Blue Sky Thinking?

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“October extinguished itself in a rush of howling winds and driving rain and November arrived, cold as frozen iron, with hard frosts every morning and icy drafts that bit at exposed hands and faces.”
― J.K. RowlingHarry Potter and the Order of the Phoenix

We often are told in writing to draw on our senses to bring reality and immediacy into our writing, to create texture and believability, creating a world for our reader to step into in their mind. The same is true of the weather. Painting the weather into your story works every bit as well as using sensory information: capture a background, a stage, a canvas, on which your characters can live out their lives.  Weather often overlaps with sensory description – you make your reader feel the warmth of the sun on their skin, or the raindrops on their face, let them hear the thunder or feel the rising humidity or the biting of a north wind every time the cabin door opens and someone struggles to push it shut again.

“The sun did not shine. It was too wet to play. So we sat in the house. All that cold, cold, wet day.”
― Dr. SeussThe Cat in the Hat

Where you are writing about a specific time of year, remember that extremes of weather can be used to move a plot forward – an unseasonably warm spring day, a summer downpour leading to flooding.  In Judith Allnatt’s book “A Mile Of River” the events of the story unfold in Britain’s long drought of 1976, to devastating effect.  I can remember snow falling in July once in the 1980s when we lived in Aldershot, and five years of living in Queensland – even with its reputation for being damp – has made me love grey skies and rain. One of the first people we met was a cab driver from Hull who had been in Aussie for 35 years.  He told us he hated the sun and longed for drizzle. so weather can also be part and parcel of who we are and affect our outlook on life.

“It was one of those perfect English autumnal days which occur more frequently in memory than in life.”
― P.D. JamesA Taste for Death

I’ve always wanted to use that phrase so often featured in the Peanuts cartoons: ‘It was a dark and stormy night…’ Originally used by a British writer, Edward Bulwer-Lytton in 1830, it was ridiculed from the off for its melodrama.  So I haven’t used it.  But it’s tempting! I love storms and it always feels as if anything could happen during a storm.  Likewise we think of spring as bright, happy, a time or hope and rebirth…

“April is the cruelest month, breeding
lilacs out of the dead land, mixing
memory and desire, stirring
dull roots with spring rain.”
― T.S. EliotThe Waste Land

I have adorned a funeral with pouring rain in my WIP, Miss Burkett Changes Her Mind (no, I still haven’t finished it .) I always think a large black umbrella is full of possibilities for crime or romance. But sometimes, regardless of your misery and grief, the heavens refuse to open, and the sun shines, the birds sing, almost in mockery of your emotions. And this too, can produce a mood that works nicely on paper, inducing your character to take some form of action.

But don’t overdo it.  You don’t need to update your readers on every other page unless it’s a book about climate change, or you’re engaged in rewriting Wuthering Heights. (I’m sure they would all have lived happily ever after if they hadn’t lived in such a bleak and lowering spot.)

“But who wants to be foretold the weather? It is bad enough when it comes, without our having the misery of knowing about it beforehand.”
― Jerome K. JeromeThree Men in a Boat

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