Reading a mystery

As you know, I mainly write cozy mysteries, some set in the 1930s or 1960s, some in the ‘now’, and one even set in both the present and the past. Cozy mysteries or cozy crime is the genre where I feel most at home, and those are the kind of books I love to read. I have been reading this genre since I was about 9 or 10 years old, when I began first with the Famous Five, then the Secret Seven, then on to Patricia Wentworth and Agatha Christie. I have always loved the idea of detecting along with the ‘official’ sleuth, trying to get to the clues and figure out ‘whodunit’ before the book’s detective.

If you ever get stuck for books to read, maybe cast your eye over this list and see if there are any names that are new to you. These are the mystery authors whose books I enjoy the most, some are old and some are modern. When you find an author you really like, do you read their books over and over again, or do you remember the too well to do that?

I love to revisit old favourites, but I have a pretty good memory for characters and plots, so I often remember a book too well to enjoy it unless a lot of years have gone by. There are some books where I just reread the beginning – I love a good beginning that sets up the story perfectly and for the reader, there is that delicious sense of anticipation. But I do reread books that I know really well, sometimes I enjoy watching something unfold on the page even though I know exactly what to expect and when.

So then, my favourite mystery authors, here we go, and in no particular order:

Agatha Christie: obvs you’ve all read her books! But have you tried Death Comes As The End – set in ancient Egypt, it’s an interesting variation on the classic murder mystery genre. My personal favourites are Evil Under the Sun, Death Comes As the End, and Death on The Nile.

Patricia Wentworth: if you like ‘em traditional with plenty of romance, these are for you! Often overlooked these days though her books have been enjoying a new lease of life through reprinting. My favourites are: The Girl In The Cellar, The Listening Eye and The Chinese Shawl.

Mary Stewart: not a cozy as such, her books fall into the category of romantic suspense along with authors like Phyllis Whitney. Of Mary’s books, I really enjoy: The Gabriel Hounds, Madam, Will You Talk? and Nine Coaches Waiting. She does that thing where she uses a quote from scripture or Shakespeare as a chapter subtitle. I love that!

Phyllis Whitney: this lady wrote zillions of books before she passed away just a few years ago. My favourites are The Red Carnelian, Columbella and The Turquoise Mask.

Another romantic suspense author is M M Kaye. Look for her ‘Death in…’ short series of 6 books. For me, the best ones are Death in Zanzibar, Death in the Andamans, and Death in Berlin. Try them and let me know if you have a different favourite!

Coming back to modern cozies, how about trying Helena Dixon? I am a big fan of her Miss Underhay series, which like my own books, are set in Britain in the 1930s. Book 1 is called Murder at The Dolphin Hotel, and although you can read them in any order, reading from the beginning will enhance your pleasure as there are continuing storylines that carry on from one book to the next.

Don’t forget to give Sara Rosett a go – she has a couple of series of mysteries, and of course you mustn’t forget Frances Brody, Vaseem Khan and Julia Chapman. Or Julie Wassmer’s Whitstable Pearl series, now wonderfully adapted for TV and starring Kerry Godliman as Pearl.

Or you might try something a little less cozy – perhaps try Ann Cleeves, Abir Mukherjee, Robert Galbraith or Val McDermid to name some of my personal favourite authors.

Let me know how you get on! Who are your favourite mystery authors? Happy reading!

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Hunter’s Blood by Val Penny #blogtour #HUNTERSBLOOD

Welcome to my part of the blog tour to celebrate the publication of Val Penny’s Hunter’s Blood:  A DI Hunter Wilson Crime Thriller.

About Hunter’s  Blood:

DI Hunter Wilson never has just one problem to solve. Three elderly women he knows have died in mysterious circumstances. Hunter appears to be the only link.A little girl goes missing on a cold winter’s night. When his team discovers cocaine hidden at the farm where she was living, the search becomes even more urgent. Why did the women die? And what did the child witness?Hunter must find the answers to these questions to ensure his family and his city are safe.

About Val Penny

Val Penny has an Llb degree from the University of Edinburgh and her MSc from Napier University. She has had many jobs including hairdresser, waitress, banker, azalea farmer and lecturer but has not yet achieved either of her childhood dreams of being a ballerina or owning a candy store.

Until those dreams come true, she has turned her hand to writing poetry, short stories, nonfiction books, and novels. Her novels are published by SpellBound Books Ltd.

Val is an American author living in SW Scotland. She has two adult daughters of whom she is justly proud and lives with her husband and their cat.

My thoughts on Hunter’s Blood:

DI ‘Hunter’ Wilson has his hands full with family matters. His elderly aunt wanders out of a hospital, she is found suffering from shock and raving, full of odd stories of evil people hurting her on the hospital ward.

Meanwhile a group of friends get together for a weekend house party and amid tensions between the different guests, end up searching for a missing five-year-old. More than one person has a secret, and there is a claustrophobic sense of each of them watching one another.

Then we have Linda’s story as she lays waiting for help to reach her inside her boss’s van which has come off the road and turned over. why is the new owner of the company so particular about his vans?

