Criss Cross and a sneaky little announcement.

This week I thought I’d share a flashback-kind-of-thing.

It’s been ten years since I published my first book.

(I was about to write something about that, but then I reread what I’d just written – ten years since… Isn’t that what addicts say? I wonder if I am actually an addict? This writing thing – it’s impossible to stop. Maybe I need professional help?)

Anyway… I was going to say, it’s been ten years since Criss Cross: Friendship Can Be Murder: book 1 hit the Kindles and bookshelves, and firstly, where has the time gone, and secondly, I bang on about my other books but this series gets overlooked. So I thought I’d share with you chapter one of Criss Cross, and also just mention quickly in passing that next year, I plan to bring out book 4 in this series. The series started life as a trilogy but I just love these characters so much. So Dirty Work, book 4 will be out in the mid to end of 2023.

If you feel like reading on, I should just add, there are BAD words in this chapter, and it is VERY long. Oh and it’s written in the first person in diary entry-form. Sorry, I know (now!) that everyone hates that:

Sun 24 June

To my darling Cressida

Happy Birthday, Sweetheart! Have fun writing down all your thoughts and plans and dreams, then when we’re old and grey we can sit together on that terrace in Capri and watch the sun go down, drink a glass of wine and you can read me the spicy bits from this journal and we will have a good laugh and talk about the old days!

With all my love forever and ever

Thomas xx

Same day: 10.35pm (Cressida writes:)

She must die!! I hate her!! I refuse to put up with her a moment longer, she is an evil, conniving old bitch without a grain of family feeling and it’s time she was dead!!

Mon 25 June—2.35pm

Have you noticed how some people just never seem to realise they’ve gone too far?

I was going to start off my new journal with something terribly erudite and wise. Like a new school notebook, I particularly wanted the first page to look lovely. But I suppose it really doesn’t matter if the first page isn’t perfectly neat and everything: the whole purpose of a journal is to pour out one’s innermost thoughts and give vent to all the frustrations that, as a nicely brought-up person, one can’t give full reign to in ‘real’ life, and so obviously even the first page can get a bit messy. And now just look at it!

But I digress. I must explain from the beginning…

It was my birthday yesterday. 32 already. God, I’m old! I looked at myself in the bathroom mirror this morning and even in the flattering south-facing light and all steamy and fresh from the shower, I’m absolutely certain I could see the tiniest line down the left side of my face from my nose to the corner of my mouth—I’m convinced it wasn’t there yesterday. Wonder if I’ve left it too late for Botox?

Among a number of very extravagant birthday gifts, my Darling Thomas gave me this sweet little journal. I’d mentioned weeks ago that I used to keep a journal when I was a melodramatic teenager, and how nice it was just to write down everything that happened and to really get it out of my system and add in lots of ‘grrr’ faces and heavy underlining, and lo and behold, the dear man, he surprised me with this journal for my birthday. So here I am.

It’s an absolutely beautiful book. It has a hard cover with a weird kind of gothicky design in the most gorgeous shades of black and purple and gold, with a magneticky bit in the front flap to keep it closed, and the pages, somewhere between A5 and American letter-size, are edged in gold too, so it feels very glamorous to write in—In fact I was a bit afraid to begin the first page, hence all the fuss about it looking nice and neat, I almost got a kind of writer’s block!

But all my good intentions and deep thoughts and years of accumulated adult wisdom and the desire to create something really special went out the window when my cow of a mother-in-law turned up on a ‘surprise’ visit and now my first page—well second really, under that really sweet little message from Thomas—Is absolutely ruined! I only hope to God Thomas doesn’t read it!

Not that she’d remembered it was my birthday any more than my own mother had—oh no! One can’t expect her (or either of them in fact!) to keep track of trivial little details like that. No, she needed Thomas’s advice about some financial matters, and thought she’d pop over. After all what’s an hour and a half’s chauffeured drive here or there? Of course she didn’t bother to ring first, see if we were in or free or anything. Clarice is used to everyone falling in with her plans.

‘I knew you wouldn’t be doing anything important,’ she says as she breezes in, dropping her coat in the middle of the hall, frowning around at the décor before settling herself in the drawing room, demanding tea. Not just the drink! By ‘tea’ she means that Victorian/Edwardian meal between luncheon, as she calls it, and dinner. She expected crustless sandwiches, crumpets, cakes (large and small), scones, jam and cream, the works. And copious amounts, of course, of tea-the-drink. China, not Indian. With lemon slices in a dainty little crystal dish, not 2 litres of semi-skimmed in a huge plastic container.

