day out, while the long days of the school holidays lasted, and then the big kids went back to school and there was just me and a couple of babies.

We may have been bored much of the time, but I don’t remember it. We may have squabbled and fought, but again, I can’t remember it now. And very likely it rained, but I only recall days of sunshine and warm soft breezes, of laughter and happiness and freedom, the way you do many, many years later. I remember how we kids roamed around in a big bunch, chasing one another, and hiding and climbing and running. I don’t remember any fights or bullying, I remember laughing a lot. I remember one of the big kids pulling me out of the river when I fell in. (I fell in a lot actually, water and I always seem to want to come together.) I remember standing on the little bridge and staring down at the water, and that my Dalek, from Woolworths, fell in and it was borne away a short distance before disappearing from my sight. I was inconsolable. My mum was furious.

Yes, the river. Bodies of water have always seemed to draw me—perhaps a link to my Cornish seafaring ancestors?—and between the ages of 4 and around 17, I fell in pretty much every body of water I ever went near. I spent many hours sitting in the sunshine, and even in the cold of a January day, waiting for my clothes to dry so I wouldn’t get into trouble when I got home.

I don’t remember the clothes I first wore when we used to go ‘to the fields’, but after a short while, or maybe after payday, my mum bought me something new, exciting and truly wonderful—my first jeans. I remember the waist was elasticated and that the broad stretchy band was soft and fuzzy on the inside and I loved the feel of it. I doubt the new jeans stayed stiff and dark blue for long, what with scrambling up trees and over stiles and gates, crawling through dirt and up and rolling down hills, plus falling into rivers of course, but I never stopped loving my jeans. I still wear them almost every day.

Of course, for the hottest part of the year, there were shorts. And I did love my shorts, even to the point of insisting on wearing them at Christmas, with long socks and a jumper and my knees turning blue with cold. I hated skirts and dresses and girly stuff. A few years later, to get my head around the misery of wearing skirts, I used to pretend I was Jamie from Dr Who – he was Scottish and wore a kilt. Thank you, Frazer Hines.

Footwear was again a choice of two simple pleasures: red T-bar sandals for the summer and black wellies for the winter. I loved both of these. I’m fairly sure I tried to wear my new wellies to bed once, though that may have been one of my cousins.

So, it was stripy t-shirt, shorts and sandals by day during the summer, my dark hair done up in one long fat plait down my back. And for the winter it was a hand-knitted jumper, jeans and wellies, with an anorak, if needed. What was not to love?

As I’ve said, the river used to draw us kids, and we enjoyed the countryside, chasing, climbing, hiding, but the best, most amazing thing about this part of the farm was what lay at the top of a sloping field. Something I had never seen before, something that seemed at once magical, yet homely.

A caravan.

An old gypsy caravan, it had been parked there, I suppose, as a refuge from the weather for workers or whomever. We kids found endless hours of amusement in it. The girls particularly, were keen to play house and furnish the bare walls and floor from their imaginations.

The caravan had been completely stripped of all the colourful and ingenious fittings that normally make a caravan a home. And I don’t remember if it was brightly painted outside or not.

I can remember how much I loved the echoey noise my feet made as I clomped up and down the bare boards, and how we used to put dusty soil into the abandoned grate and as we stirred it up with sticks, we’d pretend the dust that rose was smoke from the embers of our stories. And I enjoyed sitting on the top step looking out across the fields.

I wasn’t brave or adventurous like some of the other, bigger kids, and they could never persuade me to jump from the top step as they did, it was scary-high. But I managed to jump from the bottom step and the middle step.

There was a handsome young man called Roy. He wasn’t one of the kids. At sixteen, to me, he was one of the grown-ups and he worked on the farm, driving the tractor. He always waved to me, and would often stop and talk to me. I—of course—followed him around with the worshipful devotion of a small puppy. He used to stop the big kids picking on me, so there must have been squabbles and rivalries after all, and I still remember his kindness to a little kid with gratitude.