Hunter’s Blood is full of twists and turns as these three apparently unrelated incidents gradually converge. We begin to see the strands of the stories intertwining and overlapping one another until gradually a new picture forms and it’s up to Hunter and his team to put the pieces together and find a ruthless killer.

But who would want to kill three frail elderly women? And more importantly why?

This book had me studying each character in turn, thinking, ‘Was it you?’ ‘Or you?’

At times grim and shocking, nevertheless this is a satisfying read.

SOCIAL MEDIA LINK – You can find Val Penny on these social media platforms:

Author Facebook Page 

Author Twitter Page 

Author Instagram Page 

WEBSITE LINKS

Website – https://www.valpenny.com

Amazon Author Page – https://www.amazon.co.uk/Val-Penny/e/B07C4725TK

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Desert island author

‘I thought this was voluntary?’

I’m thinking of doing my own mock-up version of Desert Island Discs. For those of you who don’t know, there is a long-running radio show called –you’ve guessed it—Desert Island Discs. Each week a guest selects their favourite music along with a book and a luxury item to take with them to be stranded (I assume deliberately) on a desert island. It’s a fresh (even now after over 3000 episodes) way to interview celebrities of all kinds and find out what makes them tick.

A certain amount of belief needs to be suspended here as we are assuming a minimum level of survival comfort and apparently electricity on this desert island… Try not to worry about the details. (How did the stranded person get there? What if they need medication? A special diet? How long will they be there for? What furniture/food/shelter/clothing do they have? Are they alone? Where is the fresh water supply? What about a loo? Ignore all that.)

Just out of curiosity I Googled the show and it’s been running since 1942!! I was astonished. Hugely famous and influential people have guested on the show, here are just a few names to wow you:

Ivor Novello, Humphrey Lyttelton, Leslie Howard, Arthur Askey (at least twice), Wing Commander Guy Gibson, Claire Luce (who took the original part in Gay Divorce when it was a play, before Ginger Rogers made it her own in the movie, I based my first Dottie book, Night and Day on this version.) Michael Redgrave, Celia Johnson, Deborah Kerr, Stewart Granger, Peter Ustinov, Ian Fleming, Alfred Hitchcock, and so many, many more. The castaways were not just British actors, musicians, Members of Parliament, war heroes and other popular names, but there were many, many others including US stars and notable figures: Tyrone Power, Count Basie, Blanche Thebom, Earl Hines, Paul Robeson, Dave Brubeck, (quite a few musicians, I notice), Paul Gallico, Regina Resnik, Tallulah Bankhead, Louis Armstrong, Andre Previn, and James Stewart.

Me playing the piano in my ballgown as my leggings dry on the sand…

James Stewart chose a piano as his luxury item. Actually most people seemed to choose notebooks and writing implements, or canvases and paints to take as their luxury item. Perhaps there is a sense in all of us that thinks that, given enough time, we’d get through all our routine basic duties or tasks and finally have a moment to do what we really want to do – be creative. Others wanted to take photos of their family, or their favourite tipple: plenty of good quality claret was requested!

Don’t ask me to do without this…

It’s odd, isn’t it, discovering what is most important in our lives? If we know our loved ones—and the cat/goldfish/gerbil are safe, what else is important? If you’re going somewhere with no shops, businesses or commerce, do you need money? Or jewels? Or designer clothing?

Here are my own 8 choices of music. I should just say, I like most kinds of music, but some are dearer to me than others. I cheated by going for albums rather than individual tracks 😊.

  1. Corinne Bailey Ray’s album called ‘Corinne Bailey Ray’.
  2. Riverside’s ‘Out of Myself’.
  3. Nina Simone: ‘Feeling Good: The Very Best of Nina Simone’
  4. Handel: Messiah (this is a big compromise as I like different versions of this by different orchestras/choirs depending on the track…)
  5. Paul Weller’s ‘Modern Classics’.
  6. The Very Best Of Jimmy Somerville, Bronski Beat & The Communards (You can get a lot of extra mileage with ‘best of’ compilations, just a little tip for you, in case you’re ever in this situation.)
  7. Simply Red: ‘Men and Women’.
  8. Can I bring the whole set of ‘The Marriage of Figaro’? I don’t think I can choose just one track… It won’t take up much room, I promise. Oh, and the libretto so I can sing along – there’ll be no one around to scare with my voice.

And for my book—Again, to show just how times have changed, and also, to bend the rules a wee bit, I’ll take my Kindle eReader. Hahahahahaha! (charging point is assumed…)

Which means, my luxury item is going to have to be a bottomless tub of Options white hot chocolate too. Then I’d truly be happy.

Oh wait, I forgot my notebooks and pens. No, it’s okay, my Kindle has got my Evernote note-making app on it. Phew. For a moment I almost got out of the boat and went home again.

And that’s it. I suppose what I wanted to say really was, wow what a huge number of really special people were on Desert Island Discs. It’s no wonder it’s considered an institution. I would love to have spent half an hour talking to so many of those people, sadly no longer with us. If you want to know more, you can take a look on Wikipedia:

https://en.wikipedia.org/wiki/Desert_Island_Discs

Or on the BBC’s page:

https://www.bbc.co.uk/programmes/b006qnmr/episodes/player

Who would you want to interview?