Thomas reminded her that it was my birthday and that consequently we had plans for the evening. She waved a negligent hand. Her hair, a shade too brave, was salon-perfectly waved if somewhat stiff-looking, and her clothes were at least one generation too young for her, but hideously expensive as well as just—well, hideous. Did I mention I hate her?

‘Oh that can be set aside. You can easily go out some other evening. My financial affairs are of the first import.’

Thomas looked at me. He didn’t want to fight with his mother and I knew there would be no point in trying to push him to resist the onslaught, so for poor Thomas’s sake, I sighed and shrugged and he sat down next to the old dragon and asked what she wanted to know. Meanwhile I dashed off to ring Monica Pearson-Jones and a few others, to let them know that we would either be horribly late for the theatre party, or quite possibly not turn up at all. I have to admit I was feeling quite cross and rather sorry for myself. However, Huw and Monica’s machine had to take the terrible news, as they were out. I hoped to God they weren’t already on their way.

When I got back to the drawing room, Clarice was banging on about her bloody cats, and Thomas was all glazed over and away-with-the-fairies-looking. Clarice just looked up and taking in my flat tummy and slender waist (which take me hours to maintain, btw) glared at me and said ‘so, still not knocked up yet then?’ And before I could respond with a frosty, well-constructed rebuttal, she turned to Thomas and said, ‘I told you she wouldn’t be any good. Why you couldn’t marry that Filipino girl the Honourable Addison-Marksburys brought back with them, I’ll never understand. Very good child-bearing, the Filipinos. And it’s not as though she would have expected you to take her anywhere.’

Thomas said nothing helpful, of course, just sat there like a rabbit in the headlights. And then, before I could recover my breath enough to pick my jaw up off the floor, at that moment, Huw and Monica arrived. I raced out into the hall, thinking I might be able to head them off, but just as I was discreetly mumbling to them just inside the front door, Thomas dashed out looking frazzled and dragged them in for a cuppa. Huw, only too glad to wade into a fight, immediately went in with Thomas, whilst Monica exchanged a ‘families, what can you do!’ eye-roll with me and we followed on at a more sedate pace, I with the awful sense that things were about to go even more horribly wrongerer!

How right I was. I could see Clarice eyeing them up and down. I knew she wouldn’t like Huw, because he can seem a tad brash on first meeting. He might have the breeding she prefers, but he doesn’t always act like a gentleman. Plus he takes great delight in saying exactly the wrong thing. Loves to shake things up a bit, does our Huw. But Monica, well, she’s lovely! Clarice couldn’t possibly find anything objectionable in Monica, surely?

She found something.

After eyeing them very obtrusively for several full minutes and barely murmuring even the merest of pleasantries when Thomas made the introductions, Clarice said to me, quite loudly enough for them to hear, though it was supposed to be a whisper,

‘Married his secretary, did he? She looks that type. Coarse. Rather Cheap. Eye to the main chance, one would imagine.’

Monica turned to glare, but before she could say anything, and as Huw was about to stroll to her defence, Thomas got their attention by forcing cake on them, but to no avail as, inspired once more, Clarice leaned towards me with another little gem.

He’s obviously a drinker. And looks like a bit of a lech, too. Just like Millicent Huntingdon’s first husband. Thoroughgoing bastard, that one. No back-bone, morally speaking.’

Our friends left just seconds later, Huw saying something over his shoulder about a ‘vile old bag.’ In fact the duration between Clarice’s comment and their car careering off down the drive was less than thirty seconds. I think that’s probably a record. I say ‘our friends’ but after the insults from Clarice, we’ll probably never see them again. Then of course, on being reprimanded for her poor manners, Clarice sulked and kept going on about how she didn’t know what the younger generation were coming to and blaming Thomas for not executing better judgment.

‘In more ways than one,’ she said, and eyed me with malice once more.

So as I was saying to begin with, some people just never seem to realise they’ve gone too far!

I mean, the vast majority of normal people, people like you and I, we just instinctively know the correct way to behave. We apologise when someone else bumps into us, we begin every complaint with ‘terribly sorry to be a nuisance, but…’ We’re nice. Pleasant. We have a kind of in-built mechanism, straight as a line in damp sand, an invisible barrier which prevents us stepping beyond the realm of reasonable and acceptable behaviour.

Some people do not.