But looking back to that time, the overwhelmingly pervasive memory of those days for me is that of standing shoulder-deep amongst a crowd of buttercups and feeling as though I were part of something magical and beautiful. I’m still trying to recapture that moment when I was four.

***

 

More vintage magazines for women

Last year I posted a couple of articles about women’s magazines from the 1930s. (If you missed them, you can find them here.)

Over the last two weeks I’ve been fortunate enough to acquire two more vintage magazines aimed directly at women. what impressed me about these was first of all, that this magazine – Woman’s Own – is still in circulation and massively popular today. The second thing I noticed is that there really isn’t a lot of difference between the WO of 1934 and those of 2021.

Have women’s concerns changed very much in 90+ years? I’m not sure they have. for many women, the home and family is still one of the most important things in life, and I’m not saying that in a patronising way, nor ignoring the fact that women today have many more opportunities to have a career, and that the concept of ‘the family’ is miles different – and rightly so – to that of the 1930s.

But at rock bottom, many women are interested in and still worry about how to care for, manage or improve their relationships, their attractiveness, their budget, and their partners and children.

My Woman’s Own mags are from Feb 1934 and this week’s copy – by chance I nabbed a ‘diet special’. Here are a few snippets that struck me as interesting:

Hubby Management: It’s the wife’s job to make her home as welcoming as possible to induce the man (and man ONLY!) to stay at home instead of going out gallivanting. tips are given on how to do this, though the mags expert – whoever that was, possibly (we don’t know!) a bloke – comments that some men will always stay out and shouldn’t get married in the first place. Too late if you’ve got one of those, girls!

We have the readers’ letters, essentially a problem page. My faves are ‘should cousins marry?’ (Surely they know the answer to that?) and the ‘worried wife’ letters. I feel for the worried wife. She knows exactly what the answer will be but doesn’t want to admit it. Poor woman. Did she sling him out? Or – as I feel is more likely – did she just suffer in silence?

There’s a load of fashion tips and ideas, mostly, I was interested to note, clothes you could make at home. This magazine is aimed at the upper working class and lower middle class, women who have a little money but not enough to buy off-the-peg items and certainly not bespoke. ‘Home economy’ was one of the watchwords of the day, and it included apparel.

I personally think this looks absolutely horrid, and a cross between a Christmas panto costume and something out of Red Riding Hood. This one below is slightly nicer, but again, still all your own work.

Although the models in the designs look about 35 to 40, in fact some of these are aimed for teenagers from 14 years of age. not much difference in those days between what mums and their daughters were wearing.

And of course, the eternal battle with the scales. I was interested to see things haven’t changed much here either, although some of our modern ingredients – chorizo and the whole gluten-free plan would have been completely alien to women of the 1930s.

Looks like this lady – a nurse, not a nun as I first thought – was following the crap-yourself-thin diet. 18lbs was a good result! Was she just a bit constipated after Christmas? All those mince pies…

Looking good appears to be a perennial issue for many women. We want to keep our looks as long as possible, after all, and keep ourselves in good condition. So I suppose it’s not surprising magazines for women contain so many hints, tips and advice. With the growth of city populations, the expansion of the suburbs, many women would have been cut off from their usual channels of information: mothers, grandmothers, aunties. Equally, magazines adopt a sisterly or motherly tone to offer the advice so desperately needed in those times. Today, magazines are more likely to have a friendly, conversational tone, inviting you to confide and share like a friend coming alongside to offer a sympathetic ear.

I’m in awe of the fact that this magazine has been around so long. It’s fascinating to read that the same ideas preoccupied women before my mother was born, as they do now. We may have Smartphones, the Internet, Netflix and Just Eat, but at the end of the day, we still want to look good, feel good, and keep our man where we can see him.

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Everyday life in the 1930s

I’m fascinated by the 1930s. That’s why I write a series of detective novels set in the 1930s and featuring Dottie Manderson, a young female amateur detective, as the protagonist. I write cosy mysteries, or cosy crime, and therefore there’s not a lot of space for too much social reality. Besides which, life is already tough enough, we all could do with a bit of escapism now and then, right?