If you were the castaway, what items would you take with you? What music would you choose? It’s a dilemma!

***

Ten (awful) things about me

Of course, I don’t wear the anorak all the time. It’s for special occasions.

I thought I’d tell you ten things you might not know about me. Why? Well, we’re all besties now, right, so that means I can off-load some of my mess special characteristics and just—you know—really be myself with you.

  1. I got a 10-yards swimming certificate when I was ten years old. So if I’m ever on board a boat that sinks really, really close to the shore, I’ll be fine.
  2. When I was out for a walk with my family in a park when I was eleven years old, I needed to go to the bathroom, and there were no bathrooms, so I went behind a tree, and a man and his dog came over and asked if I was okay. (I didn’t realise there was a path behind the tree as well as in front of it.) I was too embarrassed to say I was peeing, so I made up a totally unlikely story about losing my pocket money behind the tree and said I was looking for it. Crouched there as I was, I half-heartedly raked through the  leaves by my feet. The only problem was, this kind man decided to help me look for it…. It was about five long minutes before he must have realised what was going on, and with a panicked expression got up, said goodbye, and that he hoped I’d find my ‘pocket money’, then he and his dog ran! Aww. My parents laughed, but I was mortified.
  3. I failed my English Literature ‘O’ level. Though I later went on to complete a Bachelor’s degree in English and History so I certainly showed them!
  4. I also failed my Sociology ‘O’ level. Ironically, it was the only subject I really studied hard for. I must have guessed how bad I was at that subject. To make matters worse, my teacher told my parents I wasn’t going to pass and so they had to pay for me to be allowed to sit the exam. All for nothing. Is it too late for a resit?
  5. I love cats and dogs but I’m allergic to fur and dander.
  6. I love learning new languages, but I am hopeless at it. I always get the different languages muddled in my head, and I may start a sentence in French, but I’ll just as likely end it in Spanish or German…
  7. I once peed myself laughing with my cousin, then had to throw myself in a handy nearby river to disguise my ‘accident’ so as not to get into trouble with the dreaded parents. I was about twelve at the time. I was a horrid child! I also fell into a river on Boxing Day, then sat in a tree in my underwear hoping my clothes would dry in the breeze and went home an hour later frozen half to death in sopping wet clothes. Me and bodies of water do not get on.
  8. My work experience week coincided with my sixteenth birthday, and I was sent to spend a week with the local newspaper. I spent my sixteenth birthday covering court cases as a junior reporter. It was fascinating and I got well and truly bitten by the true crime bug!
  9. I once rode my bike into a fence and smashed it. And I took myself to the front door of the fence owner to confess all. He was so astonished at my honesty that he let me off. (Another pre-teen escapade!)
  10. I got thrown out of our school’s church service for asking too many questions about God. I wasn’t even a disbeliever, I just was asking tricky theological questions, which apparently was not okay. (Still eleven!) Oh well. I also got a prize in school prize giving for Religious Education, so maybe they forgave me after all.

So yeah. That’s me. I can kind of see how I ended up being a writer.

***

Marsali Taylor’s new murder mystery Death in a Shetland Lane

Amazon Author Page - https://www.amazon.co.uk/Marsali-Taylor/e/B0034PACI8/

Hello to all!

This week, I’m delighted to  share news of Marsali Taylor’s new murder mystery book, Death In A Shetland Lane. This is the third of this series I’ve been lucky enough to get roped into review for Marsali’s book tour.

You can read previous reviews here and here.

 

 

My handsome grey Cat stayed up in
the cockpit while I got the motor going, but tortoiseshell Kitten
headed below to sit in her box and wash the sand from her white
paws. I glanced down at her, lifevest glowing pink against her
ginger-allspice-cinnamon fur.

Meanwhile, here are some facts about Marsali Taylor:

AUTHOR BIOGRAPHY 

Marsali Taylor grew up near Edinburgh, and came to Shetland as a newly-qualified teacher. She is currently a part-time teacher on Shetland’s scenic west side, living with her husband and two Shetland ponies. Marsali is a qualified STGA tourist-guide who is fascinated by history, and has published plays in Shetland’s distinctive dialect, as well as a history of women’s suffrage in Shetland. She’s also a keen sailor who enjoys exploring in her own 8m yacht, and an active member of her local drama group.

BLURB

Days before the final Shetland fire festival, in broad daylight, a glamorous young singer tumbles down a flight of steps. Though it seems a tragic accident, sailing sleuth Cass Lynch, a witness at the scene, thought it looked like Chloe sleepwalked to her death.

But young women don’t slumber while laughing and strolling with friends. Could it be that someone’s cast a spell from the Book of the Black Arts, recently stolen from a Yell graveyard?

A web of tensions between the victim and those who knew her confirm that something more deadly than black magic is at work. But proving what, or who, could be lethal – and until the mystery is solved, innocent people will remain in terrible danger…

My Review:

Let me just quickly say, I’m not very good at book reviews. I don’t go into the plot in huge detail etc.