Some people never read the signs, they ignore all warnings and plough doggedly on, intent only on saying what they want to say and doing what they want to do. They don’t care about your feelings. They turn up unannounced and uninvited, they change your plans without considering your wishes. They don’t notice the look on your face, the halting of your phrase, they are oblivious to the cooling of the atmosphere around them. They never notice that infinitesimal pause before you continue to hand around the petit-fours, a fixed smile plastered on your face, inane pleasantries tripping off your tongue. Some people remain completely and utterly ignorant of all the signs.

Everyone else, metaphorically speaking, has grabbed their handbags and jackets, collected their madeleine-tins from your kitchen, tossed the keys to the Range Rover to their husbands, dashed out of the door leaving kisses still hanging in the air, and are already on the slip road to the motorway whilst That Person is still looking vaguely around as a few motes of dust drift gently down to the Axminster. They are wearing that idiotic expression that says, ‘who me? What could I have possibly said?’ or even worse, ‘well I only said what everyone else was thinking’.

And they are always, always, always completely unaware when they have outstayed their welcome.

There’s only one way to deal with people like that.

One way and only one way.

You have to kill them.

They never take the hint, you see. They fail to detect the slight frost in your demeanour as they witter on, insulting your loved ones, criticising your friends, your home, your life. Such people cannot be taught, changed or reasoned with. In the end, it’s just easier for all concerned if you get rid of them before they truly become a Nuisance and make everyone with whom they come into contact completely and utterly miserable.

And if that seems a little harsh, just think for a moment about what these people do to your self-esteem, to your inner calm, to your peace of mind. When the phone rings, these are the people whose voice one dreads to hear. One begins to dread all family occasions and holidays because of That Person. Frankly, it’s just not worth the emotional and psychological trauma of putting up with them. Life is quite challenging enough. And that is the stage I’ve now reached with Clarice.

So.

That said, it’s one thing to say to oneself, Monday, water plants, collect dry-cleaning, go to library, bake fairy cakes for the One-to-One drop-in day-centre fundraiser, and quite another thing to just sort of slip onto the bottom of your to-do list, ‘oh and kill mother-in-law and get everything tidied up because dinner will be on the table at seven o’clock sharp due to drinks at eight-thirty at the Pearson-Jones’.

Things—unfortunately—just aren’t quite that simple.

The Grandes Dames of the murder mystery genre, practising their art in the early and middle parts of the twentieth century—what one might term the ‘Golden Age’ of detective fiction—espoused the pleasures of poisoning. Fly-papers were meticulously soaked to extract their lethal properties, berries and toadstools were carefully gathered and sliced and diced and surreptitiously introduced into steaming casseroles and tempting omelettes. On every domestic shelf such things as sleeping draughts and rat poison and eye drops sat unnoticed and unremarked, and a home was not a home without at least a few jars of cyanide or arsenic sulking forgotten in garden sheds and garages.

But, sadly, these items are notoriously tricky to come by nowadays in our ‘Nanny state’.

Of course, one watches these TV programmes that explain all about the forensic process, so that one is pre-armed with useful information. Knives wielded by the left-handed protagonist cut quite differently to those employed by a right-handed person. Equally so the short protagonist and the weak slash feeble protagonist.

In addition the actual wound inflicted by a classic blunt weapon can yield so much information about not just the weapon itself but also the attacker—the approximate height, stance, and even weight and probable gender, for example, and the ferocity of attack is sometimes a gauge as to motive and psychology. Firing a gun leaves residue on one’s clothes, gloves, and skin, and, contrary to popular belief, it can be quite a job laying one’s hands on a firearm.

According to the Daily Tabloid, a gun may readily be obtained at certain pubs in our larger cities for as little as £30, usually from a gentleman going by the name of Baz or Tel, but the problem is, these tend to be the kind of establishments one would hesitate to enter in broad daylight, let alone late in the evening.

Remember, it’s very difficult to get a decent glass of Merlot in this kind of hostelry, and one can’t just go in and hang about without making a purchase of some kind. If you do just go into the bar and stand or sit in a corner, the other patrons are likely to stare and nudge one another. They may even whisper to one another, ‘wot jer fink er game is then?’ or possibly, ‘Oi Tel, woss up wiv er, she too good fer us or summink?’

This is especially the case when one gentleman approaches and states that he and his friend, Gaz or Stevo or even ‘Arrison would like to buy you a beverage of some description, usually a Mojito or similar, and you are forced to politely but firmly decline. They are apt to be offended.

And if you do order a nice glass of Merlot, there’s always a momentary look of confusion on the face of the Landlord as he tries to recollect whether he has a corkscrew within easy reach, or how long ago he opened the half-empty bottle on the back counter—was it recently enough to avoid the expense of opening a brand new bottle?