I wanted to show just how different life was back then for everyone, not just women, in the 1930s. I’m writing from a British perspective, as that is my own nationality and my research and my writing centres around this.

Loretta Young, the actress whose soulful expression gave me the character of Dottie Manderson

I often portray the glamour of the era–the fashion, the socialising, all the dancing in long flowing gowns, the polite flirting with gentlemanly fellows in smart evening wear who offered one a drink or a cigarette and didn’t (most of the time) immediately pinch our bums. This glamour and glitz is what I love about it, but even I as a die-hard romantic idealist would have to admit this is the stuff of dreams—of the wonderful cinematic fictions of the time. It’s largely a gloss put over real life to get us through tough times and keep us keeping on. In reality we didn’t dance down to Rio or sip champagne, we were too busy trying to put bread on the table and keep the rent man happy.

So let’s go back to Britain in the 1930s. What was life like for the majority of people?

It was very much a time of transition. Things were still getting back to normal after the war. Attitudes were poles apart with very liberal ideas sitting at the same dinner table as conventional, very reactionary, right wing beliefs. And these differences would grow to a huge divide that came to a head in the 1940s, although as many other things, many of the same issues still rumble on today.

To set the scene for this inter-war period: the gaiety and extravagance of the 20s was over. The harsh reality of the 30s set in with mass unemployment, vast financial meltdowns that would devastate the economies of the richest nations and wipe out many fortunes leaving plenty of millionaires bankrupt and desperate. For the poor, things went from bad to worse, with job cuts and losses, and the increased mechanisation of tasks previously done by human beings left many without work and therefore without the means to feed themselves or their families. But for many middle-class families—those with money, skills and professional qualifications and the less demanding costs of keeping up their homes and lifestyles, things were not too bad at all.

Gary Cooper, irresistibly ‘cool’.

The Great War, as WWI was known, was becoming more of a distant memory, and the Second World War was as yet undreamed of. In fact, there was a common consensus regarding the Great War that ‘it could never happen again’. It was ‘great’ in the sense of huge and terrible, not in our modern sense of brilliant and something admirable. Even language has changed since then! It’s no exaggeration to say that millions of lives were changed forever.

There were an estimated 40 million casualties, a little less than half of whom died, the rest were injured, many very seriously. 40 million. How could such an incomprehensibly vast sum of people die in the space of just a few years? Is it any wonder that people, especially the young, were a little bit crazy, a little bit over-exuberant in the 20s? Yet even in the early 30s, there were already the rumblings and murmurings that would lead to a repeat of the disaster.

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Anywhere in the world!

You might have noticed I sometimes get stuck for ideas for a blog post. When that happens, I usually sneakily use an old one and hope you won’t notice, or I put in an interview, or a short piece about my books etc.

BUT… (and you’ll be proud of me for this) I actually decided to research ‘what to write about on your blog’ and hey presto: Write about ‘If I could spend a month writing anywhere in the world, where would it be?’

That’s easy.

I love to write in cafes. But with lockdown the way it is, I’ve become a stranger to that. And I do have an office where I do most of my writing (picture the smallest bedroom in the house, no longer needed after the children grow up) and I sometimes write at the dining room table, or in the sitting room, snug on the sofa complete with snoring cat.

Many years ago, we lived in Australia, in Brisbane. It’s hot and sticky there, but I enjoyed it. And our first house there was an absolute hovel (sorry Aussies, but it was, honest), but when the kids had gone to school, I used to sit on the front steps with my morning coffee, a few dozen tiny lizards around half the size of a pencil, a couple of plants in pots, and my notebook and pen.

These little guys just need the water from your flower pots!