For me the best thing about this book, and Marsali’s others, is the intricately woven depiction of the relationships of the Shetland people and culture that are featured in this series. They are so lovingly presented, in some respects it doesn’t matter about the crime. You feel as if you know these people and it’s a worry when they end up involved in a murder because you worry about the impact on them and their families. One of the writer’s greatest skills is that she populates her books with a range of characters so perfectly described, that as a reader, you are involved. There is a lot to lose if the case is not solved.

And there is the unique culture: music, spiritual beliefs, superstitions, history and of course, the language. There were a few unfamiliar terms, so I was so grateful for the dictionary at the back of the book (bookmark, everyone, for ease of consultation!)

The murder is a seemingly straightforward one, a simple crime, maliciously planned, and with a number of viable suspects. As always, Cass cannot help but get involved, even though there is an official police investigation, because after all, she was there when it happened, and tried valiantly to resuscitate the victim. And as ever, it was fantastic to read about Gavin swirling about the place in his kilt–of course! Though, sorry, but quite obviously, it’s the cats who stole the show: as always.

A highly enjoyable book, especially if you love sailing and messing about in boats!

My thanks to Lynne Adams, Headline Accent Press and Marsali Taylor for the chance to read this fab new book.

I went from one tack to the other, enjoying her,
then sat with my feet up on the opposite seat, my familiar tiller snug
in my hand, and the white sails stretched above me.

HOW TO BUY

SOCIAL MEDIA LINKS

Author Facebook Page 

Author’s Website 

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Coming Summer 2024: Midnight, the Stars, and You: Dottie Manderson mysteries book 8 #newbook #mysteries #HistFic

I thought I’d already shared this, but I can’t find it anywhere, so here it is, a sneak peek of the opening scene of chapter one, possibly for the second time. (and sorry, too, it’s a bit long…)

Book 8 of the Dottie Manderson mysteries finds Dottie fed up with waiting and all the fuss, and just wanting to get on with being Mrs Detective Inspector William Hardy. She and her mother and her sister all want different things, and Dottie thinks, ‘It’s my wedding, it should be how I want it!’ An unexpected invitation could be just what she needs. How wonderful it will be to get away to a weekend house party and forget all the worries of organising a wedding!

Of course William, like all husbands-to-be everywhere has no interest whatsoever in the problems of the right kind of lace or the perfect place setting. In any case, he’s got a special kind of investigation going on, one that means bringing a good friend to justice, stretching his loyalty to his profession almost to breaking point.

Dottie Manderson was already fed up to the back teeth with parties. Admittedly, she thought, one expected parties in June. And just lately life had been nothing but. Tennis parties, tea parties, afternoon dancing parties, mid-morning tea parties, dinner parties, drinks parties in the evening, it was endless. And now, socialising in London was giving her a sense rather too much like continually stepping over graves—those of dead friends as well as dead relationships. Wherever she went, dragged along by her mother or her sister, or her mother and her sister, to various events in so many houses and gardens, she was continually running into people she either knew, or had heard of through other acquaintances.

This evening was a case in point. They were at the Sir Nigel Barrowby’s lavish Tyne Square townhouse for dinner and dancing. Dottie hid behind the same half-glass of white wine she had been clutching for almost two hours and looked about the room.

Over there by the fireplace, hanging on the arm of a man with a military moustache, was Anabella Penterman nee Wiseman of the New York Wisemans, married to Dottie’s almost-beau Cyril Penterman less than a year and a half ago, and yet now if the gossip columns were correct, the couple were very publicly living separate lives, and divorce seemed to be on the cards. The woman had glanced at Dottie four times now, though only managing a polite smile the first time, every other occurrence accompanied by a bright hard stare. Dottie noted that the woman had lost a lot of weight, and her left hand held no rings.

Then, on the opposite side of the vast drawing-room was the Honourable Peter St Clair St John giggling rather childishly, in Dottie’s opinion, with a couple of really quite young girls.

‘Far too young for him,’ Dottie murmured out loud.

‘Oh definitely, dear,’ replied a woman standing a few feet away. She drew a little closer, saying in a low tone, ‘I don’t know what their parents are thinking, introducing them to that wolf.’

‘Is he a wolf?’ Dottie turned to face her companion, a blonde woman in her early thirties, immaculately turned out. Dottie felt a slight flash of recognition but couldn’t quite reach at the woman’s name. ‘I always found him a bit dull, if I’m honest. And only ever interested in himself.’

Belatedly she wondered again who she was speaking to. It wouldn’t do to say that to a close relation.

‘Well, absolutely. His only interest in his life has always been himself. A thoroughly tiresome younger brother, I don’t mind telling you. But once he gets a girl to himself, he’s all hands, from what I hear.’

Too late Dottie recognised Christiana St John Milner, the widow of the Milner empire since her husband, the Honourable Sebastian Wilcott Milner had passed away under what Dottie had always regarded as odd circumstances during an avalanche when out skiing with friends in the Swiss Alps just–what–surely it was barely six months ago, Dottie thought, yet here was the young widow in a daring dress of figure-hugging gold lame, not a single sign of mourning about her.