Then he’ll ask if you’d like ice and lemon. Might as well add a cherry-on-a-stick and a little umbrella! And there’s no point in trying to charge it to your Diamond Visa or Titanium Amex—they much prefer to deal with cash. It’s altogether a rather unpleasant experience.

In any case, Baz or Tel are always surprisingly suspicious when one asks them if it would be possible to purchase a small Eastern-European revolver, something with a fairly hefty slug but small enough to slip into a small Louis Vuitton clutch-purse, or at a pinch into a Mulberry shoulder bag, or even, and here I may be straying into the realms of fantasy or James Bond (same thing, I suppose), even into the top of one’s stocking.

The gentleman invariably looks a bit puzzled and says something along the lines of, ‘‘ere that sounds a bit dodgy Darlin’. I don’t do nuffin like that.’ Well, of course it’s a bit dodgy, one points out, one is illegally attempting to buy a gun in a corner of the car park of a fleabag pub at eleven o’clock at night, and paying cash into the bargain. How could one possibly see it in any other light than dodgy? It doesn’t matter if you offer them £100, £200 or even £500 at this point, they just walk away shaking their heads and saying, ‘screw that, I don’t wanna get cort up in nuffin dodgy.’

I ask you.

The criminal classes aren’t what they once were. But what other choices does one have?

A pillow over the face in the dead of night is liable to leave a filament of goose-down in the lungs of your chosen recipient. This will immediately be detected by any half-decent forensic examiner and blabbed all over the Car-Crash Telly channel in a late-night special called Toffs Who Kill or something of the kind.

A bit of a bump with the car in a quiet part of town on a wet Wednesday afternoon may lead to eyewitnesses or CCTV footage recording your number plate for posterity. For goodness sake, tiny fragments of paint from the wing of your vehicle may embed themselves in the depths of the wound you inflict, and these same may be delicately reclaimed by a steady-handed science-nerd in a lab coat wielding a pair of sterile tweezers.

Murder is a difficult road to travel. But one must bear in mind the old maxim that nothing worthwhile is ever attained without a struggle. Therefore it is imperative to be utterly committed, to be dedicated in one’s approach, to persevere in the face of adversity and to make copious notes so that one may learn from one’s mistakes. And of course, it goes almost without saying, each stage must be planned in intricate, even tedious, detail.

Today I went to my local stationer’s—It’s so vital, I feel, that one supports local businesses wherever possible—and bought two notebooks, a small index card box, a set of ruled index cards, and a rather nice fountain pen. My husband seems to be under the impression that I require these items to catalogue my shoe collection. Sweet! And not a bad idea…but first things first.

Now, I’ve worked out I have approximately six weeks in which to plan and carry out my little project, and still have time for a decent mourning period before we have to be in Scotland for the ‘glorious twelfth’, my Thomas’s cousin Jessica (lovely woman!) always has a house party. Actually this year it’s the glorious thirteenth as the twelfth falls on the Sabbath, and one never shoots in Scotland on the Sabbath. Der! Thomas loves his shooting, so although I’m not a lover of messy pastimes, I always like to encourage him to relax and have a bit of fun, stockbrokers work so hard don’t they, and such high stress levels, one obviously doesn’t want them to crack up under the pressure!

Not, of course, that we would need a mourning period as such, as Thomas hates his mother almost as much as I do, but one must maintain appearances, and I’d need a good week, I’m absolutely certain, to sort out the contents of Highgates—she has accumulated so much old tat, although most of it is stored in boxes in the disused bedrooms, and has been sitting there untouched for simply decades. But it will take me a full day just to sort through the Spode and other china and porcelain in case there are any little gems lurking amongst the dross.

There are also two rather elderly and smelly cats that will have to be put to sleep, and of course the whole legal side of things to sort out. Thomas will have to see to that.

Then there’ll be the funeral to arrange.

Now one thing I do think is really important, and that is to ensure a really beautiful casket is purchased. And of course, it’s no good skimping when it comes to fittings, not if you want to do the job properly. Brass, highly polished, is the only thing that will do. Not that horrid plated stuff that rubs off as soon as you touch it. That’s what happened to Thomas’s colleague Miranda Kettle (she’s got the biggest nose I have ever seen, and the smallest chin! Nothing grows in the shade, does it?). She skimped on her mother’s coffin. We all noticed the green stain on the pall-bearers’ gloves, of course. No one said anything obviously, and in any case, Miranda herself didn’t notice. She had her nose buried in an extra-large gentlemen’s handkerchief most of the time, she was so inconsolably upset. Poor woman. Absolutely distraught throughout the entire funeral. Thought the mortgage had been paid off years ago! Such a beastly shock.