I could sit there for around two hours until the sun was so hot, I had to go inside. I used to water the plants in the pots, and the lizards would come and drink the water that ran out of the bottom of the pots onto the wooden steps. The lizards were so shy, I had to keep really still so they thought I was a tree or something. Occasionally a kookaburra would sit on the fence and stare at me, but usually it was just a pigeon or a magpie. I’ve searched my photos but can’t find the one I can picture in my mind that shows the steps and the plant pots. You’ll just have to conjure up your own image of front-step perfection, and write there.

Whereas these guys want to lie on your compost heap in the sun and stuff themselves with leftover fruit and veg

The road was called Farm Street, but I’m guessing that was to commemorate where the farm used to be before it was bulldozed to make way for the street. Neighbours would go by and wave or stop to chat. Gradually they got to know the new Brits at number 12. One guy was very sweet and kind when we were afraid to go past something that looked like quite a large snake in the storm drain by the pavement, but the neighbour explained it was a blue-tongued skink, and nothing to be afraid of. We were still pretty nervous to begin with, I can tell you.

Anyway, so I had two hours of writing most weekdays, sitting on the front steps. I can picture myself there, writing three novels in the time we were in that house, only one of which has been published (Easy Living) and the other two are very much still in the ‘I don’t know what to do’ stage of development. One was called Baby Girl and is about a well-known actress whose adoptive mother passes away and so the actress embarks on a search for her birth mother and finds a killer instead. The other one, referencing the new millennium we were about to go into (so a while ago now) was about a pensioner who goes on the run to avoid being legally euthanised because of the growth of population. Both these books were set in Australia and contain long, slightly wistful passages about my favourite cafes – Jimmy’s Uptown, Jimmy’s Downtown, and Jimmy’s On The Mall, all on the same long street in the city centre.

Life changes, and we weren’t really happy with where we were living, and we moved away. But the times of sitting on the steps and writing were as close to perfect as we could get. It was ‘very heaven’.

Jimmy’s On The Mall: It’s a lot more glamorous now than it was when we were in Brisbane over 20 years ago, they’ve added a whole top floor! If we go back, this is the first place I’ll want to go.

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A quick look at Art Deco

Exactly what we look for in an Art Deco building. Clean lines and plenty of light were important aspects of the design. Very reminiscent of a ship, I always think. I would love to live somewhere like this.

Is there any more evocative style than the one we know as Art Deco? It is immediately recognisable for its elegant lines, swirls, geometric shapes and high contrasts in both colour and texture.

A Tiffany lampshade

After appearing in the first decade of the 1900s, Art Deco actually only reigned supreme until the early 30s, but in the popular imagination it conjures up everything from the Titanic to Agatha Christie’s famous Belgian detective and his obsession with symmetry.

The Seven Stars pub in Earls Court, London. Unfortunately it looks as though it needs a little TLC.

We can still see Art Deco architecture and design all around us. From the smallest ornament for the front of a car to a massive block of flats, they share these characteristic lines of simplicity and brightness.

The iconic Chrysler building, once (and briefly) the tallest building in the world, built towards the end of the era.

It wasn’t just buildings or home decor that got the Art Deco treatment. This is a BMW R7 motorbike from 1934. Even I’d be interested in this! I can almost picture Dottie riding pillion with William.

Another Art Deco house, this time in Florida

another lamp

Even railway marketing adopted some of the principles of Art Deco, leaving plenty of clear space and using statement images.

 

The stunning Spirit of the Wind by Rene Lalique. I can’t imagine this on the front of my husband’s Ford Mondeo!

The term Art Deco came from the name of the Paris exhibition in 1925, the Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts), and has come to mean pretty much all things to all people – anything which is white/cream/gold contrasting with black, anything where the design is uncluttered, or symmetrical, or consists of very straight lines.

The style was associated with glamour, new technology, modernity, and heralded a new era, moving away from the dark, fussy and cluttered styles of the Victorian era and moving forward to embrace the concept of progress. As a style it is still incredibly popular today, and for me, typifies the era of my Dottie Manderson books, a time poised delicately just before the second world war came along to change everything.

No more fussy old Victorian spinach and rust for us! We want something modern and bright!