Catching Dottie’s glance at her dress, Christiana smiled and held out her hand. ‘I don’t think we’ve ever been formally introduced, though I’ve seen you at a number of events over the last two or three years. Christiana, please.’

Dottie shook her hand. ‘Dottie Manderson. Just Dottie.’

‘Not Manderson for much longer, I hear,’ Christiana said.

‘No, that’s true. Not for long now. The wedding is in August.’

‘Lovely. And am I right in thinking that he’s not one of our lot?’

Dottie tried not to be offended. She’d heard this a lot in recent weeks, and should really have become used to it. But still, it grated.

‘He works as a police officer, I expect you mean,’ she said, carefully keeping her tone neutral.

Christiana looked mortified. Her hand came out to just touch Dottie’s arm. ‘Oh, I’m so sorry. Please don’t think I meant…’ she sighed. ‘I’m sorry. I didn’t mean it quite the way it may have sounded. Oh this is a terrible start to a friendship. I’m not a snob.’ Looking into her glass, she said softly, ‘Believe me I know all too well how hard it is to find a good man. And when one is lucky enough to find him, one thanks one’s lucky stars and refuses to let go.’

‘I’m sorry too,’ Dottie said. ‘I’m afraid there have been a number of critical comments, and I’m feeling rather on the defensive. William’s family had an estate but unfortunately it was sold a few years ago to cover—er—’

‘Death duties?’ Christiana suggested helpfully.

Dottie gave slight shake of the head and a wry smile. ‘That. And debts.’

‘Ah! Well, there are plenty of those amongst the so-called upper-crust And even the aristocracy, as we both know. I can look around this room and tell you who is solvent and who hasn’t got the proverbial penny to bless himself with. Let’s start with my idiot brother. Broke,’ she smirked at Dottie, ‘Definitely not got a penny to his name. I’m so glad you didn’t fall for him.’ She discreetly pointed out two other men and a woman and said, ‘Broke,’ for each of them.

Dottie was astonished. Christiana was right. These four people were four people who Dottie would have practically gone to her grave believing to be financially stable, solvent. Inadvertently she took a gulp of her horrid wine. She grimaced ad swallowed quickly.

‘But my father is thinking of going into business with Lord Dalbury and his friend Milo Parkes. They’ve been having talks all week at Father’s club.’

Christiana looked concerned. ‘Oh my word, no! Please warn your father to get out whilst he can, they will bleed him dry!’

Dottie nodded. ‘I’ll tell him. Thank you for the tip. It’s astonishing isn’t it. As you say, one takes everyone at face value, and we make assumptions based on what we see.’

‘Which prompts me to ask, Dottie, what do you think of my dress?’

‘Oh it’s lovely!’ Dottie didn’t even have to stop and think about that.

‘It’s actually an old one of my mother’s. Yes, really, it’s more than twenty years old. She had some beautiful gowns and coats and things. Furs. Some of them were terribly expensive, and my brother wants to get rid of them. Sell them. He needs the money.’

Dottie said nothing, wondering—or rather suspecting she might know where this was leading.

‘I’m having a house party next weekend. I know it’s horribly short notice, but I was wondering if you’d do me a huge favour. I was hoping you might know a few people who would be interested in buying Mother’s things. I don’t want them going to just anybody, but if they were people you could recommend, I might not mind too much. I don’t want it to feel like village jumble sale with everyone pawing over my mother’s things. But if I can help Peter, I feel I have to do so, he’s so wretchedly clueless. Could you spare me a weekend to come and visit, and bring your lovely fiancé, of course, and if you could just go through Mother’s things and tell me what might fetch some cash, and who might be interested… there aren’t many ‘names’, Mother went rather her own way in fashion, although there are some Carmichael and Jennings items you might be interested to see. Well, perhaps you’ll think about it and let me know. You can telephone me, I’m on Belgravia 139.’ She grabbed Dottie’s arm and said in an urgent tone, ‘Do say you’ll think about it, please. This means so much to me.’

‘I will,’ Dottie promised, and had only time to repeat these words as the music suddenly began, and a young man came to ask Christiana to dance.

***

Extras… the minor characters every mystery story needs

Extras complaining to the author about not having a name – again.

Last week was all about the main characters – the detective, the villain, the side-kick and of course the victim(s).

This week, I’m interested in thinking about the minor characters – or extras – in my head I see these as a kind of walk-on part, much like those in any TV show or movie. They don’t always have lines. Sometimes they don’t even have names. They might be described as ‘an elderly dog-walker’ or ‘the woman behind the shop counter’. They crop up everywhere the story goes – in shops, houses, on village greens, in museums, and at dinner parties.

But why are they there?

Extras fulfill a number of criteria and needs for the author and the reader.