Same day: 5.45pm

I’ve just had a bit of a break to think about this a little longer. So I went to sit out on the terrace with a cup of tea. Then it came to me, and I had to dash indoors and fetch this journal.

Of course, the very thing!

The scourge of society nowadays: the house-breaker. Or, more precisely, the drug addict, who, as the tabloids will no doubt report, desperate to gain some funds for another few grammes of white powder to snort, breaks into a nice house in an attractive part of Ely in the hope of some opportunistic gain. Then is surprised by a feisty, elderly lady with a bit of oomph about her, and during the course of a desperate struggle, the evil perp bludgeons the poor old dear and makes off with some loot.

Meanwhile, I could be enjoying a well-deserved break at a health spa in—ooh, let me think—Cambridgeshire, perhaps?

This might actually work!

Things to do:

Purchase rubber gloves, not those cheap ones, they make me itch.

Ditto black woollen ski mask or balaclava

Goggles

Also some black shoe polish (for face, obviously, so must make sure I purchase a ‘gentle’ formula) as I believe we’re actually out of black shoe polish at the moment.

I think I already have a black (or navy would suffice at a push) pac-a-mac somewhere in the rear cloakroom from that ill-fated walking holiday of 2010—Thomas had wanted to try something different—suffice to say, we went straight back to Antigua after that.

Oh, and black slacks.

Next, book visit to health spa. Tell Thomas am going away for a couple of days to a nice, reputable place in Cambridgeshire. Must buy a copy of The Lady in case none of my pals can think of anything in that area.

Will need to purchase a cheap, disposable holdall for disguise. (Could use a plastic grocery bag, I suppose, but it’s not really me. Also, this might scream homicidal housewife slash amateur-hour and want to look like I know what I’m doing, right tools for the right job etc etc but can’t actually use one of my own in case it’s traced back to me).

No need to buy a bludgeoning implement, as plenty of scope at Thomas’ mother’s house. Lots of beastly vases and figurines—some really quite large and heavy and ghastly but without any actual value—and, as will obviously have gloves on, can leave figurine in situ once used, no need concern oneself about disposal of same. Actually leaving the weapon behind looks better from a not-going-equipped point of view. More impromptu.

You know, I’m so excited. I really think this might actually work. Must just go and fish my little filofax out of my bag to work out a timetable. Then I can start writing in the headings on my index cards. Ooh Goody!

***

If one is good, two is better, right? #WritingaMystery

Writing a new book: it’s like being in love

Oh I am loving this writing something new lark.

For a few reasons, I have been working on the same two books for about three years. As you may know if you’ve followed my ramblings on this blog before, I recently published my new murder mystery A Meeting With Murder: Miss Gascoigne mysteries book 1.

And at the moment I am still putting the finishing touches to Rose Petals and White Lace: Dottie Manderson mysteries book 7, which is due out on 9th December this year – only just over a month to go.

(Eek!!!!! What am I doing writing this?)

But… and you’ll think I’m mad. Okay, if you know me you probably already think that.

…I’ve started writing another book this week.

I won’t tell you what it is yet, I think that’s best kept quiet for now. It’s all far too early to start penciling in publication deadlines. It’s so new I haven’t even got a cover for it yet.

Not long now!

What I wanted to share with you is the sheer joy of working on a new NEW project after having a dodgy couple of years working with the same books and feeling like they were never going to happen.

It’s so invigorating, refreshing, inspiring. I feel like singing. Or dancing. Or just telling the world. It’s weird, I feel an urge to go up to actual strangers and–okay not hug them, I’m not a monster–but at least smile pleasantly. It’s just sooooo good to be creating not editing, feeling my way forward, laughing at my own jokes, mulling over all the myriad possibilities of a brand new story.

It feels as though anything is possible, anything can happen, and most probably will. I feel in control, I feel fulfilled. I even got up early to write!!!! New fresh ideas are buzzing, and I am writing feverishly, it’s like being in love.

My natural pessimism/caution requires me to just briefly add that by next week it could all be over, and I might be drowning my sorrows in a vat of hot chocolate, or I’ll be deeply mired in the slush that forms the slough of despond known as the soggy middle.

But right now, I’m just so ecstatically happy to be writing something new that I just had to tell someone!