  • they can deflect attention away from the culprit or villain.
  • they can provide the reader with useful clues or snippets of information.
  • equally, they can provide us with (less useful, sometimes) red herrings and wrong-turns.
  • they enrich the story so it doesn’t consist of just your four main characters, unless that’s the whole point of the story.
  • they can give us a sneak-peek of something that might happen in a later book if this is a series.
  • they act as a kind of commentator or dramatic chorus to comment on the action or criticise or laud the ‘hero’.

But life as an Extra can be tough and is often unpredictable.

Police or other people in authority (completely unaware all too often that they themselves are Extras, can bully them or wrongfully arrest an Extra and accuse them of terrible things they haven’t done.

You need a huge range of skills as you may be called upon to perform almost any task from forensic assistant to chambermaid.

As an Extra, you might be completely overlooked by the reader who doesn’t even notice you, let alone what a magnificent job you do pretending to be an elderly dog-walker when you’re really a young woman in her twenties on her way to college and you don’t even like dogs.

Alice was at the party with two friends. Who were they? No one knows.

And they never remember your name, which is why you have to have a description attached: Miss Jones, the games mistress at school where victim used to teach. You might even find yourself very near the bottom of a long list of characters, a list designed to help readers remember all the people in the book they’ve met but don’t remember.

No one asks your opinion. ‘Tell us, Poirot,’ they cry, at the end of the book. ‘Who did this dastardly deed? and why?’ I mean, all the Extras probably know this information too, don’t they. But no one ever asks them. They just come in with the tea tray and leave without anyone noticing.

Likewise, no one ever asks an Extra if they’re okay and how they feel about being shut up in a big country house with loads of stairs, and a murderer roaming about bumping people off willy-nilly.

And as if all this is not enough, when the author gets bored, you might even end up as the next victim, just to ‘spice things up a bit’.

How is that fair? It’s not just a policeman’s life that’s terrible hard. Try being an Extra for one book, let alone a whole series. I’m only surprised they don’t have a union.

‘I hate being in crowd scenes,’ said the person in the red outfit. ‘So do I!’ said another person in yellow. ‘It’s so anonymous.’

***

The Big Four: the four main characters in a murder mystery

I love murder mysteries. I doubt this comes as any kind of a surprise to most people reading this blog. Characters in a murder mystery fall into one of two categories: they are either part of the Big Four, or they are Extras. This week I want to quickly chat about the Big Four.

Who are the Big Four?

The Big Four are the main characters without whom we would have no murder mystery. They are: The Victim(s), The Villain(s), The Side-kick(s) and The Detective(s).

And yes, they often come as a pair or even more, not just as a lone individual. Detectives, for example, often come as a pair – one an amateur and one a professional. Villains too, can sometimes deliberately confuse the reader by sharing the limelight with another villain, and share the crimes too.

And who doesn’t love a high body-count? Why stop at one Dastardly Deed when you can have two, or three, or…

Let me introduce you…

The Victim(s)

Victims, as avid mystery lovers know, are always bumped off for a reason. And obviously it is The Detective(s)’s(s’)(??) job to discover why and bring the perpetrator to justice.

The richer, the more arrogant, cruel, cold, grasping, greedy and crafty our victim is/was, the better we like it, don’t we? We can then take a vicarious pleasure in their demise as we would never, ever do such a thing ourselves in real life. And the worse they are, the nastier and more creative their all-too-timely death should be. BUT.

They can’t be so bad that we don’t care if their killer evades detection.

In my view, ideally there should be two or three of these demises per mystery because, if I’m honest, I’m always a bit disappointed if there’s ‘only’ one.

The Victim is there for one reason only–to make us, the reader feel clever:  to provide something for The Detective to detect, of course.

The Villain

Whenever I hear the word ‘villain’ I always think of a man in a swirling black cape and top hat, twirling his moustaches menacingly (or smugly, either will do)and saying ‘Mwah haha’.

Sadly, the days of Dick Dastardly have gone, (drat, drat and double drat) and nowadays The Villain can look like anyone:

A little old lady.

A priest.

A stalwart Major-type.

A handsome young man on his honeymoon. (I’m looking at you, Death on the Nile.)

A nurse. (Sad Cypress)

Even a child. (Crooked House)

The Villain is often charming, often invokes our sympathy due to baggage and issues, and can even make us think, ‘Aww well, she/he’s had a tough childhood, maybe we should kindly overlook those four grisly murders and let her/him have a new chance at life.’

We must be on our guard at all times throughout the book until the moment this villain is unmasked.

The Side-kick

The Sidekick has a demanding role. They are there as a kind of placeholder/proxy for the reader.

They must be clingy to the point of irritating, sticking by The Detective’s side when they really should go away and leave him/her alone to think things through. But no, they stick around at all times, asking stupid, inane and tedious questions, so that we don’t have to. We sit at home in our comfiest armchair and loudly exclaim, ‘Rookie mistake, I already knew that…’ but really we’re thinking, ‘Ooh I wasn’t sure, but now that you mention it…’

The side-kick – desperately needed to help us survive the journey

So they are there to help The Detective and the reader to find the evidence and the clues and to arrive at the truth of the mystery.

In fact they don’t create a dialogue, but they are the dialogue – through The Side-kick, the reader can talk to The Detective and The Detective can talk to us.

And finally:

The Detective*

The Detective can be anyone.

Rather like The Villain, The Detective can be a law-and-order professional, or someone from an associated profession (forensics, psychology…), or an amateur with a gift, a nurse, a priest (The Complete Father Brown stories) a stalwart major-type, a nurse, a handsome young man on his honeymoon or even a child (The Sweetness At The Bottom Of The Pie).

The Detective has one job and one job only: to find out whodunit and bring them to justice.

It’s essential that her or his main characteristics include:

Passionate desire for justice, even at risk to self, it goes without saying, I hope.

Incredibly close attention to detail: ‘Sacre bleu, this dust is 3.14159 milimetres in ze thickness, therefore the killer was the maid and the crime was committed on Tuesday afternoon.’* The whole case may depend on just this kind of minuteness.

‘Mesdames et messieurs, allow me to reveal at last, the identity of the criminal’.

Very keen observation skills: ‘Zut alors, the footprints in the mud are of a depth of 3.14159 milimetres, therefore we must find a person of 6 feet 1 inch who weighs 189lbs.’

From the two above attributes, we can also see that they must be good at mathematics too. 

Lastly, the Detective must have a huge ego: We readers love to have all the suspects in a room at the end of the story, and to be taken step by step through the crime to learn the identity of The Villain, and to have the satisfaction of them being led away in handcuffs. Therefore it is essential that our Detective loves to show off just a little and to deliver a lecture on how clever he/she is and how many different things we missed.

So next time you are reading a mystery, keep a handy notebook and pen by your side, so you can check for all these points!

*must supply own white hat

*sorry btw, for me all fictional detectives are Hercule Poirot, even when they’re not

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The Language of Flowers #flowersinbooks #literaryquotes

Flowers. They are always mentioned in books, right?  Whether they are a metaphor for the transient nature of life, or for resilience, or else portrayed in a more traditional way as indicating someone’s feelings or emotions, they are the writer’s favourite motif.

In one of my books, they represent something sinister–a kind of veiled threat, when Cressida received dead flowers from an unknown source. But flowers have been written about for centuries by some of the world’s greatest authors.

Do you recognise all of these quotations? There’s no prize, but you can feel very proud of yourself if you do! Hopefully after reading a few of these, you’ll feel as though you’ve had tea in the garden on a sunny afternoon.

“If a kiss could be seen I think it would look like a violet.”

L. M. Montgomery: Anne Of Avonlea

″‘Really, there’s nothing to see.’ Nothing… only this: a great lawn where flowerbeds bloomed…”

Philippa Pearce: Tom’s Midnight Garden

“How extraordinary flowers are… People from a planet without flowers would think we must be mad with joy the whole time to have such things about us.”

Iris Murdoch: A Fairly Honourable Defeat

“A morning-glory at my window satisfies me more than the metaphysics of books.”

Walt Whitman: Leaves of Grass

“In joy or sadness, flowers are our constant friends.”

Okakura Kakuzo: The Book of Tea

“Through primrose tufts, in that green bower,

The periwinkle trailed its wreaths;

And ’tis my faith that every flower

Enjoys the air it breathes.”

William Wordsworth: Lines Written in Early Spring

“Nobody sees a flower – really – it is so small it takes time – we haven’t time – and to see takes time, like to have a friend takes time.”

Georgia O’Keeffe

“All day in grey rain

hollyhocks follow the sun’s

invisible road.”

Basho (translated by Harry Behn)

“Have you blossoms and books, those solaces of sorrow?”

Emily Dickinson: Letters

 

“All the men send you orchids because they’re expensive and they know that you know they are. But I always kind of think they’re cheap, don’t you, just because they’re expensive. Like telling someone how much you paid for something to show off.”

Winifred Watson: Miss Pettigrew Lives for a Day

“You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation.”

Stephen King: Salem’s Lot

 

“And over walls and earth and trees and swinging sprays and tendrils the fair green veil of tender little leaves had crept, and in the grass under the trees and the gray urns in the alcoves and here and there everywhere were touches or splashes of gold and purple and white and the trees were showing pink and snow above his head and there were fluttering of wings and faint sweet pipes and humming and scents and scents.”

Frances Hodgson Burnett: The Secret Garden

“There has fallen a splendid tear

From the passion-flower at the gate.

She is coming, my dove, my dear;

She is coming, my life, my fate.

The red rose cries, “She is near, she is near;”

And the white rose weeps, “She is late;”

The larkspur listens, “I hear, I hear;”

And the lily whispers, “I wait.”

Alfred Tennyson: Maud Part 1

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Van Gogh and the need for models

When Vincent van Gogh wrote to Emile Barnard in 1889 from the asylum in which he had voluntarily placed himself, he said he was ‘suffering under an absolute lack of models’. He was not talking about people to pose for him to paint, he was talking about people to look up to, professionally, role models, people he aspired to follow and to learn from. He was faithfully working on his painting, turning out canvas after canvas, but had no one close by who could help him grow as an artist.