Me, about a hundred years ago, but already books had the power to take over my life.

***

Image conscious

Study of A Portrait.

If you are planning on self-publishing, you have probably been told a zillion times to ensure your cover is fabulous! And if you want to stand out from the crowd, you’d better do your homework. So here are a few tips to help you out:

Check out the opposition. Take a look at what is selling well in your particular genre or subject – what do the covers look like? Are there ‘unwritten’ rules for the covers of your type of book? For example, cozy mysteries and romance tend towards pastel shades and bright covers, often with cartoon-style illustrations, whereas thrillers and crime tend to have dark images, often quite abstract – a view of a street, or a blurry person. Trees and snow are more favourites. Real life drama and experiences will likely have realistic-looking photographic cover images; classical fiction might go for something arty or a pattern. But if your book is about car engines, then you want something that says, ‘this is where to go for a good engine strip-down, this gal knows her stuff’, so you would probably go for a close-up of an engine, or a particular part. Non-fiction is usually a lot more geared towards the specifics. Fiction is often more about an idea than a ‘thing’. Either way, try to choose an image that will blend in and yet stand out.

How many times have people said ‘great book, but in the story Jeff had blond hair but the cover shows a dark-haired male.’ Sometimes these things are out of our control, but if you have the last say, make sure your cover is relevant and accurate to your story or text. If the action takes place in a block of flats, don’t show a cosy country cottage on the front. Your cover can often explain or hint at the story, so be careful not to include visual spoilers!

Clarity is everything. It’s no good having a fabulous image that doesn’t translate into black and white (for less sophisticated devices), or is indecipherable as a thumbnail. If people have to screw up their faces or borrow Great Aunt Aggie’s lorgnette to figure out what they’re looking at, they probably won’t bother to inquire any further with your book. It’s got to look good in the tiny! Likewise, if creating your own image, make sure it is of sufficient size and quality for the platform you have chosen to publish on – it’s no good having a pic that is an adorable thumbnail but goes wishy-washy and out of shape when ‘stretched’ to full book-size. This can be an issue especially for print-on-demand paperbacks. Also check that the file size is compatible too. You don’t want a cover with too much empty space around the outside, where the image is too small.

Lastly, I know it seems obvious, but I have actually seen published books out there in the world and available to the public, with a typo right there on the cover! So please do check, and if your spelling is terrible, maybe get someone else to check too, especially if you have a tagline or byline in addition to your title and author name. Ditto book blurb and ‘about the author’ sections on the back cover if publishing an actual book. It’s no good trying to establish yourself as the world’s leading authority on anything if you can’t ensure at least your cover is perfect. I once applied for a job saying I had great skills and attention to detial. Don’t do that!

It goes without saying you should never snatch an image and use it if it’s copyrighted unless you have permission. There are plenty of great sites where you can download royalty-free images, often free-to-use, so make sure you only use those kinds of images. Some images are only for single or private use and do not cover large-scale usage.

Now I need to work on some book covers, it’s no easy task to choose the right image, and so easy to get carried away looking at beautiful pictures. Thank you, photographers of the world for your amazing images!

Harold! Nooo!

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If only we could travel back in time!  Where would you go?  Who would you speak to?  Your past self, to tell them to avoid going out with Mr Nasty?  Or some famous public figure?  Would you go back in time to buy up shares in something or other, to make yourself a billionaire in the here and now?  Or would you take back a bunch of antibiotics to get rid of the plague?

I often think I’d like to go back in time to meet various ancestors.   I’d love to go on that journey from Falmouth to Deal that John and Elizabeth Reed undertook when he left the merchant navy and joined the newly formed Coastguard Service.  I’d have liked to help Elizabeth with her four or five small children on the company boat and reassure her that although the new place was going to be different, and the people in Kent wouldn’t speak the same language, that she would be okay, that she would get used to it, and to tell her to be careful of her health.  It must have been like going to the other end of the world for her in the 1830s.

I would have liked to be at Queen Victoria’s wedding, I would have loved to hear Dickens doing a reading from his own works.  I would have liked to pop down to Chawton and chat with Jane Austen about her works (even though she wasn’t in the pink of health by the time she lived there).

Mostly I think, I would have liked to have a quick chat and a cup of coffee with King Harold.  Maybe my black jeans and glam top from Evans would have been enough to convince him I came from the future?  or my self-tanning body lotion?  Big earrings?  I’m assuming my phone won’t work back then.  Maybe a pack of raspberry pop-tarts would convince him?  I would like to pop in and have a coffee with him, catch him during his brief respite in London after his victory at Stamford Bridge (the battle not footie).  I’d give him a bit of a talking to.

“Harry,” I’d say, “you’re just one man, I know not all the rough rude sea can wash off the oil from the God’s anointed, (oops sorry that’s not been written yet – note to self – must go back in time and write Richard 2 before Shakespeare gets his mitts on it).  But you can’t do it all.  Stay here for a couple of days, take in a show, do a spot of sight-seeing.  WAIT until the rest of the lads arrive, don’t go rushing off to sort out Bill from Normandy.”  Because that’s just what he did – a big set to Up North (anywhere beyond Watford), with Harold crushing the insurgents, then a mad dash South, a quick fuel stop in London, then arriving panting and short-staffed in Hastings, ill-prepared and even worse equipped to meet William in the field of battle.  Literally!  (For overseas readers, the Battle of Hastings took place not at Hastings, but a few miles inland where there is a lovely town by the name of Battle.)  “Harry, my boy,” I would have said …

“My Liege, if I may speak boldly.  Tarry a while here in London, Good Sir, rest and gather your strength.  Wait until ALL your men arrive from the North and you will have sufficient numbers to overcome this young upstart from Normandy.  allow your knights and their men time to rest and eat and prepare themselves for the conflict.  Do not dwell on William’s escapades in Sussex, another two days will save the crown and your people.  then it will be time to march on Hastings and with both weapons and strong men, you will not fail to win the day.  Also, I pray thee, don this helmet with yon strengthened visor to protect the Royal eyes from arrows.”

That’s what I would have said.  “Harry, baby, Nooo!  Fools rush in … take a chill pill.”

I bet he would have gone anyway.  You know what lads are like when you try to boss them about.

Your name seems familiar …

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“That which we call a rose

By any other name would smell as sweet”

William Shakespeare – Romeo and Juliet

Shakespeare’s suggestion that names are not important is hopelessly wrong for writers.  Who hasn’t sat, staring at a blank sheet of paper, agonising over what to call a character?  And if it’s your protagonist, that only makes it harder.

Occasionally a name for a character just comes to me:  Meredith Hardew from my WIP A Meeting With Murder.  Amy Harper and Kym Morris in The Silent Woman. (all still lying fallow!)  These are names that sprang fully-formed into my consciousness as I began to write the story.  But it doesn’t always work out like that. But I can spend hours, literally, agonising over the right name for a character.  There are times when I actually cannot begin writing a story because I can’t seem to find the right name.  Sometimes I can’t remember the names I’ve given to my characters, usually when I’m away from home and writing ‘middle’ chapters, and I have even written several thousand words with varying numbers of capital XXXXs to denote each character.  It can get confusing.  In these circumstances I have to write long explanations to myself of who the person is, as well as the XXXXXXs.

But I can’t always trust myself when a name does just spring into my head either.  Like the time I had a main character called Ben and I needed to give him a surname. Sherman.  Hmm, I thought, Ben Sherman sounds really good.  It’s like those two names were meant to go together, somehow.  What a great, natural-sounding name for a character, I thought.  Too often I hear people moan, no one would be called that, it’s not a name anyone would really be called.  I told my daughter.  She rolled her eyes heavenward in what can only be described as her ‘For God’s sake, Mother!” expression. Apparently there is already someone well-known with that name.  Oh well.  Back to the book of baby names again.

Names can be absorbed by osmosis from society and culture and we don’t always know where they’ve come from.  I usually check my friends’ names on Facebook or for authors on Amazon to be ‘on the safe side’.  I had also written five chapters of my WIP before I realised that two of the main characters were named Meredith and Edith. Edith had to become Sheila.  You need to keep the names quite dissimilar to avoid confusion, unless that is germane to your plot.  And never feature  Jack Peters and a Peter Jackson.  (I’ve known it happen, and the confusion accidentally created by the author seriously impacts on the enjoyment of the story!  You can’t suspend belief if you’re trying to remember who is who.)

When it came to creating character names, Dickens was a master.  He used names to ridicule his characters, to reveal societal trends and attitudes, and to denote characteristics or personalities.  Think of Gradgrind and M’Choakumchild in Hard Times, think of Uriah Heep, Mr Cheeryble, Squeers.  He also used another technique that is still useful for writers today.  He used to take names that were ordinary and just slightly change them, creating something different and yet somehow familiar.  Thus Philip became Chilip.