Alice Walker, in her collection of essays entitled In Search of Our Mothers’ Gardens (such an inspirational book, I still have the battered copy that I bought in 1989 in London’s Tottenham Court Road at a bookshop specialising in feminist and womanist works) quotes this moment in Van Gogh’s life, and discusses it in “Saving The Life That Is Your Own – the importance of models in the artist’s life”. She highlights the need for writers–and all artists–to find worthy and strong role models to help us grow and develop our skills. Her book helped me hugely as an aspiring writer in my late 20s.

There have been a number of special books which have influenced me as a writer over the years. Here are some of them. (Some of them are quite old now, but I think you can still get them…)

In her 1934 masterpiece Becoming A Writer Dorothea Brande said, “A writer writes” which writers hear everywhere, and you may think it’s an obvious statement to make, but think about it for a few minutes, it’s deeper than you think. It’s not about writing being just a one-off event, ‘I wrote a book’, but an ongoing, permanent relationship with words. This book is considered a little out of date by some or a bit patronising, but for many writers, Brande’s book is the seminal work aimed at writers who are right at the start of their writing journey, or who have lost their creative impetus and need a fresh perspective.

Writing a book can be compared to climbing a mountain, and the higher you get the more scary it feels if you stepped back from the process to look at what you were doing. So, as Mary Wibberley in her book To Writers With Love said, ‘Don’t look down!’ – just keep moving forwards until you reach the end. Or should that be, THE END. She also commented that finding your story is rather like creating a sculpture out of a block of stone. It takes time, and you shape the story roughly then polish and hone, several times. This book was another huge help to me as a new writer.

Alice Walker taught me that in spite of this need writers often have to be alone to concentrate on their writing, we also need others to look up to and observe and learn from, to share our journey with, to laugh with, to cry with, and everything in between. I–and you–cannot grow or function in isolation. And life’s journey is too hard to spend all your time alone.

It has never been easier than today to find others for inspiration and support. Many of my closest friends are other writers I have come across through conversations on social media. And they have got me through so many tough times, times when I felt discouraged, or felt like giving up, or felt like nothing seemed to be working. I am so grateful to them. If I ever win an award, my ‘Without whom…’ speech will be long and tearful. The internet is full of tips, hints, writing websites, blogs, epublishing platforms, how-tos and advice, writing circles, book reading groups, as well as technique and knowledge webinars. My advice is to dig into these writing groups, make friends and be kind. We all need the human element. There is no need to suffer under a lack of models any more.

It is an odd thing, being a writer, because just like other ‘normal’ jobs, sometimes you don’t want to do it, you don’t want to write, or you’re fed up with everything you write: it feels stale or trite or clichéd or flat or bumpy or… ‘hard, dry…’ Sometimes you hate being a writer. Sometimes you write something so good, you can’t believe it came from you. Or you become convinced you have depleted in one sentence your entire reserve of ability, and that you will never be able to write again. Other times you feel as though you’re banging your head against a brick wall, desperately trying to get an idea out, and you can’t even remember what a verb is.

Van Gogh said, “However hateful painting may be…if anyone who has chosen this handicraft pursues it zealously, he is a man of duty, sound and faithful.”

All Van Gogh’s works now with free cat

It does sometimes feel as though, as writers, we are undertaking A Quest as we try to ensure our red herrings are subtle but present, and our sleuths remain believable and appealing yet somehow stand out from the crowd of other fictional sleuths. Loathing may be present for at least a third of the book. You may well come to dread the very thought of looking at your draft again. But look at it you must, for the good of the book, and your writer’s soul. And you have to make yourself do it even if you don’t want to. You can’t just sit and wait for inspiration to strike. As many well-known and successful authors have commented, if you only write when inspired, then you’ll probably never write a thing.

Van Gogh went on to say, “What I am doing is hard, dry, but that is because I am trying to gather new strength by doing some rough work, and I’m afraid abstractions would make me soft.”

Like him, we devote ourselves to diligently plodding through our notes, our research, our first drafts and our revisions. At times it feels like hard, dry work. But we cannot leave it until later. If we do, we will lose our impetus, we will forget that special key phrase, that small detail on which the whole plot turns. Therefore it’s important to keep going, keep moving forward. But you don’t have to do it alone. Join a group, make friends, open up to others and as they embrace your work, you can embrace theirs.

Be careful with your criticism. Remember their style may not be yours, their story may differ from yours, their experiences, their character – they are not you. But like you, they have a dream – so try not to trample, but to encourage. One harsh word or thoughtless comment can make someone give up writing for weeks, even months, so be kind, be gentle. We creatives are sensitive people. You may not ‘gel’ with everyone, but those you do, support them wholeheartedly. Try to keep an open mind. You may not like or agree with what people say about your work but listen to them anyway, consider what they say, don’t get miffed or precious: you need these people and they need you. And more than one viewpoint is valid. Together we can get our work drafted, revised and rerevised, edited, rererevised, proofed then put it out there into the world for the reading public, sharing one another’s triumphs as well as the doubts.

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