Think of Suzanne Collins’ Hunger Games heroine, Katniss Everdeen, think of Margaret Attwood’s novel, The Handmaid’s Tale – the woman Offred was the ‘property’ of Fred. Also for bizarre names it is impossible to beat Alistair Reynolds’  Pushing Ice character Chromis Pasqueflower Bowerbird.  So don’t be afraid to play around with names and have fun. Maybe Isaac can become Istac; Sophie can be Phosie, Mary can become Maare, John could become Hjon, Dohn, Joon.  In creating fiction, you are creating a whole world, so a few names is not much more of a stretch.  Just make sure they are not the names of a successful designer.

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Uncle Harry

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When I was a little girl, in the 1960s in Tunbridge Wells, it was I think pretty normal for elderly close friends of the family to be referred to by children as Uncle and Auntie.  I had a couple of Uncles and Aunties who weren’t really family but were friends.  I have written quite a lot about Auntie Zonya, a unique soul and wonderful woman, an enigma.

But living in our grand old house in Tunbridge Wells, there were others.  In the room next door there were two hairdressers, two men, who went ‘professionally’ by French names – deemed more ‘suitable’ for hairdressers.  One called himself Rene (or Rennie as we used to say), I can’t remember what the other one called himself.  They were very ‘artistic’.   Of course now I look back and realise they were a gay couple, but in those days they were simply glamorous, artistic people, who lived together for convenience and to save money.  None of us living in the house had much of that.  It was a house full of similar people – no estate, no money, not much of anything.  There was an artist who made me a cat mask.  On the top floor was the elderly lady who owned the whole house, Miss Lilian, she had snow-white hair and almost never went out.  I was a bit scared of her.  We were a strange little community.

And in the room next door but one, on our floor, was an elderly man who lived alone.  His English was good but heavily accented.  He was from a exotic-sounding place I had never heard of – Yugoslavia – and he had come over during the second world war, and had never been able to return.  He was all alone.  Family left behind, unheard of, out of touch, maybe dead.

I don’t know what his name was really, but I called him Uncle Harry.  Perhaps he really was called Harald something.  I used to scamper into his room once or twice a week, sometimes with a story book, sometimes with paper and crayons.  He used to tell me stories.  He used to tell me about his little girl.

He always used to give me a little glass dish of tinned fruit with tinned cream poured on top, and he used to sprinkle sugar on the cream.  He kept the tins for me, in his little cupboard.  He used to tell me to run and ask my mum if it was okay for me to have it.  She always said yes, and told me to say thank you.  My mother could rarely afford such a treat.  I didn’t get much pampering (neither of us did) and I hadn’t much experience of father figures.

But Uncle Harry was gentle and indulgent.  He was softly spoken and kind.  He never told me off.  He let me chatter.  He told me stories.  He gave me pudding!

Whenever I have a dessert with cream, even now, 50 years later, I sneak a bit of sugar on top.  And when I am sad, or worried or bored, sweet things are what I crave.  Especially dairy products.

I remember sitting at his dining-table, my legs dangling, unable to reach the floor.  I felt safe.  I felt loved.  I had an uncle-figure, an older man, wiser, who had weathered storms to make his home in a bedsit in Kent.  He added hope to my life.  I wish we hadn’t moved away, I would have liked to know him when I was older.

Gold or Silver?

I found these notes in an old journal.  I was pondering the attributes, from a writer’s point of view, of gold and silver.

Gold is the colour of royalty, of quality, of the authorised, and acknowledged, of states and state, religions and churches and faiths, of the accepted and acceptable, of righteousness.  Gold is pure, incorruptible, reliable, ‘pure gold’, good, honest and forthright.  Gold is given in blessing and to enrich, it is security, savings and wealth.  Gold is warm and appealing, gold is the colour of the noonday sun, giving life to all and sight to all.  ‘Gold standard’ indicates a status achieved, a level of existence and compliance, of regularity and trust, and a line by which all else is measured.  Gold is laid up for the righteous.

But silver.  No.  Silver is ‘other’.  Silver is secretive and fleeting, it is mercurial and unremarkable in nature, it changes hands easily, claiming a new master.  Silver works its arts by night, it is hard, cold, bright and the colour of small change, ready money, the easily-obtained.  The colour of stars and light of the moon, silvery and secret, sinister and elusive, dancing through the sky, always out of reach, now hidden, now displayed.  The thirty pieces of silver, the betrayer’s coin, the turner of hearts and souls, the illicit, the unpermitted, the unauthorised, the denied.

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